No More Learning

The clover-stems
Still cover all the space; but now they bear,
For clover-blooms, fair, stately heads of men
With poets' faces heartsome, dear and pale --
Sweet visages of all the souls of time
Whose loving service to the world has been
In the artist's way expressed and bodied. Oh,
In arms' reach, here be Dante, Keats, Chopin,
Raphael, Lucretius, Omar, Angelo,
Beethoven, Chaucer, Schubert, Shakespeare, Bach,
And Buddha (sweetest masters! Let me lay
These arms this once, this humble once, about
Your reverend necks -- the most containing clasp,
For all in all, this world e'er saw! ) and there,
Yet further on, bright throngs unnamable
Of workers worshipful, nobilities
In the Court of Gentle Service, silent men,
Dwellers in woods, brooders on helpful art,
And all the press of them, the fair, the large,
That wrought with beauty.
Lo, what bulk is here?
Now comes the Course-of-things, shaped like an Ox,
Slow browsing, o'er my hillside, ponderously --
The huge-brawned, tame, and workful Course-of-things,
That hath his grass, if earth be round or flat,
And hath his grass, if empires plunge in pain
Or faiths flash out. This cool, unasking Ox
Comes browsing o'er my hills and vales of Time,
And thrusts me out his tongue, and curls it, sharp,
And sicklewise, about my poets' heads,
And twists them in, all -- Dante, Keats, Chopin,
Raphael, Lucretius, Omar, Angelo,
Beethoven, Chaucer, Schubert, Shakespeare, Bach,
And Buddha, in one sheaf -- and champs and chews,
With slantly-churning jaws, and swallows down;
Then slowly plants a mighty forefoot out,
And makes advance to futureward, one inch.
So: they have played their part.
And to this end?
This, God? This, troublous-breeding Earth? This, Sun
Of hot, quick pains? To this no-end that ends,
These Masters wrought, and wept, and sweated blood,
And burned, and loved, and ached with public shame,
And found no friends to breathe their loves to, save
Woods and wet pillows? This was all? This Ox?
"Nay," quoth a sum of voices in mine ear,
"God's clover, we, and feed His Course-of-things;
The pasture is God's pasture; systems strange
Of food and fiberment He hath, whereby
The general brawn is built for plans of His
To quality precise. Kinsman, learn this:
The artist's market is the heart of man;
The artist's price, some little good of man.
Tease not thy vision with vain search for ends.
The End of Means is art that works by love.
The End of Ends . . . in God's Beginning's lost. "

____
West Chester, Pa. , Summer of 1876.




The Waving of the Corn.



Ploughman, whose gnarly hand yet kindly wheeled
Thy plough to ring this solitary tree
With clover, whose round plat, reserved a-field,
In cool green radius twice my length may be --
Scanting the corn thy furrows else might yield,
To pleasure August, bees, fair thoughts, and me,
That here come oft together -- daily I,
Stretched prone in summer's mortal ecstasy,
Do stir with thanks to thee, as stirs this morn
With waving of the corn.

Unseen, the farmer's boy from round the hill
Whistles a snatch that seeks his soul unsought,
And fills some time with tune, howbeit shrill;
The cricket tells straight on his simple thought --
Nay, 'tis the cricket's way of being still;
The peddler bee drones in, and gossips naught;
Far down the wood, a one-desiring dove
Times me the beating of the heart of love:
And these be all the sounds that mix, each morn,
With waving of the corn.

From here to where the louder passions dwell,
Green leagues of hilly separation roll:
Trade ends where yon far clover ridges swell.
Ye terrible Towns, ne'er claim the trembling soul
That, craftless all to buy or hoard or sell,
From out your deadly complex quarrel stole
To company with large amiable trees,
Suck honey summer with unjealous bees,
And take Time's strokes as softly as this morn
Takes waving of the corn.

____
West Chester, Pa.