The rest of the
argument
is simpler.
John Donne
_O'F_ heads the poem _To the
Countesse of Bedford, Twitnam_. The poem is written to welcome her
home. See l. 70.
The development of Donne's subtle and extravagant conceits is a little
difficult. The Countess is the sun which exhales the sweetness of the
country when she comes thither (13-18). Apparently the Countess
has returned to Twickenham in Autumn, perhaps arriving late in the
evening. When she emerges from her chariot it is the breaking of a new
day, the beginning of a new year or new world. Both the Julian and the
Gregorian computations are thus falsified (19-22). It shows her truth
to nature that she will not suffer a day which begins at a stated
hour, but only one that begins with the actual appearance of the light
(23-4: a momentary digression). Since she, the Sun, has thus come to
Twickenham, the Court is made the Antipodes. While the 'vulgar sun' is
an Autumnal one, this Sun which is in Spring, receives our sacrifices.
Her priests, or instruments, we celebrate her (25-30). Then Donne
draws back from the religious strain into which he is launching. He
will not sing Hymns as to a Deity, but offer petitions as to a King,
that he may view the beauty of this Temple, and not as Temple, but as
Edifice.
The rest of the argument is simpler.
l. 60. _The same thinge. _ The singular of the MSS. seems to be
required by 'you cannot two'. The 's' of the editions is probably
due to the final 'e'. But 'things' is the reading of _Lec_, the MS.
representing most closely that from which _1633_ was printed.
ll. 71-2. _Who hath seene one, &c. _ 'Who hath seen one, e. g.
Twickenham, which your dwelling there makes a Paradise, would fain see
you too, as whoever had been in Paradise would not have failed to seek
out the Cherubim. ' The construction is elliptical.
Countesse of Bedford, Twitnam_. The poem is written to welcome her
home. See l. 70.
The development of Donne's subtle and extravagant conceits is a little
difficult. The Countess is the sun which exhales the sweetness of the
country when she comes thither (13-18). Apparently the Countess
has returned to Twickenham in Autumn, perhaps arriving late in the
evening. When she emerges from her chariot it is the breaking of a new
day, the beginning of a new year or new world. Both the Julian and the
Gregorian computations are thus falsified (19-22). It shows her truth
to nature that she will not suffer a day which begins at a stated
hour, but only one that begins with the actual appearance of the light
(23-4: a momentary digression). Since she, the Sun, has thus come to
Twickenham, the Court is made the Antipodes. While the 'vulgar sun' is
an Autumnal one, this Sun which is in Spring, receives our sacrifices.
Her priests, or instruments, we celebrate her (25-30). Then Donne
draws back from the religious strain into which he is launching. He
will not sing Hymns as to a Deity, but offer petitions as to a King,
that he may view the beauty of this Temple, and not as Temple, but as
Edifice.
The rest of the argument is simpler.
l. 60. _The same thinge. _ The singular of the MSS. seems to be
required by 'you cannot two'. The 's' of the editions is probably
due to the final 'e'. But 'things' is the reading of _Lec_, the MS.
representing most closely that from which _1633_ was printed.
ll. 71-2. _Who hath seene one, &c. _ 'Who hath seen one, e. g.
Twickenham, which your dwelling there makes a Paradise, would fain see
you too, as whoever had been in Paradise would not have failed to seek
out the Cherubim. ' The construction is elliptical.
