"
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Omar Khayyam - Rubaiyat
The
woman says, 'If, by Proserpine, instead of all this 'testifying'
(comp. Cuddie and his mother in 'Old Mortality! ') you would buy
yourself a rivet, it would show more sense in you! ' The Scholiast
explains echinus as [Greek phrase deleted from etext]. "
One more illustration for the oddity's sake from the "Autobiography of
a Cornish Rector," by the late James Hamley Tregenna. 1871.
"There was one odd Fellow in our Company--he was so like a Figure in
the 'Pilgrim's Progress' that Richard always called him the
'ALLEGORY,' with a long white beard--a rare Appendage in those
days--and a Face the colour of which seemed to have been baked in,
like the Faces one used to see on Earthenware Jugs. In our Country-
dialect Earthenware is called 'Clome'; so the Boys of the Village used
to shout out after him--'Go back to the Potter, Old Clomeface, and get
baked over again. ' For the 'Allegory,' though shrewd enough in most
things, had the reputation of being 'saift-baked,' i. e. , of weak
intellect. "
(XC. ) At the Close of the Fasting Month, Ramazan (which makes the
Mussulman unhealthy and unamiable), the first Glimpse of the New Moon
(who rules their division of the Year) is looked for with the utmost
Anxiety, and hailed with Acclamation. Then it is that the Porter's
Knot maybe heard--toward the Cellar. Omar has elsewhere a pretty
Quatrain about the same Moon--
"Be of Good Cheer--the sullen Month will die,
And a young Moon requite us by and by:
Look how the Old one meagre, bent, and wan
With Age and Fast, is fainting from the Sky!
"
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Section 1.
woman says, 'If, by Proserpine, instead of all this 'testifying'
(comp. Cuddie and his mother in 'Old Mortality! ') you would buy
yourself a rivet, it would show more sense in you! ' The Scholiast
explains echinus as [Greek phrase deleted from etext]. "
One more illustration for the oddity's sake from the "Autobiography of
a Cornish Rector," by the late James Hamley Tregenna. 1871.
"There was one odd Fellow in our Company--he was so like a Figure in
the 'Pilgrim's Progress' that Richard always called him the
'ALLEGORY,' with a long white beard--a rare Appendage in those
days--and a Face the colour of which seemed to have been baked in,
like the Faces one used to see on Earthenware Jugs. In our Country-
dialect Earthenware is called 'Clome'; so the Boys of the Village used
to shout out after him--'Go back to the Potter, Old Clomeface, and get
baked over again. ' For the 'Allegory,' though shrewd enough in most
things, had the reputation of being 'saift-baked,' i. e. , of weak
intellect. "
(XC. ) At the Close of the Fasting Month, Ramazan (which makes the
Mussulman unhealthy and unamiable), the first Glimpse of the New Moon
(who rules their division of the Year) is looked for with the utmost
Anxiety, and hailed with Acclamation. Then it is that the Porter's
Knot maybe heard--toward the Cellar. Omar has elsewhere a pretty
Quatrain about the same Moon--
"Be of Good Cheer--the sullen Month will die,
And a young Moon requite us by and by:
Look how the Old one meagre, bent, and wan
With Age and Fast, is fainting from the Sky!
"
End of Project Gutenberg's Rubaiyat of Omar Khayyam, by Omar Khayyam
*** END OF THIS PROJECT GUTENBERG EBOOK RUBAIYAT OF OMAR KHAYYAM ***
***** This file should be named 246. txt or 246. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/2/4/246/
Produced by Judy Boss, and Gregory Walker
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
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distribution of electronic works, by using or distributing this work
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http://gutenberg. org/license).
Section 1.