No More Learning

The pleasant'st angling is to see the fish
Cut with her golden oars the silver stream
And greedily devour the treacherous bait.
So angle we for Beatrice, who even now
Is couched in the woodbine coverture.
Fear you not my part of the dialogue.
Hero. Then go we near her, that her ear lose nothing
Of the false sweet bait that we lay for it.
[They approach the arbour. ]
No, truly, Ursula, she is too disdainful.
I know her spirits are as coy and wild
As haggards of the rock.
Urs. But are you sure
That Benedick loves Beatrice so entirely?
Hero. So says the Prince, and my new-trothed lord.
Urs. And did they bid you tell her of it, madam?
Hero.
They did entreat me to acquaint her of it;
But I persuaded them, if they lov'd Benedick,
To wish him wrestle with affection
And never to let Beatrice know of it.
Urs. Why did you so? Doth not the gentleman
Deserve as full, as fortunate a bed
As ever Beatrice shall couch upon?
Hero. O god of love! I know he doth deserve
As much as may be yielded to a man:
But Nature never fram'd a woman's heart
Of prouder stuff than that of Beatrice.
Disdain and scorn ride sparkling in her eyes,
Misprizing what they look on; and her wit
Values itself so highly that to her
All matter else seems weak. She cannot love,
Nor take no shape nor project of affection,
She is so self-endeared.
Urs. Sure I think so;
And therefore certainly it were not good
She knew his love, lest she'll make sport at it.
Hero. Why, you speak truth. I never yet saw man,
How wise, how noble, young, how rarely featur'd,
But she would spell him backward. If fair-fac'd,
She would swear the gentleman should be her sister;
If black, why, Nature, drawing of an antic,
Made a foul blot; if tall, a lance ill-headed;
If low, an agate very vilely cut;
If speaking, why, a vane blown with all winds;
If silent, why, a block moved with none.
So turns she every man the wrong side out
And never gives to truth and virtue that
Which simpleness and merit purchaseth.