These
Machines
I determined to raise on a very new
and odd foundation, the Rosicrucian doctrine of Spirits.
and odd foundation, the Rosicrucian doctrine of Spirits.
Alexander Pope
II.
includes the correspondence with Swift.
1742 Fourth book of 'Dunciad'.
1742 Revised 'Dunciad'.
1744 Died, May 30.
1751 First collected edition, published by Warburton, 9 vols.
* * * * *
SELECTIONS FROM POPE
* * * * *
THE RAPE OF THE LOCK
AN HEROI-COMICAL POEM
Nolueram, Belinda, tuos violare capillos;
Sed juvat, hoc precibus me tribuisse tuis.
Mart, [Epigr, XII. 84. ]
TO MRS. ARABELLA FERMOR
MADAM,
It will be in vain to deny that I have some regard for this piece, since
I dedicate it to You. Yet you may bear me witness, it was intended only
to divert a few young Ladies, who have good sense and good humour enough
to laugh not only at their sex's little unguarded follies, but at their
own. But as it was communicated with the air of a Secret, it soon found
its way into the world. An imperfect copy having been offer'd to a
Bookseller, you had the good-nature for my sake to consent to the
publication of one more correct: This I was forc'd to, before I had
executed half my design, for the Machinery was entirely wanting to
compleat it.
The Machinery, Madam, is a term invented by the Critics, to signify that
part which the Deities, Angels, or Daemons are made to act in a Poem:
For the ancient Poets are in one respect like many modern Ladies: let an
action be never so trivial in itself, they always make it appear of the
utmost importance.
These Machines I determined to raise on a very new
and odd foundation, the Rosicrucian doctrine of Spirits.
I know how disagreeable it is to make use of hard words before a Lady;
but't is so much the concern of a Poet to have his works understood, and
particularly by your Sex, that you must give me leave to explain two or
three difficult terms.
The Rosicrucians are a people I must bring you acquainted with. The best
account I know of them is in a French book call'd 'Le Comte de
Gabalis', which both in its title and size is so like a Novel, that
many of the Fair Sex have read it for one by mistake. According to these
Gentlemen, the four Elements are inhabited by Spirits, which they call
Sylphs, Gnomes, Nymphs, and Salamanders. The Gnomes or Daemons of Earth
delight in mischief; but the Sylphs whose habitation is in the Air, are
the best-condition'd creatures imaginable. For they say, any mortals may
enjoy the most intimate familiarities with these gentle Spirits, upon a
condition very easy to all true Adepts, an inviolate preservation of
Chastity.
As to the following Canto's, all the passages of them are as fabulous,
as the Vision at the beginning, or the Transformation at the end;
(except the loss of your Hair, which I always mention with reverence).
The Human persons are as fictitious as the airy ones; and the character
of Belinda, as it is now manag'd, resembles you in nothing but in
Beauty.
If this Poem had as many Graces as there are in your Person, or in your
Mind, yet I could never hope it should pass thro' the world half so
Uncensur'd as You have done. But let its fortune be what it will, mine
is happy enough, to have given me this occasion of assuring you that I
am, with the truest esteem, Madam,
Your most obedient, Humble Servant,
A. Pope
CANTO I
What dire offence from am'rous causes springs,
What mighty contests rise from trivial things,
I sing--This verse to CARYL, Muse! is due:
This, ev'n Belinda may vouchsafe to view:
Slight is the subject, but not so the praise, 5
If She inspire, and He approve my lays.
Say what strange motive, Goddess! could compel
A well-bred Lord t' assault a gentle Belle?
O say what stranger cause, yet unexplor'd,
Could make a gentle Belle reject a Lord?
1742 Fourth book of 'Dunciad'.
1742 Revised 'Dunciad'.
1744 Died, May 30.
1751 First collected edition, published by Warburton, 9 vols.
* * * * *
SELECTIONS FROM POPE
* * * * *
THE RAPE OF THE LOCK
AN HEROI-COMICAL POEM
Nolueram, Belinda, tuos violare capillos;
Sed juvat, hoc precibus me tribuisse tuis.
Mart, [Epigr, XII. 84. ]
TO MRS. ARABELLA FERMOR
MADAM,
It will be in vain to deny that I have some regard for this piece, since
I dedicate it to You. Yet you may bear me witness, it was intended only
to divert a few young Ladies, who have good sense and good humour enough
to laugh not only at their sex's little unguarded follies, but at their
own. But as it was communicated with the air of a Secret, it soon found
its way into the world. An imperfect copy having been offer'd to a
Bookseller, you had the good-nature for my sake to consent to the
publication of one more correct: This I was forc'd to, before I had
executed half my design, for the Machinery was entirely wanting to
compleat it.
The Machinery, Madam, is a term invented by the Critics, to signify that
part which the Deities, Angels, or Daemons are made to act in a Poem:
For the ancient Poets are in one respect like many modern Ladies: let an
action be never so trivial in itself, they always make it appear of the
utmost importance.
These Machines I determined to raise on a very new
and odd foundation, the Rosicrucian doctrine of Spirits.
I know how disagreeable it is to make use of hard words before a Lady;
but't is so much the concern of a Poet to have his works understood, and
particularly by your Sex, that you must give me leave to explain two or
three difficult terms.
The Rosicrucians are a people I must bring you acquainted with. The best
account I know of them is in a French book call'd 'Le Comte de
Gabalis', which both in its title and size is so like a Novel, that
many of the Fair Sex have read it for one by mistake. According to these
Gentlemen, the four Elements are inhabited by Spirits, which they call
Sylphs, Gnomes, Nymphs, and Salamanders. The Gnomes or Daemons of Earth
delight in mischief; but the Sylphs whose habitation is in the Air, are
the best-condition'd creatures imaginable. For they say, any mortals may
enjoy the most intimate familiarities with these gentle Spirits, upon a
condition very easy to all true Adepts, an inviolate preservation of
Chastity.
As to the following Canto's, all the passages of them are as fabulous,
as the Vision at the beginning, or the Transformation at the end;
(except the loss of your Hair, which I always mention with reverence).
The Human persons are as fictitious as the airy ones; and the character
of Belinda, as it is now manag'd, resembles you in nothing but in
Beauty.
If this Poem had as many Graces as there are in your Person, or in your
Mind, yet I could never hope it should pass thro' the world half so
Uncensur'd as You have done. But let its fortune be what it will, mine
is happy enough, to have given me this occasion of assuring you that I
am, with the truest esteem, Madam,
Your most obedient, Humble Servant,
A. Pope
CANTO I
What dire offence from am'rous causes springs,
What mighty contests rise from trivial things,
I sing--This verse to CARYL, Muse! is due:
This, ev'n Belinda may vouchsafe to view:
Slight is the subject, but not so the praise, 5
If She inspire, and He approve my lays.
Say what strange motive, Goddess! could compel
A well-bred Lord t' assault a gentle Belle?
O say what stranger cause, yet unexplor'd,
Could make a gentle Belle reject a Lord?
