--Now welcome, thou dread Power
Nameless, yet thus omnipotent, which here
Walk'st in the shadow of the midnight hour
With a deep awe, yet all distinct from fear:
Thy haunts are ever where the dead walls rear
Their ivy mantles, and the solemn scene
Derives from thee a sense so deep and clear
That we become a part of what has been,
And grow unto the spot, all-seeing but unseen.
Nameless, yet thus omnipotent, which here
Walk'st in the shadow of the midnight hour
With a deep awe, yet all distinct from fear:
Thy haunts are ever where the dead walls rear
Their ivy mantles, and the solemn scene
Derives from thee a sense so deep and clear
That we become a part of what has been,
And grow unto the spot, all-seeing but unseen.
Byron - Childe Harold's Pilgrimage
CXXXV.
That curse shall be forgiveness. --Have I not--
Hear me, my mother Earth! behold it, Heaven! --
Have I not had to wrestle with my lot?
Have I not suffered things to be forgiven?
Have I not had my brain seared, my heart riven,
Hopes sapped, name blighted, Life's life lied away?
And only not to desperation driven,
Because not altogether of such clay
As rots into the souls of those whom I survey.
CXXXVI.
From mighty wrongs to petty perfidy
Have I not seen what human things could do?
From the loud roar of foaming calumny
To the small whisper of the as paltry few
And subtler venom of the reptile crew,
The Janus glance of whose significant eye,
Learning to lie with silence, would SEEM true,
And without utterance, save the shrug or sigh,
Deal round to happy fools its speechless obloquy.
CXXXVII.
But I have lived, and have not lived in vain:
My mind may lose its force, my blood its fire,
And my frame perish even in conquering pain,
But there is that within me which shall tire
Torture and Time, and breathe when I expire:
Something unearthly, which they deem not of,
Like the remembered tone of a mute lyre,
Shall on their softened spirits sink, and move
In hearts all rocky now the late remorse of love.
CXXXVIII.
The seal is set.
--Now welcome, thou dread Power
Nameless, yet thus omnipotent, which here
Walk'st in the shadow of the midnight hour
With a deep awe, yet all distinct from fear:
Thy haunts are ever where the dead walls rear
Their ivy mantles, and the solemn scene
Derives from thee a sense so deep and clear
That we become a part of what has been,
And grow unto the spot, all-seeing but unseen.
CXXXIX.
And here the buzz of eager nations ran,
In murmured pity, or loud-roared applause,
As man was slaughtered by his fellow-man.
And wherefore slaughtered? wherefore, but because
Such were the bloody circus' genial laws,
And the imperial pleasure. --Wherefore not?
What matters where we fall to fill the maws
Of worms--on battle-plains or listed spot?
Both are but theatres where the chief actors rot.
CXL.
I see before me the Gladiator lie:
He leans upon his hand--his manly brow
Consents to death, but conquers agony,
And his drooped head sinks gradually low--
And through his side the last drops, ebbing slow
From the red gash, fall heavy, one by one,
Like the first of a thunder-shower; and now
The arena swims around him: he is gone,
Ere ceased the inhuman shout which hailed the wretch who won.
CXLI.
He heard it, but he heeded not--his eyes
Were with his heart, and that was far away;
He recked not of the life he lost nor prize,
But where his rude hut by the Danube lay,
THERE were his young barbarians all at play,
THERE was their Dacian mother--he, their sire,
Butchered to make a Roman holiday--
All this rushed with his blood--Shall he expire,
And unavenged? --Arise! ye Goths, and glut your ire!
CXLII.
But here, where murder breathed her bloody steam;
And here, where buzzing nations choked the ways,
And roared or murmured like a mountain-stream
Dashing or winding as its torrent strays;
Here, where the Roman million's blame or praise
Was death or life, the playthings of a crowd,
My voice sounds much--and fall the stars' faint rays
On the arena void--seats crushed, walls bowed,
And galleries, where my steps seem echoes strangely loud.