No More Learning

That man a fly has killed, whose bones are left
Unburied till an earthquake digs his grave.



A BIRD'S ANGER

A summer's morning that has but one voice;
Five hundred stocks, like golden lovers, lean
Their heads together, in their quiet way,
And but one bird sings, of a number seen.

It is the lark, that louder, louder sings,
As though but this one thought possessed his mind:
'You silent robin, blackbird, thrush, and finch,
I'll sing enough for all you lazy kind! '

And when I hear him at this daring task,
'Peace, little bird,' I say, 'and take some rest;
Stop that wild, screaming fire of angry song,
Before it makes a coffin of your nest. '



THE VILLAIN

While joy gave clouds the light of stars,
That beamed where'er they looked;
And calves and lambs had tottering knees,
Excited, while they sucked;
While every bird enjoyed his song,
Without one thought of harm or wrong--
I turned my head and saw the wind,
Not far from where I stood,
Dragging the corn by her golden hair,
Into a dark and lonely wood.



LOVE'S CAUTION

Tell them, when you are home again,
How warm the air was now;
How silent were the birds and leaves,
And of the moon's full glow;
And how we saw afar
A falling star:
It was a tear of pure delight
Ran down the face of Heaven this happy night.

Our kisses are but love in flower,
Until that greater time
When, gathering strength, those flowers take wing,
And Love can reach his prime.
And now, my heart's delight,
Good night, good night;
Give me the last sweet kiss--
But do not breathe at home one word of this!



WASTED HOURS

How many buds in this warm light
Have burst out laughing into leaves!
And shall a day like this be gone
Before I seek the wood that holds
The richest music known?

Too many times have nightingales
Wasted their passion on my sleep,
And brought repentance soon:
But this one night I'll seek the woods,
The nightingale, and moon.



THE TRUTH

Since I have seen a bird one day,
His head pecked more than half away;
That hopped about, with but one eye,
Ready to fight again, and die--
Ofttimes since then their private lives
Have spoilt that joy their music gives.

So when I see this robin now,
Like a red apple on the bough,
And question why he sings so strong,
For love, or for the love of song;
Or sings, maybe, for that sweet rill
Whose silver tongue is never still--

Ah, now there comes this thought unkind,
Born of the knowledge in my mind:
He sings in triumph that last night
He killed his father in a fight;
And now he'll take his mother's blood--
The last strong rival for his food.





* * * * *





WALTER DE LA MARE



THE MOTH

Isled in the midnight air,
Musked with the dark's faint bloom,
Out into glooming and secret haunts
The flame cries, 'Come! '

Lovely in dye and fan,
A-tremble in shimmering grace,
A moth from her winter swoon
Uplifts her face:

Stares from her glamorous eyes;
Wafts her on plumes like mist;
In ecstasy swirls and sways
To her strange tryst.
'SOTTO VOCE'

(To EDWARD THOMAS)


The haze of noon wanned silver-grey,
The soundless mansion of the sun;
The air made visible in his ray,
Like molten glass from furnace run,
Quivered o'er heat-baked turf and stone
And the flower of the gorse burned on--
Burned softly as gold of a child's fair hair
Along each spiky spray, and shed
Almond-like incense in the air
Whereon our senses fed.

At foot--a few sparse harebells: blue
And still as were the friend's dark eyes
That dwelt on mine, transfixèd through
With sudden ecstatic surmise.

'Hst! ' he cried softly, smiling, and lo,
Stealing amidst that maze gold-green,
I heard a whispering music flow
From guileful throat of bird, unseen:--
So delicate, the straining ear
Scarce carried its faint syllabling
Into a heart caught-up to hear
That inmost pondering
Of bird-like self with self. We stood,
In happy trance-like solitude,
Hearkening a lullay grieved and sweet--
As when on isle uncharted beat
'Gainst coral at the palm-tree's root,
With brine-clear, snow-white foam afloat,
The wailing, not of water or wind--
A husht, far, wild, divine lament,
When Prospero his wizardry bent
Winged Ariel to bind. . . .

Then silence, and o'er-flooding noon.
I raised my head; smiled too. And he--
Moved his great hand, the magic gone--
Gently amused to see
My ignorant wonderment. He sighed.
'It was a nightingale,' he said,
'That _sotto voce_ cons the song
He'll sing when dark is spread;
And Night's vague hours are sweet and long,
And we are laid abed. '



SEPHINA

Black lacqueys at the wide-flung door
Stand mute as men of wood.
Gleams like a pool the ballroom floor--
A burnished solitude.
A hundred waxen tapers shine
From silver sconces; softly pine
'Cello, fiddle, mandoline,
To music deftly wooed--
And dancers in cambric, satin, silk,
With glancing hair and cheeks like milk,
Wreathe, curtsey, intertwine.