No More Learning

But when the eastern blow, with rain aslant,
From mid-sea's prairies green and rolling plains
Drives in his wallowing herds of billows gaunt,
And the roused Charles remembers in his veins
Old Ocean's blood and snaps his gyves of frost,
That tyrannous silence on the shores is tost
In dreary wreck, and crumbling desolation reigns.

Edgewise or flat, in Druid-like device, 190
With leaden pools between or gullies bare,
The blocks lie strewn, a bleak Stonehenge of ice;
No life, no sound, to break the grim despair,
Save sullen plunge, as through the sedges stiff
Down crackles riverward some thaw-sapped cliff,
Or when the close-wedged fields of ice crunch here and there.

But let me turn from fancy-pictured scenes
To that whose pastoral calm before me lies:
Here nothing harsh or rugged intervenes;
The early evening with her misty dyes 200
Smooths off the ravelled edges of the nigh,
Relieves the distant with her cooler sky,
And tones the landscape down, and soothes the wearied eyes.

There gleams my native village, dear to me,
Though higher change's waves each day are seen,
Whelming fields famed in boyhood's history,
Sanding with houses the diminished green;
There, in red brick, which softening time defies,
Stand square and stiff the Muses' factories:--
How with my life knit up is every well-known scene! 210

Flow on, dear river! not alone you flow
To outward sight, and through your marshes wind;
Fed from the mystic springs of long-ago,
Your twin flows silent through my world of mind:
Grow dim, dear marshes, in the evening's gray!
Before my inner sight ye stretch away,
And will forever, though these fleshly eyes grow blind.

Beyond the hillock's house-bespotted swell,
Where Gothic chapels house the horse and chaise,
Where quiet cits in Grecian temples dwell, 220
Where Coptic tombs resound with prayer and praise,
Where dust and mud the equal year divide,
There gentle Allston lived, and wrought, and died,
Transfiguring street and shop with his illumined gaze.

_Virgilium vidi tantum_,--I have seen
But as a boy, who looks alike on all,
That misty hair, that fine Undine-like mien,
Tremulous as down to feeling's faintest call;--
Ah, dear old homestead! count it to thy fame
That thither many times the Painter came;-- 230
One elm yet bears his name, a feathery tree and tall.

Swiftly the present fades in memory's glow,--
Our only sure possession is the past;
The village blacksmith died a month ago,
And dim to me the forge's roaring blast;
Soon fire-new mediaevals we shall see
Oust the black smithy from its chestnut-tree,
And that hewn down, perhaps, the beehive green and vast.

How many times, prouder than king on throne,
Loosed from the village school-dame's A's and B's, 240
Panting have I the creaky bellows blown,
And watched the pent volcano's red increase,
Then paused to see the ponderous sledge, brought down
By that hard arm voluminous and brown,
From the white iron swarm its golden vanishing bees.

Dear native town! whose choking elms each year
With eddying dust before their time turn gray,
Pining for rain,--to me thy dust is dear;
It glorifies the eve of summer day,
And when the westering sun half sunken burns, 250
The mote-thick air to deepest orange turns,
The westward horseman rides through clouds of gold away.

So palpable, I've seen those unshorn few,
The six old willows at the causey's end
(Such trees Paul Potter never dreamed nor drew),
Through this dry mist their checkering shadows send,
Striped, here and there, with many a long-drawn thread,
Where streamed through leafy chinks the trembling red,
Past which, in one bright trail, the hangbird's flashes blend.
Yes, dearer far thy dust than all that e'er, 260
Beneath the awarded crown of victory,
Gilded the blown Olympic charioteer;
Though lightly prized the ribboned parchments three,
Yet _collegisse juvat_, I am glad
That here what colleging was mine I had,--
It linked another tie, dear native town, with thee!

Nearer art thou than simply native earth,
My dust with thine concedes a deeper tie;
A closer claim thy soil may well put forth,
Something of kindred more than sympathy; 270
For in thy bounds I reverently laid away
That blinding anguish of forsaken clay,
That title I seemed to have in earth and sea and sky,

That portion of my life more choice to me
(Though brief, yet in itself so round and whole)
Than all the imperfect residue can be;--
The Artist saw his statue of the soul
Was perfect; so, with one regretful stroke,
The earthen model into fragments broke,
And without her the impoverished seasons roll. 280



THE GROWTH OF THE LEGEND

A FRAGMENT

A legend that grew in the forest's hush
Slowly as tear-drops gather and gush,
When a word some poet chanced to say
Ages ago, in his careless way,
Brings our youth back to us out of its shroud
Clearly as under yon thunder-cloud
I see that white sea-gull. It grew and grew,
From the pine-trees gathering a sombre hue,
Till it seems a mere murmur out of the vast
Norwegian forests of the past; 10
And it grew itself like a true Northern pine,
First a little slender line,
Like a mermaid's green eyelash, and then anon
A stem that a tower might rest upon,
Standing spear-straight in the waist-deep moss,
Its bony roots clutching around and across,
As if they would tear up earth's heart in their grasp
Ere the storm should uproot them or make them unclasp;
Its cloudy boughs singing, as suiteth the pine,
To snow-bearded sea-kings old songs of the brine, 20
Till they straightened and let their staves fall to the floor,
Hearing waves moan again on the perilous shore
Of Vinland, perhaps, while their prow groped its way
'Twixt the frothed gnashing tusks of some ship-crunching bay.

So, pine-like, the legend grew, strong-limbed and tall,
As the Gypsy child grows that eats crusts in the hall;
It sucked the whole strength of the earth and the sky,
Spring, Summer, Fall, Winter, all brought it supply;
'Twas a natural growth, and stood fearlessly there,
True part of the landscape as sea, land, and air; 30
For it grew in good times, ere the fashion it was
To force these wild births of the woods under glass,
And so, if 'tis told as it should be told,
Though 'twere sung under Venice's moonlight of gold,
You would hear the old voice of its mother, the pine,
Murmur sealike and northern through every line,
And the verses should grow, self-sustained and free,
Round the vibrating stem of the melody,
Like the lithe moonlit limbs of the parent tree.

Yes, the pine is the mother of legends; what food 40
For their grim roots is left when the thousand-yeared wood,
The dim-aisled cathedral, whose tall arches spring
Light, sinewy, graceful, firm-set as the wing
From Michael's white shoulder, is hewn and defaced
By iconoclast axes in desperate waste,
And its wrecks seek the ocean it prophesied long,
Cassandra-like, crooning its mystical song?
Then the legends go with them,--even yet on the sea
A wild virtue is left in the touch of the tree,
And the sailor's night-watches are thrilled to the core 50
With the lineal offspring of Odin and Thor.

Yes, wherever the pine-wood has never let in,
Since the day of creation, the light and the din
Of manifold life, but has safely conveyed
From the midnight primeval its armful of shade,
And has kept the weird Past with its child-faith alive
Mid the hum and the stir of To-day's busy hive.
There the legend takes root in the age-gathered gloom,
And its murmurous boughs for their sagas find room.

Where Aroostook, far-heard, seems to sob as he goes 60
Groping down to the sea 'neath his mountainous snows;
Where the lake's frore Sahara of never-tracked white,
When the crack shoots across it, complains to the night
With a long, lonely moan, that leagues northward is lost,
As the ice shrinks away from the tread of the frost;
Where the lumberers sit by the log-fires that throw
Their own threatening shadows far round o'er the snow,
When the wolf howls aloof, and the wavering glare
Flashes out from the blackness the eyes of the bear,
When the wood's huge recesses, half-lighted, supply 70
A canvas where Fancy her mad brush may try,
Blotting in giant Horrors that venture not down
Through the right-angled streets of the brisk, whitewashed town,
But skulk in the depths of the measureless wood
Mid the Dark's creeping whispers that curdle the blood,
When the eye, glanced in dread o'er the shoulder, may dream,
Ere it shrinks to the camp-fire's companioning gleam,
That it saw the fierce ghost of the Red Man crouch back
To the shroud of the tree-trunk's invincible black;
There the old shapes crowd thick round the pine-shadowed camp, 80
Which shun the keen gleam of the scholarly lamp,
And the seed of the legend finds true Norland ground,
While the border-tale's told and the canteen flits round.



A CONTRAST

Thy love thou sendest oft to me,
And still as oft I thrust it back;
Thy messengers I could not see
In those who everything did lack,
The poor, the outcast and the black.

Pride held his hand before mine eyes,
The world with flattery stuffed mine ears;
I looked to see a monarch's guise,
Nor dreamed thy love would knock for years,
Poor, naked, fettered, full of tears.

Yet, when I sent my love to thee,
Thou with a smile didst take it in,
And entertain'dst it royally,
Though grimed with earth, with hunger thin,
And leprous with the taint of sin.

Now every day thy love I meet,
As o'er the earth it wanders wide,
With weary step and bleeding feet,
Still knocking at the heart of pride
And offering grace, though still denied.



EXTREME UNCTION

Go! leave me, Priest; my soul would be
Alone with the consoler, Death;
Far sadder eyes than thine will see
This crumbling clay yield up its breath;
These shrivelled hands have deeper stains
Than holy oil can cleanse away,
Hands that have plucked the world's coarse gains
As erst they plucked the flowers of May.