Jonson
must have followed it eagerly.
must have followed it eagerly.
Ben Jonson - The Devil's Association
Three years later he wrote _The Devil is an Ass_ at
the age of forty-three.
Wittipol intimates that he is Mrs. Fitzdottrel's equal in years, in
fashion (1. 6. 124-5), and in blood (1. 6. 168). For Jonson to say this
to Lady Hatton would have been preposterous.
=Justice Eitherside. = Only the desire to prove a theory at all costs
could have prevented Fleay from seeing that Coke's counterpart is
not Fitzdottrel, but Justice Eitherside. In obstinacy, bigotry, and
vanity this character represents the class of judges with which
Coke identified himself in the Overbury trial. Nor are these merely
class-traits. They are distinctly the faults which marred Coke's career
from the beginning. It is certain that Coke is partially responsible
for this portraiture. Overbury was a personal friend of the poet, and
the trial, begun in the previous year, had extended into 1616.
Jonson
must have followed it eagerly. On the other hand, it is improbable that
the picture was aimed exclusively at Coke. He merely furnished traits
for a typical and not uncommon character. As we have seen, it is in
line with Jonson's usual practise to confine personal satire to the
lesser characters.
=Merecraft. = Fleay's identification with Sir Giles Mompesson has very
little to commend it. Mompesson was connected by marriage with James
I. 's powerful favorite, George Villiers, later Duke of Buckingham. In
1616 he suggested to Villiers the creation of a special commission for
the purpose of granting licenses to keepers of inns and ale-houses.
The suggestion was adopted by Villiers; Mompesson was appointed to the
Commission in October, 1616, and knighted on November 18 of that year.
The patent was not sealed until March, 1617. His high-handed conduct
soon became unpopular, but he continued in favor with Villiers and
James, and his disgrace did not come until 1621.
It will readily be seen that Mompesson's position and career conform
in no particular to those of Merecraft in the present play. Mompesson
was a knight, a friend of the king's favorite, and in favor with
the king. Merecraft is a mere needy adventurer without influence at
court, and the associate of ruffians, who frequent the 'Straits' and
the 'Bermudas'. Mompesson was himself the recipient of a patent (see
section III.
the age of forty-three.
Wittipol intimates that he is Mrs. Fitzdottrel's equal in years, in
fashion (1. 6. 124-5), and in blood (1. 6. 168). For Jonson to say this
to Lady Hatton would have been preposterous.
=Justice Eitherside. = Only the desire to prove a theory at all costs
could have prevented Fleay from seeing that Coke's counterpart is
not Fitzdottrel, but Justice Eitherside. In obstinacy, bigotry, and
vanity this character represents the class of judges with which
Coke identified himself in the Overbury trial. Nor are these merely
class-traits. They are distinctly the faults which marred Coke's career
from the beginning. It is certain that Coke is partially responsible
for this portraiture. Overbury was a personal friend of the poet, and
the trial, begun in the previous year, had extended into 1616.
Jonson
must have followed it eagerly. On the other hand, it is improbable that
the picture was aimed exclusively at Coke. He merely furnished traits
for a typical and not uncommon character. As we have seen, it is in
line with Jonson's usual practise to confine personal satire to the
lesser characters.
=Merecraft. = Fleay's identification with Sir Giles Mompesson has very
little to commend it. Mompesson was connected by marriage with James
I. 's powerful favorite, George Villiers, later Duke of Buckingham. In
1616 he suggested to Villiers the creation of a special commission for
the purpose of granting licenses to keepers of inns and ale-houses.
The suggestion was adopted by Villiers; Mompesson was appointed to the
Commission in October, 1616, and knighted on November 18 of that year.
The patent was not sealed until March, 1617. His high-handed conduct
soon became unpopular, but he continued in favor with Villiers and
James, and his disgrace did not come until 1621.
It will readily be seen that Mompesson's position and career conform
in no particular to those of Merecraft in the present play. Mompesson
was a knight, a friend of the king's favorite, and in favor with
the king. Merecraft is a mere needy adventurer without influence at
court, and the associate of ruffians, who frequent the 'Straits' and
the 'Bermudas'. Mompesson was himself the recipient of a patent (see
section III.
