[253] The second day of the
Dionysia
or feasts of Bacchus, kept in the
month Anthesterion (February), and called the Anthesteria.
month Anthesterion (February), and called the Anthesteria.
Aristophanes
[240] Mentioned above; he was as proud as he was cowardly.
[241] An Athenian general, quarrelsome and litigious, and an Informer
into the bargain.
[242] A comic poet of vile habits.
[243] A painter.
[244] A debauchee, a gambler, and always in extreme poverty.
[245] This kind of flute had a bellows, made of dog-skin, much like the
bagpipes of to-day.
[246] A flute-player, mentioned above.
[247] A hero, much honoured in Thebes; nephew of Heracles.
[248] A form of bread peculiar to Boeotia.
[249] A lake in Boeotia.
[250] He was the Lucullus of Athens.
[251] This again fixes the date of the presentation of the 'Acharnians'
to 426 B. C. , the sixth year of the War, since the beginning of which
Boeotia had been closed to the Athenians.
[252] An Informer.
[253] The second day of the Dionysia or feasts of Bacchus, kept in the
month Anthesterion (February), and called the Anthesteria. They lasted
three days; the second being the Feast of Cups, a description of which is
to be found at the end of this comedy, the third the Feast of Pans.
Vases, filled with grain of all kinds, were borne in procession and
dedicated to Hermes.
[254] A parody of some verses from a lost poet.
[255] A feasting song in honour of Harmodius, the assassin of Hipparchus
the Tyrant, son of Pisistratus.
[256] The celebrated painter, born at Heraclea, a contemporary of
Aristophanes.
[257] A deme and frontier fortress of Attica, near the Boeotian border.
[258] An Athenian physician of the day.
[259] An allusion to the paroxysms of rage, as represented in many
tragedies familiar to an Athenian audience, of Orestes, the son of
Agamemnon, after he had killed his mother.
[260] No doubt the comic poet, rival of Aristophanes.
[261] Unexpected wind-up of the story. Aristophanes intends to deride the
boasting of Lamachus, who was always ascribing to himself most unlikely
exploits.
PEACE
INTRODUCTION
The 'Peace' was brought out four years after 'The Acharnians' (422 B. C. ),
when the War had already lasted ten years. The leading motive is the same
as in the former play--the intense desire of the less excitable and more
moderate-minded citizens for relief from the miseries of war.
