No More Learning

Thus passed the night so foul, till morning fair
Came forth with pilgrim steps, in amice grey,
Who with her radiant finger stilled the roar
Of thunder, chased the clouds, and laid the winds,
And grisly spectres, which the Fiend had raised
To tempt the Son of God with terrors dire.
And now the sun with more effectual beams
Had cheered the face of earth, and dried the wet
From drooping plant, or dropping tree; the birds,
Who all things now beheld more fresh and green,
After a night of storm so ruinous,
Cleared up their choicest notes in bush and spray,
To 'gratulate the sweet return of morn.

Satan, in anger, begins the last temptation.

Feigning to doubt whether the Saviour is the Son of God, he snatches
him up and carries him to where, in

Fair Jerusalem, the Holy City lifted high her towers
And higher yet the glorious Temple reared
Her pile; far off appearing like a mount
Of alabaster, topp'd with golden spires:
There on the highest pinnacle he set
The Son of God, and added thus in scorn:
"There stand if thou wilt stand; to stand upright will task thy skill. "
"Tempt not the Lord thy God," He said, and stood.
But Satan, smitten with amazement, fell,
And to his crew, that sat consulting, brought
Ruin, and desperation, and dismay.
So Satan fell; and straight a fiery globe,
Of angels, on full sail of wing flew nigh,
Who on their plumy vans received Him soft,
From His uneasy station, and upbore
As on a floating couch through the blithe air;
Then in a flowery valley set Him down
On a green bank, and set before Him, spread,
A table of celestial food. . . .
. . . . And as He fed, angelic quires
Sang Heavenly anthems of His victory
Over temptation and the Tempter proud.
"Now Thou hast avenged
Supplanted Adam, and, by vanquishing
Temptation, hast regained lost Paradise. "

Thus they, the Son of God, our Saviour meek,
Sung victor, and from Heavenly feast refreshed,
Brought on His way with joy. He, unobserved,
Home to His mother's house private returned.


FOOTNOTES:

[AB] The origin of "Paradise Regained" has been told
authentically. It was suggested in 1665 by Ellwood the Quaker, who
sometimes acted as Milton's amanuensis, and it was finished and shown
to Ellwood in 1666, though not published till 1671. Neither in majesty
of conception or in charm of style can it compare with "Paradise
Lost," to which it is, as has been said, a codicil and not a sequel.
The Temptation, the reader feels, was but an incident in the life of
Christ and in the drama of the "ways of God to man," which "Paradise
Lost" introduced with such stupendous imaginative power. Much of the
poem is but a somewhat ambling paraphrase and expansion of Scriptural
narratives; but there are passages where Milton resumes his perfect
mastery of poetic form, under the inspiration that places him among the
selectest band of immortal singers.




Samson Agonistes[AC]


_Persons in the Drama_

SAMSON
MANOA, _the father of Samson_
DALILA, _his wife_
HURAPHA, _of Gath_
PUBLIC OFFICER
MESSENGER
_Chorus of Danites_

_The scene is placed before the prison in Gaza_.


SAMSON: A little onward send thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of sun or shade.
There I am wont to sit, when any chance
Relieves me from my task of servile toil.
Daily in the common prison else enjoined me,
Where I, a prisoner chained, scarce freely draw
The air, imprisoned also, close and damp,
Unwholesome draught. But here I feel amends
The breath of Heaven fresh blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn feast the people hold
To Dagon, their sea-idol, and forbid
Laborious works. Hence, with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease--
Oh, wherefore was my birth from Heaven foretold
Twice by an angel, if I must die
Betrayed, captive, and both my eyes put out,
Made of my enemies the scorn and gaze?
O worse than chains,
Dungeon, or beggary, or decrepit age!