_E'nvy_ and _e'nvying_ occur in Campion (1602), and yet
_envy'_ survived Milton.
_envy'_ survived Milton.
James Russell Lowell
And what greater phonetic
vagary (which Dryden, by the way, called _fegary_) in our _lingua
rustica_ than this _ker_ for _couvre_? I copy from the fly-leaves of my
books, where I have noted them from time to time, a few examples of
pronunciation and phrase which will show that the Yankee often has
antiquity and very respectable literary authority on his side. My list
might be largely increased by referring to glossaries, but to them eyery
one can go for himself, and I have gathered enough for my purpose.
I will take first those cases in which something like the French sound
has been preserved in certain single letters and diphthongs. And this
opens a curious question as to how long this Gallicism maintained itself
in England. Sometimes a divergence in pronunciation has given as two
words with different meanings, as in _genteel_ and _jaunty_, which I
find coming in toward the close of the seventeenth century, and wavering
between _genteel_ and _jantee_. It is usual in America to drop the _u_
in words ending in _our_--a very proper change recommended by Howell two
centuries ago, and carried out by him so far as his printers would
allow. This and the corresponding changes in _musique_, _musick_, and
the like, which he also advocated, show that in his time the French
accent indicated by the superfluous letters (for French had once nearly
as strong an accent as Italian) had gone out of use. There is plenty of
French accent down to the end of Elizabeth's reign. In Daniel we have
_riches'_ and _counsel'_, in Bishop Hall _comet'_, _chapelain_, in Donne
_pictures'_, _virtue'_, _presence'_, _mortal'_, _merit'_, _hainous'_,
_giant'_, with many more, and Marston's satires are full of them. The
two latter, however, are not to be relied on, as they may be suspected
of Chaucerizing. Herrick writes _baptime_. The tendency to throw the
accent backward began early. But the incongruities are perplexing, and
perhaps mark the period of transition. In Warner's 'Albion's England' we
have _creator'_ and _creature'_ side by side with the modern _creator_
and _creature_.
_E'nvy_ and _e'nvying_ occur in Campion (1602), and yet
_envy'_ survived Milton. In some cases we have gone back again nearer to
the French, as in _rev'enue_ for _reven'ue_, I had been so used to
hearing _imbecile_ pronounced with the accent on the first syllable,
which is in accordance with the general tendency in such matters, that I
was surprised to find _imbec'ile_ in a verse of Wordsworth. The
dictionaries all give it so. I asked a highly cultivated Englishman, and
he declared for _imbeceel'_. In general it may be assumed that accent
will finally settle on the syllable dictated by greater ease and
therefore quickness of utterance. _Blas'-phemous_, for example, is more
rapidly pronounced than _blasphem'ous_, to which our Yankee clings,
following in this the usage of many of the older poets. _Amer'ican_ is
easier than _Ameri'can_, and therefore the false quantity has carried
the day, though the true one may be found in George Herbert, and even so
late as Cowley.
To come back to the matter in hand. Our 'uplandish man' retains the soft
or thin sound of the _u_ in some words, such as _rule_, _truth_
(sometimes also pronounced _tr[)u]th_, not _trooth_), while he says
_noo_ for _new_, and gives to _view_ and _few_ so indescribable a
mixture of the two sounds with a slight nasal tincture that it may be
called the Yankee shibboleth. Voltaire says that the English pronounce
_true_ as if it rhymed with _view_, and this is the sound our rustics
give to it. Spenser writes _deow_ (_dew_) which can only be pronounced
with the Yankee nasality. In _rule_ the least sound of _a_ precedes the
_u_. I find _reule_ in Pecock's 'Repressor. ' He probably pronounced it
_rayoole_, as the old French word from which it is derived was very
likely to be sounded at first, with a reminiscence of its original
_regula_. Tindal has _reuler_, and the Coventry Plays have _preudent_.
In the 'Parlyament of Byrdes' I find _reule_.
vagary (which Dryden, by the way, called _fegary_) in our _lingua
rustica_ than this _ker_ for _couvre_? I copy from the fly-leaves of my
books, where I have noted them from time to time, a few examples of
pronunciation and phrase which will show that the Yankee often has
antiquity and very respectable literary authority on his side. My list
might be largely increased by referring to glossaries, but to them eyery
one can go for himself, and I have gathered enough for my purpose.
I will take first those cases in which something like the French sound
has been preserved in certain single letters and diphthongs. And this
opens a curious question as to how long this Gallicism maintained itself
in England. Sometimes a divergence in pronunciation has given as two
words with different meanings, as in _genteel_ and _jaunty_, which I
find coming in toward the close of the seventeenth century, and wavering
between _genteel_ and _jantee_. It is usual in America to drop the _u_
in words ending in _our_--a very proper change recommended by Howell two
centuries ago, and carried out by him so far as his printers would
allow. This and the corresponding changes in _musique_, _musick_, and
the like, which he also advocated, show that in his time the French
accent indicated by the superfluous letters (for French had once nearly
as strong an accent as Italian) had gone out of use. There is plenty of
French accent down to the end of Elizabeth's reign. In Daniel we have
_riches'_ and _counsel'_, in Bishop Hall _comet'_, _chapelain_, in Donne
_pictures'_, _virtue'_, _presence'_, _mortal'_, _merit'_, _hainous'_,
_giant'_, with many more, and Marston's satires are full of them. The
two latter, however, are not to be relied on, as they may be suspected
of Chaucerizing. Herrick writes _baptime_. The tendency to throw the
accent backward began early. But the incongruities are perplexing, and
perhaps mark the period of transition. In Warner's 'Albion's England' we
have _creator'_ and _creature'_ side by side with the modern _creator_
and _creature_.
_E'nvy_ and _e'nvying_ occur in Campion (1602), and yet
_envy'_ survived Milton. In some cases we have gone back again nearer to
the French, as in _rev'enue_ for _reven'ue_, I had been so used to
hearing _imbecile_ pronounced with the accent on the first syllable,
which is in accordance with the general tendency in such matters, that I
was surprised to find _imbec'ile_ in a verse of Wordsworth. The
dictionaries all give it so. I asked a highly cultivated Englishman, and
he declared for _imbeceel'_. In general it may be assumed that accent
will finally settle on the syllable dictated by greater ease and
therefore quickness of utterance. _Blas'-phemous_, for example, is more
rapidly pronounced than _blasphem'ous_, to which our Yankee clings,
following in this the usage of many of the older poets. _Amer'ican_ is
easier than _Ameri'can_, and therefore the false quantity has carried
the day, though the true one may be found in George Herbert, and even so
late as Cowley.
To come back to the matter in hand. Our 'uplandish man' retains the soft
or thin sound of the _u_ in some words, such as _rule_, _truth_
(sometimes also pronounced _tr[)u]th_, not _trooth_), while he says
_noo_ for _new_, and gives to _view_ and _few_ so indescribable a
mixture of the two sounds with a slight nasal tincture that it may be
called the Yankee shibboleth. Voltaire says that the English pronounce
_true_ as if it rhymed with _view_, and this is the sound our rustics
give to it. Spenser writes _deow_ (_dew_) which can only be pronounced
with the Yankee nasality. In _rule_ the least sound of _a_ precedes the
_u_. I find _reule_ in Pecock's 'Repressor. ' He probably pronounced it
_rayoole_, as the old French word from which it is derived was very
likely to be sounded at first, with a reminiscence of its original
_regula_. Tindal has _reuler_, and the Coventry Plays have _preudent_.
In the 'Parlyament of Byrdes' I find _reule_.
