The same threat is
twice made in the _True Narration_ (pp.
twice made in the _True Narration_ (pp.
Ben Jonson - The Devil's Association
' Paul's first words are: 'This is the
_Diuell_ speakes and laughes in him'. So Harsnet tells us that 'M. Dar.
vpon his first comming vnto Som. affirmed that it was not So. that
spake in his fitts, but the diuell by him'. Both Fitzdottrel (Text, 5.
8. 115) and Somers (_Narration_, p. 182) talk in Greek. The devil in
Fitzdottrel proposes to 'break his necke in jest' (Text, 5. 8. 117),
and a little later to borrow money (5. 8. 119).
The same threat is
twice made in the _True Narration_ (pp. 178 and 180). In the second of
these passages Somers is met by an old woman, who tries to frighten him
into giving her money. Otherwise, she declares, 'I will throwe thee
into this pit, and breake thy neck'. The mouse 'that should ha' come
forth' (Text, 5. 8. 144) is mentioned by both narrators (_Detection_,
p. 140; _Narration_, p. 184), and the pricking of the body with
pins and needles (Text, 5. 8. 49) is found in slightly altered form
(_Detection_, p. 135; _Narration_, p. 174). Finally the clapping of the
hands (Text. 5. 8.
_Diuell_ speakes and laughes in him'. So Harsnet tells us that 'M. Dar.
vpon his first comming vnto Som. affirmed that it was not So. that
spake in his fitts, but the diuell by him'. Both Fitzdottrel (Text, 5.
8. 115) and Somers (_Narration_, p. 182) talk in Greek. The devil in
Fitzdottrel proposes to 'break his necke in jest' (Text, 5. 8. 117),
and a little later to borrow money (5. 8. 119).
The same threat is
twice made in the _True Narration_ (pp. 178 and 180). In the second of
these passages Somers is met by an old woman, who tries to frighten him
into giving her money. Otherwise, she declares, 'I will throwe thee
into this pit, and breake thy neck'. The mouse 'that should ha' come
forth' (Text, 5. 8. 144) is mentioned by both narrators (_Detection_,
p. 140; _Narration_, p. 184), and the pricking of the body with
pins and needles (Text, 5. 8. 49) is found in slightly altered form
(_Detection_, p. 135; _Narration_, p. 174). Finally the clapping of the
hands (Text. 5. 8.