126-132) are written in
evident imitation of the Horatian style.
evident imitation of the Horatian style.
Ben Jonson - The Devil's Association
The contemptible 'lady of spirit and woman of fashion' is one of
Jonson's favorite types. She first appears in the persons of Fallace
and Saviolina in _Every Man out of his Humor_; then in _Cynthia's
Revels_, where Moria and her friends play the part; then as Cytheris in
_Poetaster_, Lady Politick in _The Alchemist_, the collegiate ladies
in _The Silent Woman_, and Fulvia and Sempronia in _Catiline_. The same
affectations and vices are satirized repeatedly. An evident prototype
of Justice Eitherside is found in the person of Adam Overdo in
_Bartholomew Fair_. Both are justices of the peace, both are officious,
puritanical, and obstinate. Justice Eitherside's denunciation of the
devotees of tobacco finds its counterpart in a speech in _Bartholomew
Fair_, and his repeated 'I do detest it' reminds one of Overdo's
frequent expressions of horror at the enormities which he constantly
discovers.
4. _Minor Sources_
_The Devil is an Ass_ is not deeply indebted to the classics. Jonson
borrows twice from Horace, 1. 6. 131, and 2. 4. 27 f. The half dozen
lines in which the former passage occurs (1. 6.
126-132) are written in
evident imitation of the Horatian style. Two passages are also borrowed
from Plautus, 2. 1. 168 f. , already mentioned, and 3. 6. 38-9. A single
passage (2. 6. 104 f. ) shows the influence of Martial. These passages
are all quoted in the notes.
The source of Wittipol's description of the 'Cioppino', and the mishap
attendant upon its use, was probably taken from a contemporary book
of travels. A passage in Coryat's _Crudities_ furnishes the necessary
information and a similar anecdote, and was doubtless used by Jonson
(see note 4. 4. 69).
