He added two strings
to the lyre, which hitherto had had only seven.
to the lyre, which hitherto had had only seven.
Aristophanes
An allusion to the giants, the sons
of Earth, who had endeavoured to scale heaven.
[544] Pericles had squandered all the wealth accumulated in the Acropolis
upon the War. When he handed in his accounts, he refused to explain the
use of a certain twenty talents and simply said, "_I spent them on what
was necessary_. " Upon hearing of this reply, the Lacedaemonians, who were
already discontented with their kings, Cleandrides and Plistoanax, whom
they accused of carrying on the war in Attica with laxness, exiled the
first-named and condemned the second to payment of a fine of fifteen
talents for treachery. In fact, the Spartans were convinced that Pericles
had kept silent as to what he had done with the twenty talents, because
he did not want to say openly, "_I gave this sum to the Kings of
Lacedaemon_. "
[545] The basket in which Aristophanes shows us Socrates suspended to
bring his mind nearer to the subtle regions of air.
[546] The scholiast tells us that Just Discourse and Unjust Discourse
were brought upon the stage in cages, like cocks that are going to fight.
Perhaps they were even dressed up as cocks, or at all events wore cocks'
heads as their masks.
[547] In the language of the schools of philosophy just reasoning was
called 'the stronger'--[Greek: ho kreitt_on logos], unjust reasoning,
'the weaker'--[Greek: ho h_ett_on logos].
[548] A character in one of the tragedies of Aeschylus, a beggar and a
clever, plausible speaker.
[549] A sycophant and a quibbler, renowned for his unparalleled bad faith
in the law-suits he was perpetually bringing forward.
[550] The opening words of two hymns, attributed to Lamprocles, an
ancient lyric poet, the son or the pupil of Medon.
[551] A poet and musician of Mitylene, who gained the prize of the lyre
at the Panathenaea in 457 B. C. He lived at the Court of Hiero, where,
Suidas says, he was at first a slave and the cook.
He added two strings
to the lyre, which hitherto had had only seven. He composed effeminate
airs of a style unknown before his day.
[552] Zeus had a temple in the citadel of Athens under the name of
Polieus or protector of the city; bullocks were sacrificed to him
(Buphonia). In the days of Aristophanes, these feasts had become
neglected.
[553] One of the oldest of the dithyrambic poets.
[554] Used by the ancient Athenians to keep their hair in place. The
custom was said to have a threefold significance; by it the Athenians
wanted to show that they were musicians, autochthons (i. e. indigenous to
the country) and worshippers of Apollo. Indeed, grasshoppers were
considered to sing with harmony; they swarmed on Attic soil and were
sacred to Phoebus, the god of music.
[555] Telesippus, Demophon and Pericles by name; they were a byword at
Athens for their stupidity. Hippocrates was a general.
[556] The famous gardens of the Academia, just outside the walls of
Athens; they included gymnasia, lecture halls, libraries and picture
galleries. Near by was a wood of sacred olives.
[557] Apparently the historian of that name is meant; in any case it
cannot refer to the celebrated epic poet, author of the 'Theba? s.
of Earth, who had endeavoured to scale heaven.
[544] Pericles had squandered all the wealth accumulated in the Acropolis
upon the War. When he handed in his accounts, he refused to explain the
use of a certain twenty talents and simply said, "_I spent them on what
was necessary_. " Upon hearing of this reply, the Lacedaemonians, who were
already discontented with their kings, Cleandrides and Plistoanax, whom
they accused of carrying on the war in Attica with laxness, exiled the
first-named and condemned the second to payment of a fine of fifteen
talents for treachery. In fact, the Spartans were convinced that Pericles
had kept silent as to what he had done with the twenty talents, because
he did not want to say openly, "_I gave this sum to the Kings of
Lacedaemon_. "
[545] The basket in which Aristophanes shows us Socrates suspended to
bring his mind nearer to the subtle regions of air.
[546] The scholiast tells us that Just Discourse and Unjust Discourse
were brought upon the stage in cages, like cocks that are going to fight.
Perhaps they were even dressed up as cocks, or at all events wore cocks'
heads as their masks.
[547] In the language of the schools of philosophy just reasoning was
called 'the stronger'--[Greek: ho kreitt_on logos], unjust reasoning,
'the weaker'--[Greek: ho h_ett_on logos].
[548] A character in one of the tragedies of Aeschylus, a beggar and a
clever, plausible speaker.
[549] A sycophant and a quibbler, renowned for his unparalleled bad faith
in the law-suits he was perpetually bringing forward.
[550] The opening words of two hymns, attributed to Lamprocles, an
ancient lyric poet, the son or the pupil of Medon.
[551] A poet and musician of Mitylene, who gained the prize of the lyre
at the Panathenaea in 457 B. C. He lived at the Court of Hiero, where,
Suidas says, he was at first a slave and the cook.
He added two strings
to the lyre, which hitherto had had only seven. He composed effeminate
airs of a style unknown before his day.
[552] Zeus had a temple in the citadel of Athens under the name of
Polieus or protector of the city; bullocks were sacrificed to him
(Buphonia). In the days of Aristophanes, these feasts had become
neglected.
[553] One of the oldest of the dithyrambic poets.
[554] Used by the ancient Athenians to keep their hair in place. The
custom was said to have a threefold significance; by it the Athenians
wanted to show that they were musicians, autochthons (i. e. indigenous to
the country) and worshippers of Apollo. Indeed, grasshoppers were
considered to sing with harmony; they swarmed on Attic soil and were
sacred to Phoebus, the god of music.
[555] Telesippus, Demophon and Pericles by name; they were a byword at
Athens for their stupidity. Hippocrates was a general.
[556] The famous gardens of the Academia, just outside the walls of
Athens; they included gymnasia, lecture halls, libraries and picture
galleries. Near by was a wood of sacred olives.
[557] Apparently the historian of that name is meant; in any case it
cannot refer to the celebrated epic poet, author of the 'Theba? s.
