No More Learning

The battle rages with many a loud alarm, and frequent advance and retreat,
The infidel triumphs--or supposes he triumphs,
The prison, scaffold, garrote, handcuffs, iron necklace and anklet, lead-
balls, do their work,
The named and unnamed heroes pass to other spheres,
The great speakers and writers are exiled--they lie sick in distant lands,
The cause is asleep--the strongest throats are still, choked
with their own blood,
The young men drop their eyelashes toward the ground when they meet;
But, for all this, Liberty has not gone out of the place, nor the infidel
entered into possession.

When Liberty goes out of a place, it is not the first to go, nor the second
or third to go,
It waits for all the rest to go--it is the last.

When there are no more memories of heroes and martyrs,
And when all life and all the souls of men and women are discharged from
any part of the earth,
Then only shall Liberty be discharged from that part of the earth,
And the infidel and the tyrant come into possession.


4.

Then courage! revolter! revoltress!
For till all ceases neither must you cease.


5.

I do not know what you are for, (I do not know what I am for myself, nor
what anything is for,)
But I will search carefully for it even in being foiled,
In defeat, poverty, imprisonment--for they too are great.

Did we think victory great?
So it is--But now it seems to me, when it cannot be helped, that defeat is
great,
And that death and dismay are great.




_DRUM TAPS. _



_MANHATTAN ARMING. _


1.
First, O songs, for a prelude,
Lightly strike on the stretched tympanum, pride and joy in my city,
How she led the rest to arms--how she gave the cue,
How at once with lithe limbs, unwaiting a moment, she sprang;
O superb! O Manhattan, my own, my peerless!
O strongest you in the hour of danger, in crisis! O truer than steel!
How you sprang! how you threw off the costumes of peace with indifferent
hand;
How your soft opera-music changed, and the drum and fife were heard in
their stead;
How you led to the war, (that shall serve for our prelude, songs of
soldiers,)
How Manhattan drum-taps led.


2.

Forty years had I in my city seen soldiers parading;
Forty years as a pageant--till unawares, the Lady of this teeming and
turbulent city,
Sleepless, amid her ships, her houses, her incalculable wealth,
With her million children around her--suddenly,
At dead of night, at news from the South,
Incensed, struck with clenched hand the pavement.

A shock electric--the night sustained it;
Till, with ominous hum, our hive at daybreak poured out its myriads.

From the houses then, and the workshops, and through all the doorways,
Leaped they tumultuous--and lo! Manhattan arming.


3.

To the drum-taps prompt,
The young men falling in and arming;
The mechanics arming, the trowel, the jack-plane, the black-smith's hammer,
tossed aside with precipitation;
The lawyer leaving his office, and arming--the judge leaving the court;
The driver deserting his waggon in the street, jumping down, throwing the
reins abruptly down on the horses' backs;
The salesman leaving the store--the boss, book-keeper, porter, all leaving;
Squads gathering everywhere by common consent, and arming;
The new recruits, even boys--the old men show them how to wear their
accoutrements--they buckle the straps carefully;
Outdoors arming--indoors arming--the flash of the musket-barrels;
The white tents cluster in camps--the armed sentries around--the sunrise
cannon, and again at sunset;
Armed regiments arrive every day, pass through the city, and embark from
the wharves;
How good they look, as they tramp down to the river, sweaty, with their
guns on their shoulders!
How I love them! how I could hug them, with their brown faces, and their
clothes and knapsacks covered with dust!
The blood of the city up--armed!