"I have been long
intending
to write you as to the manuscript notes
and alterations in Wordsworth's poems, which you have had the
opportunity of seeing, and, so far as you thought fit, of using for
your edition.
and alterations in Wordsworth's poems, which you have had the
opportunity of seeing, and, so far as you thought fit, of using for
your edition.
Wordsworth - 1
It should be added that
when a verse, or stanza, or line--occurring in one or other of the
earlier editions--was omitted from that of 1849, the footnote simply
contains the extract along with the date of the year or years in which
it occurs; and that, in such cases, the date does not follow the
reference number of the footnote, but is placed for obvious reasons at
the end of the extract.
The same thing is true of 'Descriptive Sketches'. In the year 1827,
there were scarcely any alterations made on the text of the poem, as
printed in 1820; still fewer were added in 1832; but for the edition of
1836 the whole was virtually rewritten, and in that state it was finally
left, although a few significant changes were made in 1845.
Slight changes of spelling which occur in the successive editions, are
not mentioned. When, however, the change is one of transposition,
although the text remains unaltered,--as is largely the case in 'Simon
Lee', for example--it is always indicated.
It will be further observed that, at the beginning of every poem, two
dates are given; the first, on the left-hand side, is the date of
composition; the second, on the right-hand side, is the date of the
first publication. In what class the poem first appeared, and the
changes (if any) which subsequently occurred in its title, are mentioned
in the note appended.
THIRD. In the present edition several suggested changes of text, which
were written by Wordsworth on the margin of a copy of his edition of
1836-7, which he kept beside him at Rydal Mount, are published. These
MS. notes seem to have been written by himself, or dictated to others,
at intervals between the years 1836 and 1850, and they are thus a record
of passing thoughts, or "moods of his own mind," during these years.
Some of these were afterwards introduced into the editions of 1842,
1846, and 1849; others were not made use of. The latter have now a value
of their own, as indicating certain new phases of thought and feeling,
in Wordsworth's later years. I owe my knowledge of them, and the
permission to use them, to the kindness of the late Chief Justice of
England, Lord Coleridge. The following is an extract from a letter from
him:
"FOX GHYLL, AMBLESIDE, '4th October 1881'.
"I have been long intending to write you as to the manuscript notes
and alterations in Wordsworth's poems, which you have had the
opportunity of seeing, and, so far as you thought fit, of using for
your edition. They came into my possession in this way. I saw them
advertised in a catalogue which was sent me, and at my request the
book was very courteously forwarded to me for my inspection. It
appeared to me of sufficient interest and value to induce me to buy
it; and I accordingly became the purchaser.
"It is a copy of the edition in six volumes, the publication of which
began in the year 1836; and of the volume containing the collected
sonnets, which was afterwards printed uniformly with that edition. It
appears to have been the copy which Wordsworth himself used for
correcting, altering, and adding to the poems contained in it. As you
have seen, in some of the poems the Alterations are very large,
amounting sometimes to a complete rewriting of considerable passages.
Many of these alterations have been printed in subsequent editions;
some have not; two or three small poems, as far as I know, have not
been hitherto published. Much of the writing is Wordsworth's own; but
perhaps the larger portion is the hand-writing of others, one or more,
not familiar to me as Wordsworth's is.
"How the volumes came to be sold I do not know. . . . Such as they are,
and whatever be their interest or value, you are, as far as I am
concerned, heartily welcome to them; and I shall be glad indeed if
they add in the least degree to make your edition more worthy of the
great man for whom my admiration grows every day I live, and my deep
gratitude to whom will cease only with my life, and my reason. "
This precious copy of the edition of 1836-7 is now the property of Lady
Coleridge. I re-examined it in 1894, and added several readings, which I
had omitted to note twelve years ago, when Lord Coleridge first showed
it to me.
when a verse, or stanza, or line--occurring in one or other of the
earlier editions--was omitted from that of 1849, the footnote simply
contains the extract along with the date of the year or years in which
it occurs; and that, in such cases, the date does not follow the
reference number of the footnote, but is placed for obvious reasons at
the end of the extract.
The same thing is true of 'Descriptive Sketches'. In the year 1827,
there were scarcely any alterations made on the text of the poem, as
printed in 1820; still fewer were added in 1832; but for the edition of
1836 the whole was virtually rewritten, and in that state it was finally
left, although a few significant changes were made in 1845.
Slight changes of spelling which occur in the successive editions, are
not mentioned. When, however, the change is one of transposition,
although the text remains unaltered,--as is largely the case in 'Simon
Lee', for example--it is always indicated.
It will be further observed that, at the beginning of every poem, two
dates are given; the first, on the left-hand side, is the date of
composition; the second, on the right-hand side, is the date of the
first publication. In what class the poem first appeared, and the
changes (if any) which subsequently occurred in its title, are mentioned
in the note appended.
THIRD. In the present edition several suggested changes of text, which
were written by Wordsworth on the margin of a copy of his edition of
1836-7, which he kept beside him at Rydal Mount, are published. These
MS. notes seem to have been written by himself, or dictated to others,
at intervals between the years 1836 and 1850, and they are thus a record
of passing thoughts, or "moods of his own mind," during these years.
Some of these were afterwards introduced into the editions of 1842,
1846, and 1849; others were not made use of. The latter have now a value
of their own, as indicating certain new phases of thought and feeling,
in Wordsworth's later years. I owe my knowledge of them, and the
permission to use them, to the kindness of the late Chief Justice of
England, Lord Coleridge. The following is an extract from a letter from
him:
"FOX GHYLL, AMBLESIDE, '4th October 1881'.
"I have been long intending to write you as to the manuscript notes
and alterations in Wordsworth's poems, which you have had the
opportunity of seeing, and, so far as you thought fit, of using for
your edition. They came into my possession in this way. I saw them
advertised in a catalogue which was sent me, and at my request the
book was very courteously forwarded to me for my inspection. It
appeared to me of sufficient interest and value to induce me to buy
it; and I accordingly became the purchaser.
"It is a copy of the edition in six volumes, the publication of which
began in the year 1836; and of the volume containing the collected
sonnets, which was afterwards printed uniformly with that edition. It
appears to have been the copy which Wordsworth himself used for
correcting, altering, and adding to the poems contained in it. As you
have seen, in some of the poems the Alterations are very large,
amounting sometimes to a complete rewriting of considerable passages.
Many of these alterations have been printed in subsequent editions;
some have not; two or three small poems, as far as I know, have not
been hitherto published. Much of the writing is Wordsworth's own; but
perhaps the larger portion is the hand-writing of others, one or more,
not familiar to me as Wordsworth's is.
"How the volumes came to be sold I do not know. . . . Such as they are,
and whatever be their interest or value, you are, as far as I am
concerned, heartily welcome to them; and I shall be glad indeed if
they add in the least degree to make your edition more worthy of the
great man for whom my admiration grows every day I live, and my deep
gratitude to whom will cease only with my life, and my reason. "
This precious copy of the edition of 1836-7 is now the property of Lady
Coleridge. I re-examined it in 1894, and added several readings, which I
had omitted to note twelve years ago, when Lord Coleridge first showed
it to me.
