No More Learning

Why spend on me, a poor earth-delving mole,
The fireside sweetnesses, the heavenward lift,
The hourly mercy, of a woman's soul?

Ah, did we know to give her all her right,
What wonders even in our poor clay were done!
It is not Woman leaves us to our night,
But our brute earth that grovels from her sun.

Our nobler cultured fields and gracious domes
We whirl too oft from her who still shines on
To light in vain our caves and clefts, the homes
Of night-bird instincts pained till she be gone.

Still must this body starve our souls with shade;
But when Death makes us what we were before,
Then shall her sunshine all our depths invade,
And not a shadow stain heaven's crystal floor.



THE RECALL

Come back before the birds are flown,
Before the leaves desert the tree,
And, through the lonely alleys blown,
Whisper their vain regrets to me
Who drive before a blast more rude,
The plaything of my gusty mood,
In vain pursuing and pursued!

Nay, come although the boughs be bare,
Though snowflakes fledge the summer's nest,
And in some far Ausonian air
The thrush, your minstrel, warm his breast.
Come, sunshine's treasurer, and bring
To doubting flowers their faith in spring,
To birds and me the need to sing!



ABSENCE

Sleep is Death's image,--poets tell us so;
But Absence is the bitter self of Death,
And, you away, Life's lips their red forego,
Parched in an air unfreshened by your breath.

Light of those eyes that made the light of mine,
Where shine you? On what happier fields and flowers?
Heaven's lamps renew their lustre less divine,
But only serve to count my darkened hours.

If with your presence went your image too,
That brain-born ghost my path would never cross
Which meets me now where'er I once met you,
Then vanishes, to multiply my loss.



MONNA LISA

She gave me all that woman can,
Nor her soul's nunnery forego,
A confidence that man to man
Without remorse can never show.

Rare art, that can the sense refine
Till not a pulse rebellious stirs,
And, since she never can be mine,
Makes it seem sweeter to be hers!
THE OPTIMIST

Turbid from London's noise and smoke,
Here I find air and quiet too;
Air filtered through the beech and oak,
Quiet by nothing harsher broke
Than wood-dove's meditative coo.

The Truce of God is here; the breeze
Sighs as men sigh relieved from care,
Or tilts as lightly in the trees
As might a robin: all is ease,
With pledge of ampler ease to spare.

Time, leaning on his scythe, forgets
To turn the hour-glass in his hand,
And all life's petty cares and frets,
Its teasing hopes and weak regrets,
Are still as that oblivious sand.

Repose fills all the generous space
Of undulant plain; the rook and crow
Hush; 'tis as if a silent grace,
By Nature murmured, calmed the face
Of Heaven above and Earth below.

From past and future toils I rest,
One Sabbath pacifies my year;
I am the halcyon, this my nest;
And all is safely for the best
While the World's there and I am here.

So I turn tory for the nonce,
And think the radical a bore,
Who cannot see, thick-witted dunce,
That what was good for people once
Must be as good forevermore.

Sun, sink no deeper down the sky;
Earth, never change this summer mood;
Breeze, loiter thus forever by,
Stir the dead leaf or let it lie;
Since I am happy, all is good.



ON BURNING SOME OLD LETTERS

With what odorous woods and spices
Spared for royal sacrifices,
With what costly gums seld-seen,
Hoarded to embalm a queen,
With what frankincense and myrrh,
Burn these precious parts of her,
Full of life and light and sweetness
As a summer day's completeness,
Joy of sun and song of bird
Running wild in every word,
Full of all the superhuman
Grace and winsomeness of woman?

O'er these leaves her wrist has slid,
Thrilled with veins where fire is hid
'Neath the skin's pellucid veil,
Like the opal's passion pale;
This her breath has sweetened; this
Still seems trembling with the kiss
She half-ventured on my name,
Brow and cheek and throat aflame;
Over all caressing lies
Sunshine left there by her eyes;
From them all an effluence rare
With her nearness fills the air,
Till the murmur I half-hear
Of her light feet drawing near.

Rarest woods were coarse and rough,
Sweetest spice not sweet enough,
Too impure all earthly fire
For this sacred funeral-pyre;
These rich relics must suffice
For their own dear sacrifice.

Seek we first an altar fit
For such victims laid on it:
It shall be this slab brought home
In old happy days from Rome,--
Lazuli, once blest to line
Dian's inmost cell and shrine.
Gently now I lay them there.
Pure as Dian's forehead bare,
Yet suffused with warmer hue,
Such as only Latmos knew.

Fire I gather from the sun
In a virgin lens; 'tis done!
Mount the flames, red, yellow, blue,
As her moods were shining through,
Of the moment's impulse born,--
Moods of sweetness, playful scorn,
Half defiance, half surrender,
More than cruel, more than tender,
Flouts, caresses, sunshine, shade,
Gracious doublings of a maid
Infinite in guileless art,
Playing hide-seek with her heart.

On the altar now, alas,
There they lie a crinkling mass,
Writhing still, as if with grief
Went the life from every leaf;
Then (heart-breaking palimpsest!