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Title: The Rape of the Lock and Other Poems

Author: Alexander Pope

Posting Date: December 8, 2011 [EBook #9800]
Release Date: January, 2006
First Posted: October 18, 2003

Language: English


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THE RAPE OF THE LOCK


AND OTHER POEMS



BY

ALEXANDER POPE






EDITED

WITH INTRODUCTION AND NOTES

BY

THOMAS MARC PARROTT, PH. D.

PROFESSOR OF ENGLISH, PRINCETON UNIVERSITY



THIS EDITION PUBLISHED 1906




PREFACE

It has been the aim of the editor in preparing this little book to get
together sufficient material to afford a student in one of our high
schools or colleges adequate and typical specimens of the vigorous and
versatile genius of Alexander Pope. With this purpose he has included in
addition to 'The Rape of the Lock', the 'Essay on Criticism' as
furnishing the standard by which Pope himself expected his work to be
judged, the 'First Epistle' of the 'Essay on Man' as a characteristic
example of his didactic poetry, and the 'Epistle to Arbuthnot', both for
its exhibition of Pope's genius as a satirist and for the picture it
gives of the poet himself. To these are added the famous close of the
'Dunciad', the 'Ode to Solitude', a specimen of Pope's infrequent lyric
note, and the 'Epitaph on Gay'.

The first edition of 'The Rape of the Lock' has been given as an
appendix in order that the student may have the opportunity of comparing
the two forms of this poem, and of realizing the admirable art with
which Pope blended old and new in the version that is now the only one
known to the average reader. The text throughout is that of the Globe
Edition prepared by Professor A. W. Ward.

The editor can lay no claim to originality in the notes with which he
has attempted to explain and illustrate these poems. He is indebted at
every step to the labors of earlier editors, particularly to Elwin,
Courthope, Pattison, and Hales. If he has added anything of his own, it
has been in the way of defining certain words whose meaning or
connotation has changed since the time of Pope, and in paraphrasing
certain passages to bring out a meaning which has been partially
obscured by the poet's effort after brevity and concision.

In the general introduction the editor has aimed not so much to recite
the facts of Pope's life as to draw the portrait of a man whom he
believes to have been too often misunderstood and misrepresented. The
special introductions to the various poems are intended to acquaint the
student with the circumstances under which they were composed, to trace
their literary genesis and relationships, and, whenever necessary, to
give an outline of the train of thought which they embody.
In conclusion the editor would express the hope that his labors in the
preparation of this book may help, if only in some slight degree, to
stimulate the study of the work of a poet who, with all his limitations,
remains one of the abiding glories of English literature, and may
contribute not less to a proper appreciation of a man who with all his
faults was, on the evidence of those who knew him best, not only a great
poet, but a very human and lovable personality.

T. M. P.

'Princeton University', 'June' 4, 1906.





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CONTENTS


INTRODUCTION

THE RAPE OF THE LOCK

AN ESSAY ON CRITICISM

AN ESSAY ON MAN, EPISTLE I

AN EPISTLE TO DR ARBUTHNOT

ODE ON SOLITUDE

THE DESCENT OF DULLNESS [FROM THE 'Dunciad', BOOK IV]

EPITAPH ON GAY

NOTES

THE RAPE OF THE LOCK

AN ESSAY ON CRITICISM

AN ESSAY ON MAN (EPISTLE I)

AN EPISTLE TO DR ARBUTHNOT

SELECTIONS

APPENDIX

THE FIRST EDITION OF THE RAPE OF THE LOCK





* * * * *





INTRODUCTION


Perhaps no other great poet in English Literature has been so
differently judged at different times as Alexander Pope. Accepted almost
on his first appearance as one of the leading poets of the day, he
rapidly became recognized as the foremost man of letters of his age. He
held this position throughout his life, and for over half a century
after his death his works were considered not only as masterpieces, but
as the finest models of poetry. With the change of poetic temper that
occurred at the beginning of the nineteenth century Pope's fame was
overshadowed. The romantic poets and critics even raised the question
whether Pope was a poet at all. And as his poetical fame diminished, the
harsh judgments of his personal character increased. It is almost
incredible with what exulting bitterness critics and editors of Pope
have tracked out and exposed his petty intrigues, exaggerated his
delinquencies, misrepresented his actions, attempted in short to blast
his character as a man.

Both as a man and as a poet Pope is sadly in need of a defender to-day.
And a defense is by no means impossible. The depreciation of Pope's
poetry springs, in the main, from an attempt to measure it by other
standards than those which he and his age recognized. The attacks upon
his character are due, in large measure, to a misunderstanding of the
spirit of the times in which he lived and to a forgetfulness of the
special circumstances of his own life.