With specimens of song,
As if for you to choose,
Discretion in the interval,
With gay delays he goes
To some superior tree
Without a single leaf,
And shouts for joy to nobody
But his seraphic self!
As if for you to choose,
Discretion in the interval,
With gay delays he goes
To some superior tree
Without a single leaf,
And shouts for joy to nobody
But his seraphic self!
Dickinson - Two - Complete
Meanwhile, her wheeling king
Trailed slow along the orchards
His haughty, spangled hems,
Leaving a new necessity, --
The want of diadems!
The morning fluttered, staggered,
Felt feebly for her crown, --
Her unanointed forehead
Henceforth her only one.
VI.
THE ROBIN.
The robin is the one
That interrupts the morn
With hurried, few, express reports
When March is scarcely on.
The robin is the one
That overflows the noon
With her cherubic quantity,
An April but begun.
The robin is the one
That speechless from her nest
Submits that home and certainty
And sanctity are best.
VII.
THE BUTTERFLY'S DAY.
From cocoon forth a butterfly
As lady from her door
Emerged -- a summer afternoon --
Repairing everywhere,
Without design, that I could trace,
Except to stray abroad
On miscellaneous enterprise
The clovers understood.
Her pretty parasol was seen
Contracting in a field
Where men made hay, then struggling hard
With an opposing cloud,
Where parties, phantom as herself,
To Nowhere seemed to go
In purposeless circumference,
As 't were a tropic show.
And notwithstanding bee that worked,
And flower that zealous blew,
This audience of idleness
Disdained them, from the sky,
Till sundown crept, a steady tide,
And men that made the hay,
And afternoon, and butterfly,
Extinguished in its sea.
VIII.
THE BLUEBIRD.
Before you thought of spring,
Except as a surmise,
You see, God bless his suddenness,
A fellow in the skies
Of independent hues,
A little weather-worn,
Inspiriting habiliments
Of indigo and brown.
With specimens of song,
As if for you to choose,
Discretion in the interval,
With gay delays he goes
To some superior tree
Without a single leaf,
And shouts for joy to nobody
But his seraphic self!
IX.
APRIL.
An altered look about the hills;
A Tyrian light the village fills;
A wider sunrise in the dawn;
A deeper twilight on the lawn;
A print of a vermilion foot;
A purple finger on the slope;
A flippant fly upon the pane;
A spider at his trade again;
An added strut in chanticleer;
A flower expected everywhere;
An axe shrill singing in the woods;
Fern-odors on untravelled roads, --
All this, and more I cannot tell,
A furtive look you know as well,
And Nicodemus' mystery
Receives its annual reply.
X.
THE SLEEPING FLOWERS.
"Whose are the little beds," I asked,
"Which in the valleys lie? "
Some shook their heads, and others smiled,
And no one made reply.
"Perhaps they did not hear," I said;
"I will inquire again.
Whose are the beds, the tiny beds
So thick upon the plain? "
"'T is daisy in the shortest;
A little farther on,
Nearest the door to wake the first,
Little leontodon.
"'T is iris, sir, and aster,
Anemone and bell,
Batschia in the blanket red,
And chubby daffodil. "
Meanwhile at many cradles
Her busy foot she plied,
Humming the quaintest lullaby
That ever rocked a child.
"Hush! Epigea wakens! --
The crocus stirs her lids,
Rhodora's cheek is crimson, --
She's dreaming of the woods.