No More Learning

' too the Song
of the Parcae in Goethe's 'Iphigenie auf Tauris', iv. , 5. ]






A DREAM OF FAIR WOMEN

First published in 1833 but very extensively altered on its
republication in 1842. It had been written by June, 1832, and appears to
have been originally entitled 'Legend of Fair Women' (see Spedding's
letter dated 21st June, 1832, 'Life', i. , 116). In nearly every edition
between 1833 and 1853 it was revised, and perhaps no poem proves more
strikingly the scrupulous care which Tennyson took to improve what he
thought susceptible of improvement. The work which inspired it,
Chaucer's 'Legend of Good Women', was written about 1384, thus
"preluding" by nearly two hundred years the "spacious times of great
Elizabeth". There is no resemblance between the poems beyond the fact
that both are visions and both have as their heroines illustrious women
who have been unfortunate. Cleopatra is the only one common to the two
poems. Tennyson's is an exquisite work of art--the transition from the
anarchy of dreams to the dreamland landscape and to the sharply denned
figures--the skill with which the heroines (what could be more perfect
that Cleopatra and Jephtha's daughter? ) are chosen and contrasted--the
wonderful way in which the Iphigenia of Euripides and Lucretius and the
Cleopatra of Shakespeare are realised are alike admirable. The poem
opened in 1833 with the following strangely irrelevant verses, excised
in 1842, which as Fitzgerald observed "make a perfect poem by themselves
without affecting the 'dream '":--

As when a man, that sails in a balloon,
Downlooking sees the solid shining ground
Stream from beneath him in the broad blue noon,
Tilth, hamlet, mead and mound:

And takes his flags and waves them to the mob,
That shout below, all faces turned to where
Glows ruby-like the far up crimson globe,
Filled with a finer air:

So lifted high, the Poet at his will
Lets the great world flit from him, seeing all,
Higher thro' secret splendours mounting still,
Self-poised, nor fears to fall.



Hearing apart the echoes of his fame.
While I spoke thus, the seedsman, memory,
Sowed my deepfurrowed thought with many a name,
Whose glory will not die.

I read, before my eyelids dropt their shade,
"The Legend of Good Women," long ago
Sung by the morning star [1] of song, who made
His music heard below;

Dan Chaucer, the first warbler, whose sweet breath
Preluded those melodious bursts, that fill
The spacious times of great Elizabeth
With sounds that echo still.
And, for a while, the knowledge of his art
Held me above the subject, as strong gales
Hold swollen clouds from raining, tho' my heart,
Brimful of those wild tales,

Charged both mine eyes with tears.
In every land I saw, wherever light illumineth,
Beauty and anguish walking hand in hand
The downward slope to death. [2]

Those far-renowned brides of ancient song
Peopled the hollow dark, like burning stars,
And I heard sounds of insult, shame, and wrong,
And trumpets blown for wars;

And clattering flints batter'd with clanging hoofs:
And I saw crowds in column'd sanctuaries;
And forms that pass'd [3] at windows and on roofs
Of marble palaces;

Corpses across the threshold; heroes tall
Dislodging pinnacle and parapet
Upon the tortoise creeping to the wall; [4]
Lances in ambush set;

And high shrine-doors burst thro' with heated blasts
That run before the fluttering tongues of fire;
White surf wind-scatter'd over sails and masts,
And ever climbing higher;

Squadrons and squares of men in brazen plates,
Scaffolds, still sheets of water, divers woes,
Ranges of glimmering vaults with iron grates,
And hush'd seraglios.

So shape chased shape as swift as, when to land
Bluster the winds and tides the self-same way,
Crisp foam-flakes scud along the level sand,
Torn from the fringe of spray.

I started once, or seem'd to start in pain,
Resolved on noble things, and strove to speak,
As when a great thought strikes along the brain,
And flushes all the cheek.

And once my arm was lifted to hew down,
A cavalier from off his saddle-bow,
That bore a lady from a leaguer'd town;
And then, I know not how,

All those sharp fancies, by down-lapsing thought
Stream'd onward, lost their edges, and did creep
Roll'd on each other, rounded, smooth'd and brought
Into the gulfs of sleep.

At last methought that I had wander'd far
In an old wood: fresh-wash'd in coolest dew,
The maiden splendours of the morning star
Shook in the steadfast [5] blue.

Enormous elmtree-boles did stoop and lean
Upon the dusky brushwood underneath
Their broad curved branches, fledged with clearest green,
New from its silken sheath.

The dim red morn had died, her journey done,
And with dead lips smiled at the twilight plain,
Half-fall'n across the threshold of the sun,
Never to rise again.

There was no motion in the dumb dead air,
Not any song of bird or sound of rill;
Gross darkness of the inner sepulchre
Is not so deadly still

As that wide forest.
Growths of jasmine turn'd
Their humid arms festooning tree to tree, [6]
And at the root thro' lush green grasses burn'd
The red anemone.

I knew the flowers, I knew the leaves, I knew
The tearful glimmer of the languid dawn
On those long, rank, dark wood-walks, drench'd in dew,
Leading from lawn to lawn.

The smell of violets, hidden in the green,
Pour'd back into my empty soul and frame
The times when I remember to have been
Joyful and free from blame.

And from within me a clear under-tone
Thrill'd thro' mine ears in that unblissful clime
"Pass freely thro': the wood is all thine own,
Until the end of time".

At length I saw a lady [7] within call,
Stiller than chisell'd marble, standing there;
A daughter of the gods, divinely tall, [8]
And most divinely fair.

Her loveliness with shame and with surprise
Froze my swift speech: she turning on my face
The star-like sorrows of immortal eyes,
Spoke slowly in her place.