She first appears in the persons of Fallace
and Saviolina in _Every Man out of his Humor_; then in _Cynthia's
Revels_, where Moria and her friends play the part; then as Cytheris in
_Poetaster_, Lady Politick in _The Alchemist_, the collegiate ladies
in _The Silent Woman_, and Fulvia and Sempronia in _Catiline_.
and Saviolina in _Every Man out of his Humor_; then in _Cynthia's
Revels_, where Moria and her friends play the part; then as Cytheris in
_Poetaster_, Lady Politick in _The Alchemist_, the collegiate ladies
in _The Silent Woman_, and Fulvia and Sempronia in _Catiline_.
Ben Jonson - The Devil's Association
My knowledge of its contents is derived wholly from
Darrel's answer, _A Detection of that sinnful, shamful, lying and
ridiculous Discours, of Samuel Harshnet, entituled: A Discoverie,
etc. . . . Imprinted 1600_, which apparently cites all of Harsnet's more
important points for refutation. It has been lent me through the
kindness of Professor George L. Burr from the Cornell Library. The
quotations from Harsnet in the following pages are accordingly taken
from the excerpts in the _Detection_.
3. _Prototypes of the leading Characters_
The position of the leading characters has already been indicated. Pug,
as the comic butt and innocent gull, is allied to Master Stephen and
Master Matthew of _Every Man in his Humor_, Dapper of _The Alchemist_,
and Cokes of _Bartholomew Fair_. Fitzdottrel, another type of the gull,
is more closely related to _Tribulation Wholesome_ in _The Alchemist_,
and even in some respects to Corvino and Voltore in _The Fox_. Wittipol
and Manly, the chief intriguers, hold approximately the same position
as Wellbred and Knowell in _Every Man in his Humor_, Winwife and
Quarlous in _Bartholomew Fair_, and Dauphine, Clerimont, and Truewit in
_The Silent Woman_. Merecraft is related in his character of swindler
to Subtle in _The Alchemist_, and in his character of projector to Sir
Politick Wouldbe in _The Fox_.
The contemptible 'lady of spirit and woman of fashion' is one of
Jonson's favorite types.
She first appears in the persons of Fallace
and Saviolina in _Every Man out of his Humor_; then in _Cynthia's
Revels_, where Moria and her friends play the part; then as Cytheris in
_Poetaster_, Lady Politick in _The Alchemist_, the collegiate ladies
in _The Silent Woman_, and Fulvia and Sempronia in _Catiline_. The same
affectations and vices are satirized repeatedly. An evident prototype
of Justice Eitherside is found in the person of Adam Overdo in
_Bartholomew Fair_. Both are justices of the peace, both are officious,
puritanical, and obstinate. Justice Eitherside's denunciation of the
devotees of tobacco finds its counterpart in a speech in _Bartholomew
Fair_, and his repeated 'I do detest it' reminds one of Overdo's
frequent expressions of horror at the enormities which he constantly
discovers.
4. _Minor Sources_
_The Devil is an Ass_ is not deeply indebted to the classics. Jonson
borrows twice from Horace, 1. 6. 131, and 2. 4. 27 f. The half dozen
lines in which the former passage occurs (1. 6. 126-132) are written in
evident imitation of the Horatian style. Two passages are also borrowed
from Plautus, 2.
Darrel's answer, _A Detection of that sinnful, shamful, lying and
ridiculous Discours, of Samuel Harshnet, entituled: A Discoverie,
etc. . . . Imprinted 1600_, which apparently cites all of Harsnet's more
important points for refutation. It has been lent me through the
kindness of Professor George L. Burr from the Cornell Library. The
quotations from Harsnet in the following pages are accordingly taken
from the excerpts in the _Detection_.
3. _Prototypes of the leading Characters_
The position of the leading characters has already been indicated. Pug,
as the comic butt and innocent gull, is allied to Master Stephen and
Master Matthew of _Every Man in his Humor_, Dapper of _The Alchemist_,
and Cokes of _Bartholomew Fair_. Fitzdottrel, another type of the gull,
is more closely related to _Tribulation Wholesome_ in _The Alchemist_,
and even in some respects to Corvino and Voltore in _The Fox_. Wittipol
and Manly, the chief intriguers, hold approximately the same position
as Wellbred and Knowell in _Every Man in his Humor_, Winwife and
Quarlous in _Bartholomew Fair_, and Dauphine, Clerimont, and Truewit in
_The Silent Woman_. Merecraft is related in his character of swindler
to Subtle in _The Alchemist_, and in his character of projector to Sir
Politick Wouldbe in _The Fox_.
The contemptible 'lady of spirit and woman of fashion' is one of
Jonson's favorite types.
She first appears in the persons of Fallace
and Saviolina in _Every Man out of his Humor_; then in _Cynthia's
Revels_, where Moria and her friends play the part; then as Cytheris in
_Poetaster_, Lady Politick in _The Alchemist_, the collegiate ladies
in _The Silent Woman_, and Fulvia and Sempronia in _Catiline_. The same
affectations and vices are satirized repeatedly. An evident prototype
of Justice Eitherside is found in the person of Adam Overdo in
_Bartholomew Fair_. Both are justices of the peace, both are officious,
puritanical, and obstinate. Justice Eitherside's denunciation of the
devotees of tobacco finds its counterpart in a speech in _Bartholomew
Fair_, and his repeated 'I do detest it' reminds one of Overdo's
frequent expressions of horror at the enormities which he constantly
discovers.
4. _Minor Sources_
_The Devil is an Ass_ is not deeply indebted to the classics. Jonson
borrows twice from Horace, 1. 6. 131, and 2. 4. 27 f. The half dozen
lines in which the former passage occurs (1. 6. 126-132) are written in
evident imitation of the Horatian style. Two passages are also borrowed
from Plautus, 2.
