No More Learning

And red wher-so thou be, or elles songe,
That thou be understonde I god beseche!
But yet to purpos of my rather speche. --

The wraththe, as I began yow for to seye, 1800
Of Troilus, the Grekes boughten dere;
For thousandes his hondes maden deye,
As he that was with-outen any pere,
Save Ector, in his tyme, as I can here.
But weylawey, save only goddes wille, 1805
Dispitously him slough the fiers Achille.

And whan that he was slayn in this manere,
His lighte goost ful blisfully is went
Up to the holownesse of the seventh spere,
In convers letinge every element; 1810
And ther he saugh, with ful avysement,
The erratik sterres, herkeninge armonye
With sownes fulle of hevenish melodye.

And doun from thennes faste he gan avyse
This litel spot of erthe, that with the see 1815
Embraced is, and fully gan despyse
This wrecched world, and held al vanitee
To respect of the pleyn felicitee
That is in hevene above; and at the laste,
Ther he was slayn, his loking doun he caste; 1820

And in him-self he lough right at the wo
Of hem that wepten for his deeth so faste;
And dampned al our werk that folweth so
The blinde lust, the which that may not laste,
And sholden al our herte on hevene caste. 1825
And forth he wente, shortly for to telle,
Ther as Mercurie sorted him to dwelle. --

Swich fyn hath, lo, this Troilus for love,
Swich fyn hath al his grete worthinesse;
Swich fyn hath his estat real above, 1830
Swich fyn his lust, swich fyn hath his noblesse;
Swich fyn hath false worldes brotelnesse.
And thus bigan his lovinge of Criseyde,
As I have told, and in this wyse he deyde.

O yonge fresshe folkes, he or she, 1835
In which that love up groweth with your age,
Repeyreth hoom from worldly vanitee,
And of your herte up-casteth the visage
To thilke god that after his image
Yow made, and thinketh al nis but a fayre 1840
This world, that passeth sone as floures fayre.

And loveth him, the which that right for love
Upon a cros, our soules for to beye,
First starf, and roos, and sit in hevene a-bove;
For he nil falsen no wight, dar I seye, 1845
That wol his herte al hoolly on him leye.
And sin he best to love is, and most meke,
What nedeth feyned loves for to seke?

Lo here, of Payens corsed olde rytes,
Lo here, what alle hir goddes may availle; 1850
Lo here, these wrecched worldes appetytes;
Lo here, the fyn and guerdon for travaille
Of Iove, Appollo, of Mars, of swich rascaille!
Lo here, the forme of olde clerkes speche
In poetrye, if ye hir bokes seche. -- 1855

O moral Gower, this book I directe
To thee, and to the philosophical Strode,
To vouchen sauf, ther nede is, to corecte,
Of your benignitees and zeles gode.
And to that sothfast Crist, that starf on rode, 1860
With al myn herte of mercy ever I preye;
And to the lord right thus I speke and seye:

Thou oon, and two, and three, eterne on-lyve,
That regnest ay in three and two and oon,
Uncircumscript, and al mayst circumscryve, 1865
Us from visible and invisible foon
Defende; and to thy mercy, everichoon,
So make us, Iesus, for thy grace digne,
For love of mayde and moder thyn benigne! Amen.

Explicit Liber Troili et Criseydis.






End of Project Gutenberg's Troilus and Criseyde, by Geoffrey Chaucer

*** END OF THIS PROJECT GUTENBERG EBOOK TROILUS AND CRISEYDE ***

***** This file should be named 257. txt or 257. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/2/5/257/

Produced by Douglas B. Killings, and Diane M. Brendan

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.