No More Learning

. . . . .
Confusion and dismay, together mingled,
Forced such a feeble "Yes! " out of my mouth,
To understand it one had need of sight.
Even as a cross-bow breaks, when 't is discharged,
Too tensely drawn the bow-string and the bow,
And with less force the arrow hits the mark;
So I gave way beneath this heavy burden,
Gushing forth into bitter tears and sighs,
And the voice, fainting, flagged upon its passage.



TO ITALY

BY VINCENZO DA FILICAJA

Italy! Italy! thou who'rt doomed to wear
The fatal gift of beauty, and possess
The dower funest of infinite wretchedness
Written upon thy forehead by despair;
Ah! would that thou wert stronger, or less fair.
That they might fear thee more, or love thee less,
Who in the splendor of thy loveliness
Seem wasting, yet to mortal combat dare!
Then from the Alps I should not see descending
Such torrents of armed men, nor Gallic horde
Drinking the wave of Po, distained with gore,
Nor should I see thee girded with a sword
Not thine, and with the stranger's arm contending,
Victor or vanquished, slave forever more.



SEVEN SONNETS AND A CANZONE
[The following translations are from the poems of Michael Angelo
as revised by his nephew Michael Angelo the Younger, and were
made before the publication of the original text by Guasti.
]

I

THE ARTIST

Nothing the greatest artist can conceive
That every marble block doth not confine
Within itself; and only its design
The hand that follows intellect can achieve.
The ill I flee, the good that I believe,
In thee, fair lady, lofty and divine,
Thus hidden lie; and so that death be mine
Art, of desired success, doth me bereave.
Love is not guilty, then, nor thy fair face,
Nor fortune, cruelty, nor great disdain,
Of my disgrace, nor chance, nor destiny,
If in thy heart both death and love find place
At the same time, and if my humble brain,
Burning, can nothing draw but death from thee.

II

FIRE

Not without fire can any workman mould
The iron to his preconceived design,
Nor can the artist without fire refine
And purify from all its dross the gold;
Nor can revive the phoenix, we are told,
Except by fire. Hence if such death be mine
I hope to rise again with the divine,
Whom death augments, and time cannot make old.
O sweet, sweet death! O fortunate fire that burns
Within me still to renovate my days,
Though I am almost numbered with the dead!
If by its nature unto heaven returns
This element, me, kindled in its blaze,
Will it bear upward when my life is fled.


III

YOUTH AND AGE

Oh give me back the days when loose and free
To my blind passion were the curb and rein,
Oh give me back the angelic face again,
With which all virtue buried seems to be!
Oh give my panting footsteps back to me,
That are in age so slow and fraught with pain,
And fire and moisture in the heart and brain,
If thou wouldst have me burn and weep for thee!
If it be true thou livest alone, Amor,
On the sweet-bitter tears of human hearts,
In an old man thou canst not wake desire;
Souls that have almost reached the other shore
Of a diviner love should feel the darts,
And be as tinder to a holier fire.


IV

OLD AGE

The course of my long life hath reached at last,
In fragile bark o'er a tempestuous sea,
The common harbor, where must rendered be
Account of all the actions of the past.
The impassioned phantasy, that, vague and vast,
Made art an idol and a king to me,
Was an illusion, and but vanity
Were the desires that lured me and harassed.
The dreams of love, that were so sweet of yore,
What are they now, when two deaths may be mine,--
One sure, and one forecasting its alarms?
Painting and sculpture satisfy no more
The soul now turning to the Love Divine,
That oped, to embrace us, on the cross its arms.


V

TO VITTORIA COLONNA

Lady, how can it chance--yet this we see
In long experience--that will longer last
A living image carved from quarries vast
Than its own maker, who dies presently?