No More Learning

All pain had left her; and the sun's last ray
Shone through upon her, warming into red
The shady curtains. In her heart she said:
'Heaven opens; I leave these and go away; 20
The Bridegroom calls,--shall the Bride seek to stay? '
Then low upon her breast she bowed her head.
O lily flower, O gem of priceless worth,
O dove with patient voice and patient eyes,
O fruitful vine amid a land of dearth,
O maid replete with loving purities,
Thou bowedst down thy head with friends on earth
To raise it with the saints in Paradise.




DREAM-LOVE


Young Love lies sleeping
In May-time of the year,
Among the lilies,
Lapped in the tender light:
White lambs come grazing,
White doves come building there:
And round about him
The May-bushes are white.

Soft moss the pillow
For oh, a softer cheek; 10
Broad leaves cast shadow
Upon the heavy eyes:
There winds and waters
Grow lulled and scarcely speak;
There twilight lingers
The longest in the skies.

Young Love lies dreaming;
But who shall tell the dream?
A perfect sunlight
On rustling forest tips; 20
Or perfect moonlight
Upon a rippling stream;
Or perfect silence,
Or song of cherished lips.

Burn odours round him
To fill the drowsy air;
Weave silent dances
Around him to and fro;
For oh, in waking
The sights are not so fair, 30
And song and silence
Are not like these below.

Young Love lies dreaming
Till summer days are gone,--
Dreaming and drowsing
Away to perfect sleep:
He sees the beauty
Sun hath not looked upon,
And tastes the fountain
Unutterably deep. 40

Him perfect music
Doth hush unto his rest,
And through the pauses
The perfect silence calms:
Oh, poor the voices
Of earth from east to west,
And poor earth's stillness
Between her stately palms.

Young Love lies drowsing
Away to poppied death; 50
Cool shadows deepen
Across the sleeping face:
So fails the summer
With warm, delicious breath;
And what hath autumn
To give us in its place?

Draw close the curtains
Of branched evergreen;
Change cannot touch them
With fading fingers sere: 60
Here the first violets
Perhaps will bud unseen,
And a dove, may be,
Return to nestle here.




TWICE


I took my heart in my hand
(O my love, O my love),
I said: Let me fall or stand,
Let me live or die,
But this once hear me speak--
(O my love, O my love)--
Yet a woman's words are weak;
You should speak, not I.

You took my heart in your hand
With a friendly smile, 10
With a critical eye you scanned,
Then set it down,
And said: It is still unripe,
Better wait awhile;
Wait while the skylarks pipe,
Till the corn grows brown.
As you set it down it broke--
Broke, but I did not wince;
I smiled at the speech you spoke,
At your judgement that I heard: 20
But I have not often smiled
Since then, nor questioned since,
Nor cared for corn-flowers wild,
Nor sung with the singing bird.

I take my heart in my hand,
O my God, O my God,
My broken heart in my hand:
Thou hast seen, judge Thou.
My hope was written on sand,
O my God, O my God: 30
Now let thy judgement stand--
Yea, judge me now.

This contemned of a man,
This marred one heedless day,
This heart take Thou to scan
Both within and without:
Refine with fire its gold,
Purge thou its dross away--
Yea, hold it in Thy hold,
Whence none can pluck it out. 40

I take my heart in my hand--
I shall not die, but live--
Before Thy face I stand;
I, for Thou callest such:
All that I have I bring,
All that I am I give,
Smile Thou and I shall sing,
But shall not question much.




SONGS IN A CORNFIELD


A song in a cornfield
Where corn begins to fall,
Where reapers are reaping,
Reaping one, reaping all.
Sing pretty Lettice,
Sing Rachel, sing May;
Only Marian cannot sing
While her sweetheart's away.

Where is he gone to
And why does he stay? 10
He came across the green sea
But for a day,
Across the deep green sea
To help with the hay.

His hair was curly yellow
And his eyes were grey,
He laughed a merry laugh
And said a sweet say.
Where is he gone to
That he comes not home? 20
To-day or to-morrow
He surely will come.
Let him haste to joy
Lest he lag for sorrow,
For one weeps to-day
Who'll not weep to-morrow:
To-day she must weep
For gnawing sorrow,
To-night she may sleep
And not wake to-morrow. 30

May sang with Rachel
In the waxing warm weather,
Lettice sang with them,
They sang all together:--

'Take the wheat in your arm
Whilst day is broad above,
Take the wheat to your bosom,
But not a false love.
Out in the fields
Summer heat gloweth, 40
Out in the fields
Summer wind bloweth,
Out in the fields
Summer friend showeth,
Out in the fields
Summer wheat groweth;
But in the winter
When summer heat is dead
And summer wind has veered
And summer friend has fled, 50
Only summer wheat remaineth,
White cakes and bread.
Take the wheat, clasp the wheat
That's food for maid and dove;
Take the wheat to your bosom,
But not a false false love.