]
In the editions of 1815 and 1820 this was included among the "Poems
founded on the Affections.
In the editions of 1815 and 1820 this was included among the "Poems
founded on the Affections.
William Wordsworth
The rock in the
centre of the falls, where the water was most abundant, a deep black,
the adjoining parts yellow, white, purple, and dove colour, covered
with water--plants of the most vivid green, and hung with streaming
icicles, that in some places seem to conceal the verdure of the plants
and the violet and yellow variegation of the rocks; and in some places
render the colours more brilliant. I cannot express to you the
enchanting effect produced by this Arabian scene of colour as the wind
blew aside the great waterfall behind which we stood, and alternately
hid and revealed each of these fairy cataracts in irregular
succession, or displayed them with various gradations of distinctness
as the intervening spray was thickened or dispersed. What a scene too
in summer! In the luxury of our imagination we could not help feeding
upon the pleasure which this cave, in the heat of a July noon, would
spread through a frame exquisitely sensible. That huge rock on the
right, the bank winding round on the left with all its living foliage,
and the breeze stealing up the valley, and bedewing the cavern with
the freshest imaginable spray. And then the murmur of the water, the
quiet, the seclusion, and a long summer day. "
Ed.
FOOTNOTE ON THE TEXT:
[Footnote A: This is a fragment of 'The Recluse', ll. 152-167; but it
was originally published in the 'Memoirs of Wordsworth' by his nephew
(1851). --Ed. ]
* * * * *
ELLEN IRWIN; OR, THE BRAES OF KIRTLE [A]
Composed 1800. --Published 1800
[It may be worth while to observe that as there are Scotch Poems on this
subject in simple ballad strain, I thought it would be both presumptuous
and superfluous to attempt treating it in the same way; and,
accordingly, I chose a construction of stanza quite new in our language;
in fact, the same as that of Burger's 'Leonora', except that the first
and third lines do not, in my stanzas, rhyme. At the outset I threw out
a classical image to prepare the reader for the style in which I meant
to treat the story, and so to preclude all comparison. --I. F.
]
In the editions of 1815 and 1820 this was included among the "Poems
founded on the Affections. " In 1827 it was placed in the "Memorials of a
Tour in Scotland, 1803. "--Ed.
Fair Ellen Irwin, when she sate
Upon the braes of Kirtle,
Was lovely as a Grecian maid
Adorned with wreaths of myrtle;
Young Adam Bruce beside her lay, 5
And there did they beguile the day
With love and gentle speeches,
Beneath the budding beeches.
From many knights and many squires
The Bruce had been selected; 10
And Gordon, fairest of them all,
By Ellen was rejected.
Sad tidings to that noble Youth!
For it may be proclaimed with truth,
If Bruce hath loved sincerely, 15
That Gordon [1] loves as dearly.
But what are Gordon's form and face,
His shattered hopes and crosses,
To them, 'mid Kirtle's pleasant braes,
Reclined on flowers and mosses? [2] 20
Alas that ever he was born!
The Gordon, couched behind a thorn,
Sees them and their caressing;
Beholds them blest and blessing.
Proud Gordon, maddened by the thoughts [3] 25
That through his brain are travelling,
Rushed forth, and at the heart of Bruce [4]
He launched a deadly javelin!
Fair Ellen saw it as it came,
And, starting up to meet the same, [5] 30
Did with her body cover
The Youth, her chosen lover.
And, falling into Bruce's arms,
Thus died the beauteous Ellen,
Thus, from the heart of her True-love, 35
The mortal spear repelling.
And Bruce, as soon as he had slain
The Gordon, sailed away to Spain;
And fought with rage incessant
Against the Moorish crescent. 40
But many days, and many months,
And many years ensuing,
This wretched Knight did vainly seek
The death that he was wooing.
So, coming his last help to crave, 45
Heart-broken, upon Ellen's grave [6]
His body he extended,
And there his sorrow ended.
centre of the falls, where the water was most abundant, a deep black,
the adjoining parts yellow, white, purple, and dove colour, covered
with water--plants of the most vivid green, and hung with streaming
icicles, that in some places seem to conceal the verdure of the plants
and the violet and yellow variegation of the rocks; and in some places
render the colours more brilliant. I cannot express to you the
enchanting effect produced by this Arabian scene of colour as the wind
blew aside the great waterfall behind which we stood, and alternately
hid and revealed each of these fairy cataracts in irregular
succession, or displayed them with various gradations of distinctness
as the intervening spray was thickened or dispersed. What a scene too
in summer! In the luxury of our imagination we could not help feeding
upon the pleasure which this cave, in the heat of a July noon, would
spread through a frame exquisitely sensible. That huge rock on the
right, the bank winding round on the left with all its living foliage,
and the breeze stealing up the valley, and bedewing the cavern with
the freshest imaginable spray. And then the murmur of the water, the
quiet, the seclusion, and a long summer day. "
Ed.
FOOTNOTE ON THE TEXT:
[Footnote A: This is a fragment of 'The Recluse', ll. 152-167; but it
was originally published in the 'Memoirs of Wordsworth' by his nephew
(1851). --Ed. ]
* * * * *
ELLEN IRWIN; OR, THE BRAES OF KIRTLE [A]
Composed 1800. --Published 1800
[It may be worth while to observe that as there are Scotch Poems on this
subject in simple ballad strain, I thought it would be both presumptuous
and superfluous to attempt treating it in the same way; and,
accordingly, I chose a construction of stanza quite new in our language;
in fact, the same as that of Burger's 'Leonora', except that the first
and third lines do not, in my stanzas, rhyme. At the outset I threw out
a classical image to prepare the reader for the style in which I meant
to treat the story, and so to preclude all comparison. --I. F.
]
In the editions of 1815 and 1820 this was included among the "Poems
founded on the Affections. " In 1827 it was placed in the "Memorials of a
Tour in Scotland, 1803. "--Ed.
Fair Ellen Irwin, when she sate
Upon the braes of Kirtle,
Was lovely as a Grecian maid
Adorned with wreaths of myrtle;
Young Adam Bruce beside her lay, 5
And there did they beguile the day
With love and gentle speeches,
Beneath the budding beeches.
From many knights and many squires
The Bruce had been selected; 10
And Gordon, fairest of them all,
By Ellen was rejected.
Sad tidings to that noble Youth!
For it may be proclaimed with truth,
If Bruce hath loved sincerely, 15
That Gordon [1] loves as dearly.
But what are Gordon's form and face,
His shattered hopes and crosses,
To them, 'mid Kirtle's pleasant braes,
Reclined on flowers and mosses? [2] 20
Alas that ever he was born!
The Gordon, couched behind a thorn,
Sees them and their caressing;
Beholds them blest and blessing.
Proud Gordon, maddened by the thoughts [3] 25
That through his brain are travelling,
Rushed forth, and at the heart of Bruce [4]
He launched a deadly javelin!
Fair Ellen saw it as it came,
And, starting up to meet the same, [5] 30
Did with her body cover
The Youth, her chosen lover.
And, falling into Bruce's arms,
Thus died the beauteous Ellen,
Thus, from the heart of her True-love, 35
The mortal spear repelling.
And Bruce, as soon as he had slain
The Gordon, sailed away to Spain;
And fought with rage incessant
Against the Moorish crescent. 40
But many days, and many months,
And many years ensuing,
This wretched Knight did vainly seek
The death that he was wooing.
So, coming his last help to crave, 45
Heart-broken, upon Ellen's grave [6]
His body he extended,
And there his sorrow ended.
