And e'en when this beauty your bosom has blest,
The brightest o' beauty may cloy when possest;
But the sweet yellow darlings wi' Geordie imprest,
The langer ye hae them--the mair they're carest.
The brightest o' beauty may cloy when possest;
But the sweet yellow darlings wi' Geordie imprest,
The langer ye hae them--the mair they're carest.
Robert Forst
II.
It were mair meet that those fine feet
Were weel lac'd up in silken shoon,
And 'twere more fit that she should sit,
Within yon chariot gilt aboon.
III.
Her yellow hair, beyond compare,
Comes trinkling down her swan-white neck;
And her two eyes, like stars in skies,
Would keep a sinking ship frae wreck.
O Mally's meek, Mally's sweet,
Mally's modest and discreet,
Mally's rare, Mally's fair,
Mally's every way complete.
* * * * *
CCLXVI.
HEY FOR A LASS WI' A TOCHER.
Tune--"_Balinamona Ora. _"
[Communicated to Thomson, 17th of February, 1796, to be printed as
part of the poet's contribution to the Irish melodies: he calls it "a
kind of rhapsody. "]
I.
Awa wi' your witchcraft o' beauty's alarms,
The slender bit beauty you grasp in your arms:
O, gie me the lass that has acres o' charms,
O, gie me the lass wi' the weel-stockit farms.
Then hey for a lass wi' a tocher,
Then hey for a lass wi' a tocher;
Then hey for a lass wi' a tocher,
The nice yellow guineas for me.
II.
Your beauty's a flower, in the morning that blows,
And withers the faster, the faster it grows;
But the rapturous charm o' the bonnie green knowes,
Ilk spring they're new deckit wi' bonnie white yowes.
III.
And e'en when this beauty your bosom has blest,
The brightest o' beauty may cloy when possest;
But the sweet yellow darlings wi' Geordie imprest,
The langer ye hae them--the mair they're carest.
Then hey for a lass wi' a tocher,
Then hey for a lass wi' a tocher;
Then hey for a lass wi' a tocher,
The nice yellow guineas for me.
* * * * *
CCLXVII.
JESSY.
Tune--"_Here's a health to them that's awa. _"
[Written in honour of Miss Jessie Lewars, now Mrs. Thomson. Her tender
and daughter-like attentions soothed the last hours of the dying poet,
and if immortality can be considered a recompense, she has been
rewarded. ]
I.
Here's a health to ane I lo'e dear;
Here's a health to ane I lo'e dear;
Thou art sweet as the smile when fond lovers meet,
And soft as their parting tear--Jessy!
II.
Altho' thou maun never be mine,
Altho' even hope is denied;
'Tis sweeter for thee despairing,
Then aught in the world beside--Jessy!
III.
I mourn through the gay, gaudy day,
As, hopeless, I muse on thy charms:
But welcome the dream o' sweet slumber,
For then I am lockt in thy arms--Jessy!
IV.
I guess by the dear angel smile,
I guess by the love rolling e'e;
But why urge the tender confession
'Gainst fortune's fell cruel decree?