No More Learning

Your shoulders are level--
they have melted rare silver
for their breadth.




SEA LILY


Reed,
slashed and torn
but doubly rich--
such great heads as yours
drift upon temple-steps,
but you are shattered
in the wind.

Myrtle-bark
is flecked from you,
scales are dashed
from your stem,
sand cuts your petal,
furrows it with hard edge,
like flint
on a bright stone.

Yet though the whole wind
slash at your bark,
you are lifted up,
aye--though it hiss
to cover you with froth.




THE WIND SLEEPERS


Whiter
than the crust
left by the tide,
we are stung by the hurled sand
and the broken shells.

We no longer sleep
in the wind--
we awoke and fled
through the city gate.

Tear--
tear us an altar,
tug at the cliff-boulders,
pile them with the rough stones--
we no longer
sleep in the wind,
propitiate us.

Chant in a wail
that never halts,
pace a circle and pay tribute
with a song.

When the roar of a dropped wave
breaks into it,
pour meted words
of sea-hawks and gulls
and sea-birds that cry
discords.




THE GIFT


Instead of pearls--a wrought clasp--
a bracelet--will you accept this?

You know the script--
you will start, wonder:
what is left, what phrase
after last night? This:

The world is yet unspoiled for you,
you wait, expectant--
you are like the children
who haunt your own steps
for chance bits--a comb
that may have slipped,
a gold tassel, unravelled,
plucked from your scarf,
twirled by your slight fingers
into the street--
a flower dropped.

Do not think me unaware,
I who have snatched at you
as the street-child clutched
at the seed-pearls you spilt
that hot day
when your necklace snapped.

Do not dream that I speak
as one defrauded of delight,
sick, shaken by each heart-beat
or paralyzed, stretched at length,
who gasps:
these ripe pears
are bitter to the taste,
this spiced wine, poison, corrupt.
I cannot walk--
who would walk?
Life is a scavenger's pit--I escape--
I only, rejecting it,
lying here on this couch.

Your garden sloped to the beach,
myrtle overran the paths,
honey and amber flecked each leaf,
the citron-lily head--
one among many--
weighed there, over-sweet.

The myrrh-hyacinth
spread across low slopes,
violets streaked black ridges
through the grass.

The house, too, was like this,
over painted, over lovely--
the world is like this.

Sleepless nights,
I remember the initiates,
their gesture, their calm glance.
I have heard how in rapt thought,
in vision, they speak
with another race,
more beautiful, more intense than this.
I could laugh--
more beautiful, more intense?

Perhaps that other life
is contrast always to this.
I reason:
I have lived as they
in their inmost rites--
they endure the tense nerves
through the moment of ritual.
I endure from moment to moment--
days pass all alike,
tortured, intense.

This I forgot last night:
you must not be blamed,
it is not your fault;
as a child, a flower--any flower
tore my breast--
meadow-chicory, a common grass-tip,
a leaf shadow, a flower tint
unexpected on a winter-branch.

I reason:
another life holds what this lacks,
a sea, unmoving, quiet--
not forcing our strength
to rise to it, beat on beat--
stretch of sand,
no garden beyond, strangling
with its myrrh-lilies--
a hill, not set with black violets
but stones, stones, bare rocks,
dwarf-trees, twisted, no beauty
to distract--to crowd
madness upon madness.

Only a still place
and perhaps some outer horror
some hideousness to stamp beauty,
a mark--no changing it now--
on our hearts.

I send no string of pearls,
no bracelet--accept this.




EVENING


The light passes
from ridge to ridge,
from flower to flower--
the hypaticas, wide-spread
under the light
grow faint--
the petals reach inward,
the blue tips bend
toward the bluer heart
and the flowers are lost.

The cornel-buds are still white,
but shadows dart
from the cornel-roots--
black creeps from root to root,
each leaf
cuts another leaf on the grass,
shadow seeks shadow,
then both leaf
and leaf-shadow are lost.