No More Learning

"Burns," says the philosopher,
"came to Edinburgh early in the winter: the attentions which he
received from all ranks and descriptions of persons, were such as
would have turned any head but his own. He retained the same
simplicity of manners and appearance which had struck me so forcibly
when I first saw him in the country: his dress was suited to his
station; plain and unpretending, with sufficient attention to
neatness: he always wore boots, and, when on more than usual ceremony,
buckskin breeches. His manners were manly, simple, and independent;
strongly expressive of conscious genius and worth, but without any
indication of forwardness, arrogance, or vanity. He took his share in
conversation, but not more than belonged to him, and listened with
apparent deference on subjects where his want of education deprived
him of the means of information. If there had been a little more of
gentleness and accommodation in his temper, he would have been still
more interesting; but he had been accustomed to give law in the circle
of his ordinary acquaintance, and his dread of anything approaching to
meanness or servility, rendered his manner somewhat decided and hard.
Nothing perhaps was more remarkable among his various attainments,
than the fluency and precision and originality of language, when he
spoke in company; more particularly as he aimed at purity in his turn
of expression, and avoided more successfully than most Scotsmen, the
peculiarities of Scottish phraseology. From his conversation I should
have pronounced him to have been fitted to excel in whatever walk of
ambition he had chosen to exert his abilities. He was passionately
fond of the beauties of nature, and I recollect he once told me, when
I was admiring a distant prospect in one of our morning walks, that
the sight of so many smoking cottages gave a pleasure to his mind,
which none could understand who had not witnessed, like himself, the
happiness and worth which cottages contained. "

Such was the impression which Burns made at first on the fair, the
titled, and the learned of Edinburgh; an impression which, though
lessened by intimacy and closer examination on the part of the men,
remained unimpaired, on that of the softer sex, till his dying-day.
His company, during the season of balls and festivities, continued to
be courted by all who desired to be reckoned gay or polite. Cards of
invitation fell thick on him; he was not more welcome to the plumed
and jewelled groups, whom her fascinating Grace of Gordon gathered
about her, than he was to the grave divines and polished scholars, who
assembled in the rooms of Stewart, or Blair, or Robertson. The classic
socialities of Tytler, afterwards Lord Woodhouslee, or the elaborate
supper-tables of the whimsical Monboddo, whose guests imagined they
were entertained in the manner of Lucullus or of Cicero, were not
complete without the presence of the ploughman of Kyle; and the
feelings of the rustic poet, facing such companies, though of surprise
and delight at first, gradually subsided, he said, as he discerned,
that man differed from man only in the polish, and not in the grain.
But Edinburgh offered tables and entertainers of a less orderly and
staid character than those I have named--where the glass circulated
with greater rapidity; where the wit flowed more freely; and where
there were neither highbred ladies to charm conversation within the
bounds of modesty, nor serious philosophers, nor grave divines, to set
a limit to the license of speech, or the hours of enjoyment. To these
companions--and these were all of the better classes, the levities of
the rustic poet's wit and humour were as welcome us were the tenderest
of his narratives to the accomplished Duchess of Gordon and the
beautiful Miss Burnet of Monboddo; they raised a social roar not at
all classic, and demanded and provoked his sallies of wild humour, or
indecorous mirth, with as much delight as he had witnessed among the
lads of Kyle, when, at mill or forge, his humorous sallies abounded as
the ale flowed. In these enjoyments the rough, but learned William
Nicol, and the young and amiable Robert Ainslie shared: the name of
the poet was coupled with those of profane wits, free livers, and that
class of half-idle gentlemen who hang about the courts of law, or for
a season or two wear the livery of Mars, and handle cold iron.
Edinburgh had still another class of genteel convivialists, to whom
the poet was attracted by principles as well as by pleasure; these
were the relics of that once numerous body, the Jacobites, who still
loved to cherish the feelings of birth or education rather than of
judgment, and toasted the name of Stuart, when the last of the race
had renounced his pretensions to a throne, for the sake of peace and
the cross. Young men then, and high names were among them, annually
met on the pretender's birth-day, and sang songs in which the white
rose of Jacobitism flourished; toasted toasts announcing adherence to
the male line of the Bruce and the Stuart, and listened to the strains
of the laureate of the day, who prophesied, in drink, the dismissal of
the intrusive Hanoverian, by the right and might of the righteous and
disinherited line. Burns, who was descended from a northern race,
whoso father was suspected of having drawn the claymore in 1745, and
who loved the blood of the Keith-Marishalls, under whose banners his
ancestors had marched, readily united himself to a band in whose
sentiments, political and social, he was a sharer. He was received
with acclamation: the dignity of laureate was conferred upon him, and
his inauguration ode, in which he recalled the names and the deeds of
the Grahams, the Erskines, the Boyds, and the Gordons, was applauded
for its fire, as well as for its sentiments. Yet, though he ate and
drank and sang with Jacobites, he was only as far as sympathy and
poesie went, of their number: his reason renounced the principles and
the religion of the Stuart line; and though he shed a tear over their
fallen fortunes--though he sympathized with the brave and honourable
names that perished in their cause--though he cursed "the butcher,
Cumberland," and the bloody spirit which commanded the heads of the
good and the heroic to be stuck where they would affright the
passer-by, and pollute the air--he had no desire to see the splendid
fabric of constitutional freedom, which the united genius of all
parties had raised, thrown wantonly down. His Jacobitism influenced,
not his head, but his heart, and gave a mournful hue to many of his
lyric compositions.

Meanwhile his poems were passing through the press. Burns made a few
emendations of those published in the Kilmarnock edition, and he added
others which, as he expressed it, he had carded and spun, since he
passed Glenbuck. Some rather coarse lines were softened or omitted in
the "Twa Dogs;" others, from a change of his personal feelings, were
made in the "Vision:" "Death and Doctor Hornbook," excluded before,
was admitted now: the "Dream" was retained, in spite of the
remonstrances of Mrs. Stewart, of Stair, and Mrs. Dunlop; and the
"Brigs of Ayr," in compliment to his patrons in his native district,
and the "Address to Edinburgh," in honour of his titled and
distinguished friends in that metropolis, were printed for the first
time. He was unwilling to alter what he had once printed: his friends,
classic, titled, and rustic, found him stubborn and unpliable, in
matters of criticism; yet he was generally of a complimental mood: he
loaded the robe of Coila in the "Vision," with more scenes than it
could well contain, that he might include in the landscape, all the
country-seats of his friends, and he gave more than their share of
commendation to the Wallaces, out of respect to his friend Mrs.
Dunlop. Of the critics of Edinburgh he said, they spun the thread of
their criticisms so fine that it was unfit for either warp or weft;
and of its scholars, he said, they were never satisfied with any
Scottish poet, unless they could trace him in Horace. One morning at
Dr. Blair's breakfast-table, when the "Holy Fair" was the subject of
conversation, the reverend critic said, "Why should

'--Moody speel the holy door
With tidings of _salvation_?