Publisher to the
University
of Oxford
London, Edinburgh, New York
Toronto and Melbourne
CONTENTS
PAGE
INTRODUCTION v
I.
London, Edinburgh, New York
Toronto and Melbourne
CONTENTS
PAGE
INTRODUCTION v
I.
John Donne
If so, the reader should
consult the iso-8859-1 (Latin-1) text file 48772-8. txt
or 48772. zip:
http://www. gutenberg. org/files/48772/48772-8. txt
or
http://www. gutenberg. org/files/48772/48772-8. zip
THE POEMS OF JOHN DONNE
Edited from the Old Editions and Numerous Manuscripts
with Introductions & Commentary
by
HERBERT J. C. GRIERSON M. A.
Chalmers Professor of English Literature
in the University Of Aberdeen
VOL. II
Introduction and Commentary
Oxford
At the Clarendon Press
1912
Henry Frowde, M. A.
Publisher to the University of Oxford
London, Edinburgh, New York
Toronto and Melbourne
CONTENTS
PAGE
INTRODUCTION v
I. THE POETRY OF DONNE v
II. THE TEXT AND CANON OF DONNE'S POEMS lvi
COMMENTARY 1
INDEX OF FIRST LINES 276
INTRODUCTION
I
THE POETRY OF DONNE
Donne's position among English poets, regarded from the historical and
what we like to call scientific point of view, has been defined
with learning and discrimination by Mr. Courthope in his _History of
English Poetry_. As a phenomenon of curious interest for the student
of the history of thought and literary fashions, there it is. Mr.
Courthope is far too well-informed and judicious a critic to explain
Donne's subtle thought and erudite conceits by a reference to 'Marini
and his followers'. Gongora and Du Bartas are alike passed over in
silence. What we are shown is the connexion of 'metaphysical wit' with
the complex and far-reaching changes in men's conception of Nature
which make the seventeenth century perhaps the greatest epoch in human
thought since human thinking began.
The only thing that such a criticism leaves unexplained and undefined
is the interest which Donne's poetry still has for us, not as an
historical phenomenon, but as poetry. Literary history has for the
historian a quite distinct interest from that which it possesses for
the student and lover of literature. For the historian it is a
matter of positive interest to connect Donne's wit with the general
disintegration of mediaeval thought, to recognize the influence on
the Elizabethan drama of the doctrines of Machiavelli, or to find in
Pope's achievement in poetry a counterpart to Walpole's in politics.
For the lover of literature none of these facts has any positive
interest whatsoever. Donne's wit attracts or repels him equally
whatever be its source; Tamburlaine and Iago lose none of their
interest for us though we know nothing of Machiavelli; Pope's poetry
is not a whit more or less poetical by being a strange by-product of
the Whig spirit in English life. For the lover of literature, literary
history has an indirect value. He studies history that he may discount
it.
consult the iso-8859-1 (Latin-1) text file 48772-8. txt
or 48772. zip:
http://www. gutenberg. org/files/48772/48772-8. txt
or
http://www. gutenberg. org/files/48772/48772-8. zip
THE POEMS OF JOHN DONNE
Edited from the Old Editions and Numerous Manuscripts
with Introductions & Commentary
by
HERBERT J. C. GRIERSON M. A.
Chalmers Professor of English Literature
in the University Of Aberdeen
VOL. II
Introduction and Commentary
Oxford
At the Clarendon Press
1912
Henry Frowde, M. A.
Publisher to the University of Oxford
London, Edinburgh, New York
Toronto and Melbourne
CONTENTS
PAGE
INTRODUCTION v
I. THE POETRY OF DONNE v
II. THE TEXT AND CANON OF DONNE'S POEMS lvi
COMMENTARY 1
INDEX OF FIRST LINES 276
INTRODUCTION
I
THE POETRY OF DONNE
Donne's position among English poets, regarded from the historical and
what we like to call scientific point of view, has been defined
with learning and discrimination by Mr. Courthope in his _History of
English Poetry_. As a phenomenon of curious interest for the student
of the history of thought and literary fashions, there it is. Mr.
Courthope is far too well-informed and judicious a critic to explain
Donne's subtle thought and erudite conceits by a reference to 'Marini
and his followers'. Gongora and Du Bartas are alike passed over in
silence. What we are shown is the connexion of 'metaphysical wit' with
the complex and far-reaching changes in men's conception of Nature
which make the seventeenth century perhaps the greatest epoch in human
thought since human thinking began.
The only thing that such a criticism leaves unexplained and undefined
is the interest which Donne's poetry still has for us, not as an
historical phenomenon, but as poetry. Literary history has for the
historian a quite distinct interest from that which it possesses for
the student and lover of literature. For the historian it is a
matter of positive interest to connect Donne's wit with the general
disintegration of mediaeval thought, to recognize the influence on
the Elizabethan drama of the doctrines of Machiavelli, or to find in
Pope's achievement in poetry a counterpart to Walpole's in politics.
For the lover of literature none of these facts has any positive
interest whatsoever. Donne's wit attracts or repels him equally
whatever be its source; Tamburlaine and Iago lose none of their
interest for us though we know nothing of Machiavelli; Pope's poetry
is not a whit more or less poetical by being a strange by-product of
the Whig spirit in English life. For the lover of literature, literary
history has an indirect value. He studies history that he may discount
it.
