No More Learning

Let us go seek a little rest--
Ah! I'm so weak--my throbbing breast!
Oppressive now is happiness,
Not only sorrow--Ah! my dear,
Now I am fit for nothing here.
In old age life is weariness! "
Then weeping she sank back distressed
And fits of coughing racked her chest.

XL

By the sick lady's gaiety
And kindness Tania was impressed,
But, her own room in memory,
The strange apartment her oppressed:
Repose her silken curtains fled,
She could not sleep in her new bed.
The early tinkling of the bells
Which of approaching labour tells
Aroused Tattiana from her bed.
The maiden at her casement sits
As daylight glimmers, darkness flits,
But ah! discerns nor wood nor mead--
Beneath her lay a strange courtyard,
A stable, kitchen, fence appeared.

XLI

To consanguineous dinners they
Conduct Tattiana constantly,
That grandmothers and grandsires may
Contemplate her sad reverie.
We Russians, friends from distant parts
Ever receive with kindly hearts
And exclamations and good cheer.
"How Tania grows! Doth it appear"
"Long since I held thee at the font--
Since in these arms I thee did bear--
And since I pulled thee by the ear--
And I to give thee cakes was wont? "--
Then the old dames in chorus sing,
"Oh!
how our years are vanishing! "

XLII

But nothing changed in them is seen,
All in the good old style appears,
Our dear old aunt, Princess Helene,
Her cap of tulle still ever wears:
Luceria Lvovna paint applies,
Amy Petrovna utters lies,
Ivan Petrovitch still a gaby,
Simeon Petrovitch just as shabby;
Pelagie Nikolavna has
Her friend Monsieur Finemouche the same,
Her wolf-dog and her husband tame;
Still of his club he member was--
As deaf and silly doth remain,
Still eats and drinks enough for twain.

XLIII

Their daughters kiss Tattiana fair.
In the beginning, cold and mute,
Moscow's young Graces at her stare,
Examine her from head to foot.
They deem her somewhat finical,
Outlandish and provincial,
A trifle pale, a trifle lean,
But plainer girls they oft had seen.
Obedient then to Nature's law,
With her they did associate,
Squeeze tiny hands and osculate;
Her tresses curled in fashion saw,
And oft in whispers would impart
A maiden's secrets--of the heart.

XLIV

Triumphs--their own or those of friends--
Hopes, frolics, dreams and sentiment
Their harmless conversation blends
With scandal's trivial ornament.
Then to reward such confidence
Her amorous experience
With mute appeal to ask they seem--
But Tania just as in a dream
Without participation hears,
Their voices nought to her impart
And the lone secret of her heart,
Her sacred hoard of joy and tears,
She buries deep within her breast
Nor aught confides unto the rest.

XLV

Tattiana would have gladly heard
The converse of the world polite,
But in the drawing-room all appeared
To find in gossip such delight,
Speech was so tame and colourless
Their slander e'en was weariness;
In their sterility of prattle,
Questions and news and tittle-tattle,
No sense was ever manifest
Though by an error and unsought--
The languid mind could smile at nought,
Heart would not throb albeit in jest--
Even amusing fools we miss
In thee, thou world of empty bliss.

XLVI

In groups, official striplings glance
Conceitedly on Tania fair,
And views amongst themselves advance
Unfavourable unto her.
But one buffoon unhappy deemed
Her the ideal which he dreamed,
And leaning 'gainst the portal closed
To her an elegy composed.
Also one Viazemski, remarking
Tattiana by a poor aunt's side,
Successfully to please her tried,
And an old gent the poet marking
By Tania, smoothing his peruke,
To ask her name the trouble took. (76)

[Note 76: One of the obscure satirical allusions contained in this
poem. Doubtless the joke was perfectly intelligible to the
_habitues_ of contemporary St. Petersburg society. Viazemski of
course is the poet and prince, Pushkin's friend.