Come then, the colours and the ground
prepare!
Pope - Essay on Man
"
"The Manor, sir? "--"The Manor! hold," he cried,
"Not that,--I cannot part with that"--and died.
And you! brave Cobham, to the latest breath
Shall feel your ruling passion strong in death:
Such in those moments as in all the past,
"Oh, save my country, Heaven! " shall be your last.
EPISTLE II. TO A LADY.
Of the Characters of Women.
Nothing so true as what you once let fall,
"Most women have no characters at all. "
Matter too soft a lasting mark to bear,
And best distinguished by black, brown, or fair.
How many pictures of one nymph we view,
All how unlike each other, all how true!
Arcadia's countess, here, in ermined pride,
Is, there, Pastora by a fountain side.
Here Fannia, leering on her own good man,
And there, a naked Leda with a swan.
Let then the fair one beautifully cry,
In Magdalen's loose hair, and lifted eye,
Or dressed in smiles of sweet Cecilia shine,
With simpering angels, palms, and harps divine;
Whether the charmer sinner it, or saint it,
If folly grow romantic, I must paint it.
Come then, the colours and the ground prepare!
Dip in the rainbow, trick her off in air;
Choose a firm cloud, before it fall, and in it
Catch, ere she change, the Cynthia of this minute.
Rufa, whose eye, quick-glancing o'er the park
Attracts each light gay meteor of a spark,
Agrees as ill with Rufa studying Locke,
As Sappho's diamonds with her dirty smock;
Or Sappho at her toilet's greasy task,
With Sappho fragrant at an evening masque:
So morning insects that in muck begun,
Shine, buzz, and fly-blow in the setting sun.
How soft is Silia! fearful to offend;
The frail one's advocate, the weak one's friend:
To her, Calista proved her conduct nice;
And good Simplicius asks of her advice.
Sudden, she storms! she raves! You tip the wink,
But spare your censure; Silia does not drink.
All eyes may see from what the change arose,
All eyes may see--a pimple on her nose.
Papillia, wedded to her am'rous spark,
Sighs for the shades--"How charming is a park! "
A park is purchased, but the fair he sees
All bathed in tears--"Oh, odious, odious trees! "
Ladies, like variegated tulips show;
'Tis to their changes half their charms we owe;
Fine by defect, and delicately weak,
Their happy spots the nice admirer take,
'Twas thus Calypso once each heart alarmed,
Awed without virtue, without beauty charmed;
Her tongue bewitched as oddly as her eyes,
Less wit than mimic, more a wit than wise;
Strange graces still, and stranger flights she had,
Was just not ugly, and was just not mad;
Yet ne'er so sure our passion to create,
As when she touched the brink of all we hate.
Narcissa's nature, tolerably mild,
To make a wash, would hardly stew a child;
Has even been proved to grant a lover's prayer,
And paid a tradesman once to make him stare;
Gave alms at Easter, in a Christian trim,
And made a widow happy, for a whim.
Why then declare good-nature is her scorn,
When 'tis by that alone she can be borne?
Why pique all mortals, yet affect a name?
A fool to pleasure, yet a slave to fame:
Now deep in Taylor and the Book of Martyrs,
Now drinking citron with his grace and Chartres:
Now Conscience chills her, and now Passion burns;
And Atheism and Religion take their turns;
A very heathen in the carnal part,
Yet still a sad, good Christian at her heart.
"The Manor, sir? "--"The Manor! hold," he cried,
"Not that,--I cannot part with that"--and died.
And you! brave Cobham, to the latest breath
Shall feel your ruling passion strong in death:
Such in those moments as in all the past,
"Oh, save my country, Heaven! " shall be your last.
EPISTLE II. TO A LADY.
Of the Characters of Women.
Nothing so true as what you once let fall,
"Most women have no characters at all. "
Matter too soft a lasting mark to bear,
And best distinguished by black, brown, or fair.
How many pictures of one nymph we view,
All how unlike each other, all how true!
Arcadia's countess, here, in ermined pride,
Is, there, Pastora by a fountain side.
Here Fannia, leering on her own good man,
And there, a naked Leda with a swan.
Let then the fair one beautifully cry,
In Magdalen's loose hair, and lifted eye,
Or dressed in smiles of sweet Cecilia shine,
With simpering angels, palms, and harps divine;
Whether the charmer sinner it, or saint it,
If folly grow romantic, I must paint it.
Come then, the colours and the ground prepare!
Dip in the rainbow, trick her off in air;
Choose a firm cloud, before it fall, and in it
Catch, ere she change, the Cynthia of this minute.
Rufa, whose eye, quick-glancing o'er the park
Attracts each light gay meteor of a spark,
Agrees as ill with Rufa studying Locke,
As Sappho's diamonds with her dirty smock;
Or Sappho at her toilet's greasy task,
With Sappho fragrant at an evening masque:
So morning insects that in muck begun,
Shine, buzz, and fly-blow in the setting sun.
How soft is Silia! fearful to offend;
The frail one's advocate, the weak one's friend:
To her, Calista proved her conduct nice;
And good Simplicius asks of her advice.
Sudden, she storms! she raves! You tip the wink,
But spare your censure; Silia does not drink.
All eyes may see from what the change arose,
All eyes may see--a pimple on her nose.
Papillia, wedded to her am'rous spark,
Sighs for the shades--"How charming is a park! "
A park is purchased, but the fair he sees
All bathed in tears--"Oh, odious, odious trees! "
Ladies, like variegated tulips show;
'Tis to their changes half their charms we owe;
Fine by defect, and delicately weak,
Their happy spots the nice admirer take,
'Twas thus Calypso once each heart alarmed,
Awed without virtue, without beauty charmed;
Her tongue bewitched as oddly as her eyes,
Less wit than mimic, more a wit than wise;
Strange graces still, and stranger flights she had,
Was just not ugly, and was just not mad;
Yet ne'er so sure our passion to create,
As when she touched the brink of all we hate.
Narcissa's nature, tolerably mild,
To make a wash, would hardly stew a child;
Has even been proved to grant a lover's prayer,
And paid a tradesman once to make him stare;
Gave alms at Easter, in a Christian trim,
And made a widow happy, for a whim.
Why then declare good-nature is her scorn,
When 'tis by that alone she can be borne?
Why pique all mortals, yet affect a name?
A fool to pleasure, yet a slave to fame:
Now deep in Taylor and the Book of Martyrs,
Now drinking citron with his grace and Chartres:
Now Conscience chills her, and now Passion burns;
And Atheism and Religion take their turns;
A very heathen in the carnal part,
Yet still a sad, good Christian at her heart.
