The subject of the
song is one of the most interesting passages of my youthful days, and I
own that I should be much flattered to see the verses set to an air
which would ensure celebrity.
song is one of the most interesting passages of my youthful days, and I
own that I should be much flattered to see the verses set to an air
which would ensure celebrity.
Robert Forst
However,
they are all put into your hands, as clay into the hands of the
potter, to make one vessel to honour, and another to dishonour.
Farewell, &c.
R. B.
FOOTNOTES:
[Footnote 203: Song CLXXX. ]
[Footnote 204: Song CLXXXI. ]
* * * * *
CCXXXIX.
TO MR. THOMSON.
[The story of Mary Campbell's love is related in the notes on the
songs which the poet wrote in her honour. Thomson says, in his answer,
"I have heard the sad story of your Mary; you always seem inspired
when you write of her. "]
_14th November, 1792. _
MY DEAR SIR,
I agree with you that the song, "Katherine Ogie," is very poor stuff,
and unworthy, altogether unworthy of so beautiful an air. I tried to
mend it; but the awkward sound, Ogie, recurring so often in the rhyme,
spoils every attempt at introducing sentiment into the piece. The
foregoing song[205] pleases myself; I think it as in my happiest manner:
you will see at first glance that it suits the air.
The subject of the
song is one of the most interesting passages of my youthful days, and I
own that I should be much flattered to see the verses set to an air
which would ensure celebrity. Perhaps, after all, 'tis the still glowing
prejudice of my heart that throws a borrowed lustre over the merits of
the composition.
I have partly taken your idea of "Auld Rob Morris. " I have adopted the
two first verses, and am going on with the song on a new plan, which
promises pretty well. I take up one or another, just as the bee of the
moment buzzes in my bonnet-lug; and do you, _sans ceremonie_, make
what use you choose of the productions.
Adieu, &c.
R. B.
FOOTNOTES:
[Footnote 205:
Ye banks and braes and streams around
The castle o' Montgomery.
Song CLXXXII]
* * * * *
CCXL.
TO MR. THOMSON.
[The poet approved of several emendations proposed by Thomson, whose
wish was to make the words flow more readily with the music: he
refused, however, to adopt others, where he thought too much of the
sense was sacrificed. ]
_Dumfries, 1st December, 1792. _
Your alterations of my "Nannie, O! " are perfectly right.
they are all put into your hands, as clay into the hands of the
potter, to make one vessel to honour, and another to dishonour.
Farewell, &c.
R. B.
FOOTNOTES:
[Footnote 203: Song CLXXX. ]
[Footnote 204: Song CLXXXI. ]
* * * * *
CCXXXIX.
TO MR. THOMSON.
[The story of Mary Campbell's love is related in the notes on the
songs which the poet wrote in her honour. Thomson says, in his answer,
"I have heard the sad story of your Mary; you always seem inspired
when you write of her. "]
_14th November, 1792. _
MY DEAR SIR,
I agree with you that the song, "Katherine Ogie," is very poor stuff,
and unworthy, altogether unworthy of so beautiful an air. I tried to
mend it; but the awkward sound, Ogie, recurring so often in the rhyme,
spoils every attempt at introducing sentiment into the piece. The
foregoing song[205] pleases myself; I think it as in my happiest manner:
you will see at first glance that it suits the air.
The subject of the
song is one of the most interesting passages of my youthful days, and I
own that I should be much flattered to see the verses set to an air
which would ensure celebrity. Perhaps, after all, 'tis the still glowing
prejudice of my heart that throws a borrowed lustre over the merits of
the composition.
I have partly taken your idea of "Auld Rob Morris. " I have adopted the
two first verses, and am going on with the song on a new plan, which
promises pretty well. I take up one or another, just as the bee of the
moment buzzes in my bonnet-lug; and do you, _sans ceremonie_, make
what use you choose of the productions.
Adieu, &c.
R. B.
FOOTNOTES:
[Footnote 205:
Ye banks and braes and streams around
The castle o' Montgomery.
Song CLXXXII]
* * * * *
CCXL.
TO MR. THOMSON.
[The poet approved of several emendations proposed by Thomson, whose
wish was to make the words flow more readily with the music: he
refused, however, to adopt others, where he thought too much of the
sense was sacrificed. ]
_Dumfries, 1st December, 1792. _
Your alterations of my "Nannie, O! " are perfectly right.
