So many of them are
addressed
to Rowland Woodward, or
members of his family, that Mr.
members of his family, that Mr.
John Donne
_ carry us back, as they seem
to do, to the form in which the _Satyres_ circulated before any of the
later collections of Donne's poems were made (between 1620 and 1630),
they are clearly of great importance for the editor. The text of the
_Satyres_ in _1633_ and the later editions, which closely resembles
that of one of the later MS. collections, presents many variants from
the older tradition. It is a difficult matter to decide how far these
may be the corrections of the author himself, or of the collector and
editor.
_W. _ This, the Westmoreland MS. , belonging to Mr. Edmund Gosse, is
one of the most interesting and valuable manuscripts of Donne's poems
which have come down to us. It is bound in its original vellum, and
was written, Mr. Warner, late Egerton Librarian, British Museum,
conjectured from the handwriting, 'a little later than 1625'. This
date agrees with what one would gather from the contents, for the
manuscript contains sonnets which must have been written after 1617,
but does not contain any of the hymns written just at the close of
Donne's life.
_W_ is a much larger 'book' than _Q_. It begins with the five
_Satyres_, as that does. Leaving one page blank, it then continues
with a collection of the _Elegies_ numbered, thirteen in all, of which
twelve are Love Elegies, and one, the last, a Funeral Elegy, 'Sorrow
who to this house. '[16] These are followed by an _Epithalamion_ (that
generally called 'made at Lincolns Inn') and a number of verse letters
to different friends, some of which are not contained in any of the
old editions.
So many of them are addressed to Rowland Woodward, or
members of his family, that Mr. Gosse conjectures that the manuscript
was prepared for him, but this cannot be proved. [17] The letters are
followed by the _Holy Sonnets_, these by _La Corona_, and the book
closes (as many collections of the poems do) with a bundle of prose
_Paradoxes_, followed in this case by the _Epigrams_. Both the _Holy
Sonnets_ and the _Epigrams_ contain poems not printed in any of the
old editions.
It should be noted that though _W_ as a whole may have been
transcribed as late as 1625, it clearly goes back in portions to an
earlier date. The letters are headed e. g. To Mr. H. W. , To Mr. C.
B. , &c. Now the custom in manuscripts and editions is to bring these
headings up to date, changing 'To Mr. H.
to do, to the form in which the _Satyres_ circulated before any of the
later collections of Donne's poems were made (between 1620 and 1630),
they are clearly of great importance for the editor. The text of the
_Satyres_ in _1633_ and the later editions, which closely resembles
that of one of the later MS. collections, presents many variants from
the older tradition. It is a difficult matter to decide how far these
may be the corrections of the author himself, or of the collector and
editor.
_W. _ This, the Westmoreland MS. , belonging to Mr. Edmund Gosse, is
one of the most interesting and valuable manuscripts of Donne's poems
which have come down to us. It is bound in its original vellum, and
was written, Mr. Warner, late Egerton Librarian, British Museum,
conjectured from the handwriting, 'a little later than 1625'. This
date agrees with what one would gather from the contents, for the
manuscript contains sonnets which must have been written after 1617,
but does not contain any of the hymns written just at the close of
Donne's life.
_W_ is a much larger 'book' than _Q_. It begins with the five
_Satyres_, as that does. Leaving one page blank, it then continues
with a collection of the _Elegies_ numbered, thirteen in all, of which
twelve are Love Elegies, and one, the last, a Funeral Elegy, 'Sorrow
who to this house. '[16] These are followed by an _Epithalamion_ (that
generally called 'made at Lincolns Inn') and a number of verse letters
to different friends, some of which are not contained in any of the
old editions.
So many of them are addressed to Rowland Woodward, or
members of his family, that Mr. Gosse conjectures that the manuscript
was prepared for him, but this cannot be proved. [17] The letters are
followed by the _Holy Sonnets_, these by _La Corona_, and the book
closes (as many collections of the poems do) with a bundle of prose
_Paradoxes_, followed in this case by the _Epigrams_. Both the _Holy
Sonnets_ and the _Epigrams_ contain poems not printed in any of the
old editions.
It should be noted that though _W_ as a whole may have been
transcribed as late as 1625, it clearly goes back in portions to an
earlier date. The letters are headed e. g. To Mr. H. W. , To Mr. C.
B. , &c. Now the custom in manuscripts and editions is to bring these
headings up to date, changing 'To Mr. H.
