Of all her dears she never
slandered
one,
But cares not if a thousand are undone.
But cares not if a thousand are undone.
Pope - Essay on Man
by the means defeated of the ends,
By spirit robbed of power, by warmth of friend
By wealth of followers! without one distress
Sick of herself through very selfishness!
Atossa, cursed with every granted prayer,
Childless with all her children, wants an heir.
To heirs unknown descends the unguarded store,
Or wanders, Heaven-directed, to the poor.
Pictures like these, dear madam, to design,
Asks no firm hand, and no unerring line;
Some wandering touches, some reflected light,
Some flying stroke alone can hit 'em right:
For how should equal colours do the knack?
Chameleons who can paint in white and black?
"Yet Chloe sure was formed without a spot"--
Nature in her then erred not, but forgot.
"With every pleasing, every prudent part,
Say, what can Chloe want? "--She wants a heart.
She speaks, behaves, and acts just as she ought;
But never, never, reached one generous thought.
Virtue she finds too painful an endeavour,
Content to dwell in decencies for ever.
So very reasonable, so unmoved,
As never yet to love, or to be loved.
She, while her lover pants upon her breast,
Can mark the figures on an Indian chest;
And when she sees her friend in deep despair,
Observes how much a chintz exceeds mohair.
Forbid it, Heaven, a favour or a debt
She e'er should cancel--but she may forget.
Safe is your secret still in Chloe's ear;
But none of Chloe's shall you ever hear.
Of all her dears she never slandered one,
But cares not if a thousand are undone.
Would Chloe know if you're alive or dead?
She bids her footman put it in her head.
Chloe is prudent--would you too be wise?
Then never break your heart when Chloe dies.
One certain portrait may (I grant) be seen,
Which Heaven has varnished out, and made a _Queen_.
The same for ever! and described by all
With truth and goodness, as with crown and ball.
Poets heap virtues, painters gems at will,
And show their zeal, and hide their want of skill.
'Tis well--but, artists! who can paint or write,
To draw the naked is your true delight.
That robe of quality so struts and swells,
None see what parts of nature it conceals:
The exactest traits of body or of mind,
We owe to models of an humble kind.
If Queensbury to strip there's no compelling,
'Tis from a handmaid we must take a Helen,
From peer or bishop 'tis no easy thing
To draw the man who loves his God or king:
Alas! I copy (or my draught would fail)
From honest Mah'met, or plain Parson Hale.
But grant in public men sometimes are shown,
A woman's seen in private life alone:
Our bolder talents in full light displayed;
Your virtues open fairest in the shade.
Bred to disguise, in public 'tis you hide;
There, none distinguish 'twixt your shame or pride,
Weakness or delicacy; all so nice,
That each may seem a virtue or a vice.
By spirit robbed of power, by warmth of friend
By wealth of followers! without one distress
Sick of herself through very selfishness!
Atossa, cursed with every granted prayer,
Childless with all her children, wants an heir.
To heirs unknown descends the unguarded store,
Or wanders, Heaven-directed, to the poor.
Pictures like these, dear madam, to design,
Asks no firm hand, and no unerring line;
Some wandering touches, some reflected light,
Some flying stroke alone can hit 'em right:
For how should equal colours do the knack?
Chameleons who can paint in white and black?
"Yet Chloe sure was formed without a spot"--
Nature in her then erred not, but forgot.
"With every pleasing, every prudent part,
Say, what can Chloe want? "--She wants a heart.
She speaks, behaves, and acts just as she ought;
But never, never, reached one generous thought.
Virtue she finds too painful an endeavour,
Content to dwell in decencies for ever.
So very reasonable, so unmoved,
As never yet to love, or to be loved.
She, while her lover pants upon her breast,
Can mark the figures on an Indian chest;
And when she sees her friend in deep despair,
Observes how much a chintz exceeds mohair.
Forbid it, Heaven, a favour or a debt
She e'er should cancel--but she may forget.
Safe is your secret still in Chloe's ear;
But none of Chloe's shall you ever hear.
Of all her dears she never slandered one,
But cares not if a thousand are undone.
Would Chloe know if you're alive or dead?
She bids her footman put it in her head.
Chloe is prudent--would you too be wise?
Then never break your heart when Chloe dies.
One certain portrait may (I grant) be seen,
Which Heaven has varnished out, and made a _Queen_.
The same for ever! and described by all
With truth and goodness, as with crown and ball.
Poets heap virtues, painters gems at will,
And show their zeal, and hide their want of skill.
'Tis well--but, artists! who can paint or write,
To draw the naked is your true delight.
That robe of quality so struts and swells,
None see what parts of nature it conceals:
The exactest traits of body or of mind,
We owe to models of an humble kind.
If Queensbury to strip there's no compelling,
'Tis from a handmaid we must take a Helen,
From peer or bishop 'tis no easy thing
To draw the man who loves his God or king:
Alas! I copy (or my draught would fail)
From honest Mah'met, or plain Parson Hale.
But grant in public men sometimes are shown,
A woman's seen in private life alone:
Our bolder talents in full light displayed;
Your virtues open fairest in the shade.
Bred to disguise, in public 'tis you hide;
There, none distinguish 'twixt your shame or pride,
Weakness or delicacy; all so nice,
That each may seem a virtue or a vice.
