But all I hear is silence,
And something that may be leaves or may be sea.
And something that may be leaves or may be sea.
American Poetry - 1922
.
.
.
Sky-larks rest in the grass, and start up singing
Before the girl who stoops to pick sea-poppies.
Spiny, the poppies are, and oh how yellow!
And the brown clay is runneled by the rain. . . . "
A moment since, the sheep that crop the grass
Had long blue shadows, and the grass-tips sparkled:
Now all grows old. . . . O voices strangely speaking,
Voices of man and woman, voices of bells,
Diversely making comment on our time
Which flows and bears us with it into dusk,
Repeat the things you say! Repeat them slowly
Upon this air, make them an incantation
For ancient tower, old wall, the purple twilight,
This dust, and me.
But all I hear is silence,
And something that may be leaves or may be sea.
III
When the tree bares, the music of it changes:
Hard and keen is the sound, long and mournful;
Pale are the poplar boughs in the evening light
Above my house, against a slate-cold cloud.
When the house ages and the tenants leave it,
Cricket sings in the tall grass by the threshold;
Spider, by the cold mantel, hangs his web.
Here, in a hundred years from that clear season
When first I came here, bearing lights and music,
To this old ghostly house my ghost will come,--
Pause in the half-light, turn by the poplar, glide
Above tall grasses through the broken door.
Who will say that he saw--or the dusk deceived him--
A mist with hands of mist blow down from the tree
And open the door and enter and close it after?
Who will say that he saw, as midnight struck
Its tremulous golden twelve, a light in the window,
And first heard music, as of an old piano,
Music remote, as if it came from the earth,
Far down; and then, in the quiet, eager voices?
". . . Houses grow old and die, houses have ghosts--
Once in a hundred years we return, old house,
And live once more. " . . . And then the ancient answer,
In a voice not human, but more like creak of boards
Or rattle of panes in the wind--"Not as the owner,
But as a guest you come, to fires not lit
By hands of yours. . .
Sky-larks rest in the grass, and start up singing
Before the girl who stoops to pick sea-poppies.
Spiny, the poppies are, and oh how yellow!
And the brown clay is runneled by the rain. . . . "
A moment since, the sheep that crop the grass
Had long blue shadows, and the grass-tips sparkled:
Now all grows old. . . . O voices strangely speaking,
Voices of man and woman, voices of bells,
Diversely making comment on our time
Which flows and bears us with it into dusk,
Repeat the things you say! Repeat them slowly
Upon this air, make them an incantation
For ancient tower, old wall, the purple twilight,
This dust, and me.
But all I hear is silence,
And something that may be leaves or may be sea.
III
When the tree bares, the music of it changes:
Hard and keen is the sound, long and mournful;
Pale are the poplar boughs in the evening light
Above my house, against a slate-cold cloud.
When the house ages and the tenants leave it,
Cricket sings in the tall grass by the threshold;
Spider, by the cold mantel, hangs his web.
Here, in a hundred years from that clear season
When first I came here, bearing lights and music,
To this old ghostly house my ghost will come,--
Pause in the half-light, turn by the poplar, glide
Above tall grasses through the broken door.
Who will say that he saw--or the dusk deceived him--
A mist with hands of mist blow down from the tree
And open the door and enter and close it after?
Who will say that he saw, as midnight struck
Its tremulous golden twelve, a light in the window,
And first heard music, as of an old piano,
Music remote, as if it came from the earth,
Far down; and then, in the quiet, eager voices?
". . . Houses grow old and die, houses have ghosts--
Once in a hundred years we return, old house,
And live once more. " . . . And then the ancient answer,
In a voice not human, but more like creak of boards
Or rattle of panes in the wind--"Not as the owner,
But as a guest you come, to fires not lit
By hands of yours. . .