Point out
imitations
of Homer,
Vergil, Lucan, Statius, Ariosto, Tasso, and Chaucer.
Vergil, Lucan, Statius, Ariosto, Tasso, and Chaucer.
Spenser - Faerie Queene - 1
Like other knights of romance, e.
g.
Sir Galahad and Sir Gareth in
Malory's _Morte d'Arthur_, iii, 65, etc. , the Redcross Knight does not
yield to the temptation of the flesh, but overcomes it.
QUESTIONS AND TOPICS FOR STUDY
(Canto I)
1. Tell in your own words the story of this canto. 2. Which muse does
Spenser invoke? 3. Who were the nine muses? 4. What is the difference
between _pastoral_ and _epic_ poetry? 5. Illustrate by _The Shepheards
Calender_ and the _The Faerie Queene_. 6.
Point out imitations of Homer,
Vergil, Lucan, Statius, Ariosto, Tasso, and Chaucer. 7. Explain the
reference to the religious questions and politics of Queen Elizabeth's
reign. 8. Where does Spenser use classical mythology--mediaeval legends? 9.
What references to the Bible do you find? 10. Try to make a mental picture
of the Knight--of Una--of Error--of Archimago. 11. Is Spenser's character
drawing objective or subjective? 12. Is the description of the wood in vii
true to nature? Could so many trees grow together in a thick wood? 13.
Study the Rembrandt-like effects of light and shade in xiv.
Malory's _Morte d'Arthur_, iii, 65, etc. , the Redcross Knight does not
yield to the temptation of the flesh, but overcomes it.
QUESTIONS AND TOPICS FOR STUDY
(Canto I)
1. Tell in your own words the story of this canto. 2. Which muse does
Spenser invoke? 3. Who were the nine muses? 4. What is the difference
between _pastoral_ and _epic_ poetry? 5. Illustrate by _The Shepheards
Calender_ and the _The Faerie Queene_. 6.
Point out imitations of Homer,
Vergil, Lucan, Statius, Ariosto, Tasso, and Chaucer. 7. Explain the
reference to the religious questions and politics of Queen Elizabeth's
reign. 8. Where does Spenser use classical mythology--mediaeval legends? 9.
What references to the Bible do you find? 10. Try to make a mental picture
of the Knight--of Una--of Error--of Archimago. 11. Is Spenser's character
drawing objective or subjective? 12. Is the description of the wood in vii
true to nature? Could so many trees grow together in a thick wood? 13.
Study the Rembrandt-like effects of light and shade in xiv.
