leaves
tremblingly
were _10
All bent towards that part where earliest
The sacred hill obscures the morning air.
All bent towards that part where earliest
The sacred hill obscures the morning air.
Shelley
5.
My song, I fear that thou wilt find but few
Who fitly shall conceive thy reasoning
Of such hard matter dost thou entertain.
Whence, if by misadventure chance should bring _55
Thee to base company, as chance may do,
Quite unaware of what thou dost contain,
I prithee comfort thy sweet self again,
My last delight; tell them that they are dull,
And bid them own that thou art beautiful. _60
NOTE:
C5. Published with "Epispychidion", 1821. --ED.
***
MATILDA GATHERING FLOWERS.
FROM THE PURGATORIO OF DANTE, CANTO 28, LINES 1-51.
[Published in part (lines 1-8, 22-51) by Medwin, "The Angler in Wales",
1834, "Life of Shelley", 1847; reprinted in full by Garnett, "Relics of
Shelley", 1862. ]
And earnest to explore within--around--
The divine wood, whose thick green living woof
Tempered the young day to the sight--I wound
Up the green slope, beneath the forest's roof,
With slow, soft steps leaving the mountain's steep, _5
And sought those inmost labyrinths, motion-proof
Against the air, that in that stillness deep
And solemn, struck upon my forehead bare,
The slow, soft stroke of a continuous. . .
In which the . . .
leaves tremblingly were _10
All bent towards that part where earliest
The sacred hill obscures the morning air.
Yet were they not so shaken from the rest,
But that the birds, perched on the utmost spray,
Incessantly renewing their blithe quest, _15
With perfect joy received the early day,
Singing within the glancing leaves, whose sound
Kept a low burden to their roundelay,
Such as from bough to bough gathers around
The pine forest on bleak Chiassi's shore, _20
When Aeolus Sirocco has unbound.
My slow steps had already borne me o'er
Such space within the antique wood, that I
Perceived not where I entered any more,--
When, lo! a stream whose little waves went by, _25
Bending towards the left through grass that grew
Upon its bank, impeded suddenly
My going on. Water of purest hue
On earth, would appear turbid and impure
Compared with this, whose unconcealing dew, _30
Dark, dark, yet clear, moved under the obscure
Eternal shades, whose interwoven looms
The rays of moon or sunlight ne'er endure.
I moved not with my feet, but mid the glooms
Pierced with my charmed eye, contemplating _35
The mighty multitude of fresh May blooms
Which starred that night, when, even as a thing
That suddenly, for blank astonishment,
Charms every sense, and makes all thought take wing,--
A solitary woman! and she went _40
Singing and gathering flower after flower,
With which her way was painted and besprent.
'Bright lady, who, if looks had ever power
To bear true witness of the heart within,
Dost bask under the beams of love, come lower _45
Towards this bank. I prithee let me win
This much of thee, to come, that I may hear
Thy song: like Proserpine, in Enna's glen,
Thou seemest to my fancy, singing here
And gathering flowers, as that fair maiden when _50
She lost the Spring, and Ceres her, more dear.
NOTES:
_2 The 1862; That 1834.
_4, _5 So 1862;
Up a green slope, beneath the starry roof,
With slow, slow steps-- 1834.
_6 inmost 1862; leafy 1834.
_9 So 1862; The slow, soft stroke of a continuous sleep cj. Rossetti, 1870.
_9-_28 So 1862;
Like the sweet breathing of a child asleep:
Already I had lost myself so far
Amid that tangled wilderness that I
Perceived not where I ventured, but no fear
Of wandering from my way disturbed, when nigh
A little stream appeared; the grass that grew
Thick on its banks impeded suddenly
My going on. 1834.