No More Learning

Who shall say that fortune grieves him
While the star of hope she leaves him?
Me, nae cheerfu' twinkle lights me;
Dark despair around benights me.

II.

I'll ne'er blame my partial fancy,
Naething could resist my Nancy;
But to see her, was to love her;
Love but her, and love for ever. --
Had we never lov'd sae kindly,
Had we never lov'd sae blindly,
Never met--or never parted,
We had ne'er been broken hearted.

III.

Fare thee weel, thou first and fairest!
Fare thee weel, thou best and dearest!
Thine be ilka joy and treasure,
Peace, enjoyment, love, and pleasure!
Ae fond kiss, and then we sever;
Ae farewell, alas! for ever!
Deep in heart-wrung tears I'll pledge thee,
Warring sighs and groans I'll wage thee!

* * * * *




CXVIII.

LOVELY DAVIES.

Tune--"_Miss Muir.
_"

[Written for the Museum, in honour of the witty, the handsome, the
lovely, and unfortunate Miss Davies. ]


I.

O how shall I, unskilfu', try
The poet's occupation,
The tunefu' powers, in happy hours,
That whispers inspiration?
Even they maun dare an effort mair,
Than aught they ever gave us,
Or they rehearse, in equal verse,
The charms o' lovely Davies.
Each eye it cheers, when she appears,
Like Phoebus in the morning.
When past the shower, and ev'ry flower
The garden is adorning.
As the wretch looks o'er Siberia's shore,
When winter-bound the wave is;
Sae droops our heart when we maun part
Frae charming lovely Davies.

II.

Her smile's a gift, frae 'boon the lift,
That maks us mair than princes;
A scepter'd hand, a king's command,
Is in her darting glances:
The man in arms, 'gainst female charms,
Even he her willing slave is;
He hugs his chain, and owns the reign
Of conquering, lovely Davies.
My muse to dream of such a theme,
Her feeble pow'rs surrender:
The eagle's gaze alone surveys
The sun's meridian splendour:
I wad in vain essay the strain,
The deed too daring brave is!
I'll drap the lyre, and mute admire
The charms o' lovely Davies.

* * * * *




CXIX.

THE WEARY PUND O' TOW.

Tune--"_The weary Pund o' Tow. _"

["This song," says Sir Harris Nicolas, "is in the Musical Museum; but
it is not attributed to Burns. Mr.