No More Learning

By Jove I will'). ]

[Footnote 30: The poems not by Donne are not numerous, but
they are assigned to him without hesitation. They are 'As
unthrifts grieve in straw', 'Thou sentst me Prose', 'Dear
Love continue', 'Madam that flea', _The Houre Glass_ ('Doe
but consider this small dust'), _A Paradox of a Painted Face_
('Not kiss, by Jove'), 'If I freely may discover', 'Absence
heare thou', 'Love bred of glances'. ]

[Footnote 31: Note the readings I. 58 'The Infanta of London',
IV. 38 'He speaks no language'. ]

[Footnote 32: The other poems here ascribed to J. D. are _To
my Lo: of Denbrook_ (_sic. _, i. e. Pembroke), 'Fye, Fye, you
sonnes of Pallas', _A letter written by Sr H. G. and J.
D.
alternis vicibus_ ('Since every tree'), 'Why shuld not
Pillgryms to thy bodie come', 'O frutefull Garden and yet
never till'd', _Of a Lady in the Black Masque_. See Appendix
C, pp. 433-7. ]

[Footnote 33: 'The Heavens rejoice in motion', 'Tell her if
she to hired servants show', 'True love finds wit', 'Deare
Love continue nice and chaste', 'Shall I goe force an
Elegie? ', 'Men write that Love and Reason disagree', 'Come
Fates: I feare you not', 'If her disdaine'. The authorship of
these is discussed later.

A note on the first page in a modern hand says, 'The pieces
which I have extracted for the "Specimens" are, Page 91, 211,
265. ' What 'Specimens' are referred to I do not know: the
pieces are 'You nimble dreams', signed H. (i. e. John Hoskins);
'Upon his mistresses inconstancy' ('Thou art prettie but
inconstant'); and _Cupid and the Clowne_. The manuscript was
purchased at Bishop Heber's sale in 1836. ]

[Footnote 34: I refer to it occasionally as _TCD_ (_II_),
and (once it has been made plain that this is the collection
referred to throughout) as simply _TCD_. ]

[Footnote 35: Since Mr. Pearsall-Smith transcribed
these poems, which I subsequently collated, the house at
Burley-on-the-Hill has been burned down and the manuscript
volume has perished. ]

[Footnote 36: _The Complete Poems of John Donne, D.