They start with the ideal desire of being the parish beadle, and
in whatever sphere they are placed they succeed in being the parish
beadle and no more.
in whatever sphere they are placed they succeed in being the parish
beadle and no more.
Oscar Wilde - Poetry
The unfortunate thing is that there have been none
since. I make one exception, St. Francis of Assisi. But then God had
given him at his birth the soul of a poet, as he himself when quite young
had in mystical marriage taken poverty as his bride: and with the soul of
a poet and the body of a beggar he found the way to perfection not
difficult. He understood Christ, and so he became like him. We do not
require the Liber Conformitatum to teach us that the life of St. Francis
was the true _Imitatio Christi_, a poem compared to which the book of
that name is merely prose.
Indeed, that is the charm about Christ, when all is said: he is just like
a work of art. He does not really teach one anything, but by being
brought into his presence one becomes something. And everybody is
predestined to his presence. Once at least in his life each man walks
with Christ to Emmaus.
As regards the other subject, the Relation of the Artistic Life to
Conduct, it will no doubt seem strange to you that I should select it.
People point to Reading Gaol and say, 'That is where the artistic life
leads a man. ' Well, it might lead to worse places. The more mechanical
people to whom life is a shrewd speculation depending on a careful
calculation of ways and means, always know where they are going, and go
there.
They start with the ideal desire of being the parish beadle, and
in whatever sphere they are placed they succeed in being the parish
beadle and no more. A man whose desire is to be something separate from
himself, to be a member of Parliament, or a successful grocer, or a
prominent solicitor, or a judge, or something equally tedious, invariably
succeeds in being what he wants to be. That is his punishment. Those
who want a mask have to wear it.
But with the dynamic forces of life, and those in whom those dynamic
forces become incarnate, it is different. People whose desire is solely
for self-realisation never know where they are going. They can't know.
In one sense of the word it is of course necessary, as the Greek oracle
said, to know oneself: that is the first achievement of knowledge. But
to recognise that the soul of a man is unknowable, is the ultimate
achievement of wisdom. The final mystery is oneself. When one has
weighed the sun in the balance, and measured the steps of the moon, and
mapped out the seven heavens star by star, there still remains oneself.
Who can calculate the orbit of his own soul? When the son went out to
look for his father's asses, he did not know that a man of God was
waiting for him with the very chrism of coronation, and that his own soul
was already the soul of a king.
I hope to live long enough and to produce work of such a character that I
shall be able at the end of my days to say, 'Yes! this is just where the
artistic life leads a man! ' Two of the most perfect lives I have come
across in my own experience are the lives of Verlaine and of Prince
Kropotkin: both of them men who have passed years in prison: the first,
the one Christian poet since Dante; the other, a man with a soul of that
beautiful white Christ which seems coming out of Russia.
since. I make one exception, St. Francis of Assisi. But then God had
given him at his birth the soul of a poet, as he himself when quite young
had in mystical marriage taken poverty as his bride: and with the soul of
a poet and the body of a beggar he found the way to perfection not
difficult. He understood Christ, and so he became like him. We do not
require the Liber Conformitatum to teach us that the life of St. Francis
was the true _Imitatio Christi_, a poem compared to which the book of
that name is merely prose.
Indeed, that is the charm about Christ, when all is said: he is just like
a work of art. He does not really teach one anything, but by being
brought into his presence one becomes something. And everybody is
predestined to his presence. Once at least in his life each man walks
with Christ to Emmaus.
As regards the other subject, the Relation of the Artistic Life to
Conduct, it will no doubt seem strange to you that I should select it.
People point to Reading Gaol and say, 'That is where the artistic life
leads a man. ' Well, it might lead to worse places. The more mechanical
people to whom life is a shrewd speculation depending on a careful
calculation of ways and means, always know where they are going, and go
there.
They start with the ideal desire of being the parish beadle, and
in whatever sphere they are placed they succeed in being the parish
beadle and no more. A man whose desire is to be something separate from
himself, to be a member of Parliament, or a successful grocer, or a
prominent solicitor, or a judge, or something equally tedious, invariably
succeeds in being what he wants to be. That is his punishment. Those
who want a mask have to wear it.
But with the dynamic forces of life, and those in whom those dynamic
forces become incarnate, it is different. People whose desire is solely
for self-realisation never know where they are going. They can't know.
In one sense of the word it is of course necessary, as the Greek oracle
said, to know oneself: that is the first achievement of knowledge. But
to recognise that the soul of a man is unknowable, is the ultimate
achievement of wisdom. The final mystery is oneself. When one has
weighed the sun in the balance, and measured the steps of the moon, and
mapped out the seven heavens star by star, there still remains oneself.
Who can calculate the orbit of his own soul? When the son went out to
look for his father's asses, he did not know that a man of God was
waiting for him with the very chrism of coronation, and that his own soul
was already the soul of a king.
I hope to live long enough and to produce work of such a character that I
shall be able at the end of my days to say, 'Yes! this is just where the
artistic life leads a man! ' Two of the most perfect lives I have come
across in my own experience are the lives of Verlaine and of Prince
Kropotkin: both of them men who have passed years in prison: the first,
the one Christian poet since Dante; the other, a man with a soul of that
beautiful white Christ which seems coming out of Russia.