No More Learning

Banished from his native country,
and engaged in providing for his family, he was prevented by the
scantiness of his fortune, and the cares of his situation, from rising
to that eminence which he might have otherwise attained. But his
admiration of Cicero, in an age when that author was universally
neglected, was a proof of his superior mind.

Petrarch quitted Bologna upon the death of his father, and returned to
Avignon, with his brother Gherardo, to collect the shattered remains of
their father's property. Upon their arrival, they found their domestic
affairs in a state of great disorder, as the executors of Petracco's
will had betrayed the trust reposed in them, and had seized most of the
effects of which they could dispose. Under these circumstances, Petrarch
was most anxious for a MS. of Cicero, which his father had highly
prized. "The guardians," he writes, "eager to appropriate what they
esteemed the more valuable effects, had fortunately left this MS. as a
thing of no value. " Thus he owed to their ignorance this treatise, which
he considered the richest portion of the inheritance left him by his
father.

But, that inheritance being small, and not sufficient for the
maintenance of the two brothers, they were obliged to think of some
profession for their subsistence; they therefore entered the church; and
Avignon was the place, of all others, where preferment was most easily
obtained. John XXII. had fixed his residence entirely in that city since
October, 1316, and had appropriated to himself the nomination to all the
vacant benefices. The pretence for this appropriation was to prevent
simony--in others, not in his Holiness--as the sale of benefices was
carried by him to an enormous height. At every promotion to a bishopric,
he removed other bishops; and, by the meanest impositions, soon amassed
prodigious wealth. Scandalous emoluments, also, which arose from the
sale of indulgences, were enlarged, if not invented, under his papacy,
and every method of acquiring riches was justified which could
contribute to feed his avarice.
By these sordid means, he collected such
sums, that, according to Villani, he left behind him, _in the sacred
treasury_, twenty-five millions of florins, a treasure which Voltaire
remarks is hardly credible.

The luxury and corruption which reigned in the Roman court at Avignon
are fully displayed in some letters of Petrarch's, without either date
or address. The partizans of that court, it is true, accuse him of
prejudice and exaggeration. He painted, as they allege, the popes and
cardinals in the gloomiest colouring. His letters contain the blackest
catalogue of crimes that ever disgraced humanity.

Petrarch was twenty-two years of age when he settled at Avignon, a scene
of licentiousness and profligacy. The luxury of the cardinals, and the
pomp and riches of the papal court, were displayed in an extravagant
profusion of feasts and ceremonies, which attracted to Avignon women of
all ranks, among whom intrigue and gallantry were generally
countenanced. Petrarch was by nature of a warm temperament, with vivid
and susceptible passions, and strongly attached to the fair sex. We must
not therefore be surprised if, with these dispositions, and in such a
dissolute city, he was betrayed into some excesses. But these were the
result of his complexion, and not of deliberate profligacy. He alludes
to this subject in his Epistle to Posterity, with every appearance of
truth and candour.

From his own confession, Petrarch seems to have been somewhat vain of
his personal appearance during his youth, a venial foible, from which
neither the handsome nor the homely, nor the wise nor the foolish, are
exempt. It is amusing to find our own Milton betraying this weakness, in
spite of all the surrounding strength of his character. In answering one
of his slanderers, who had called him pale and cadaverous, the author of
Paradise Lost appeals to all who knew him whether his complexion was not
so fresh and blooming as to make him appear ten years younger than he
really was.

Petrarch, when young, was so strikingly handsome, that he was frequently
pointed at and admired as he passed along, for his features were manly,
well-formed, and expressive, and his carriage was graceful and
distinguished. He was sprightly in conversation, and his voice was
uncommonly musical.