214), Donne wrote in a somewhat more elevated
and respectful strain than that of his earlier letters, when the
former set out on his embassy to Venice in 1604.
and respectful strain than that of his earlier letters, when the
former set out on his embassy to Venice in 1604.
John Donne
195), belongs probably to some year
following 1609. There is an allusion to Virginia, in which there was a
quickening of interest in 1609 (see _Elegie XIV_, Note), and the 'two
new starres' sent 'lately to the firmament' may be Lady Markham
(died May 4, 1609) and Mris Boulstred (died Aug. 4, 1609). This is
Chambers's conjecture; but Norton identifies them with Prince Henry
(died Nov. 6, 1612) and the Countess's brother, Lord Harington, who
died early in 1614. Public characters like these are more fittingly
described as stars, so that the poem probably belongs to 1614,
to which year certainly belongs the letter _To the Countesse of
Salisbury_ (p. 224). What New Year called forth the letter to Lady
Bedford, beginning 'This twilight of two years' (p. 198), we do not
know, nor the date of the long letter in triplets, 'Honour is so
sublime perfection' (p. 218). But the latter was most probably written
from France in 1611-12, like the fragmentary letter which follows, and
the letter, similar in verse and in 'metaphysics', _To the Lady Carey
and Mrs Essex Riche_ (p. 221). Donne had a little shocked his noble
lady friends by the extravagance of his adulation of the dead child
Mrs. Elizabeth Drury, in 1611, and these letters are written to make
his peace and to show the pitch he is capable of soaring to in praise
of their maturer virtues.
To Sir Henry Wotton (p.
214), Donne wrote in a somewhat more elevated
and respectful strain than that of his earlier letters, when the
former set out on his embassy to Venice in 1604. The letter to Sir
Henry Goodyere (p. 183) belongs to the Mitcham days, 1605-8. To Sir
Edward Herbert (p. 193) he wrote 'at Julyers', therefore in 1610. The
letter _To the Countesse of Huntingdon_ (p. 201) was probably written
just before Donne took orders, 1614-15. The date of the letter _To
Mris M. H. _ (p. 216), that is, to Mrs. Magdalen Herbert, not yet Lady
Danvers, must have been earlier than her second marriage in 1608--the
exact day of that marriage I do not know--probably in 1604, as the
verse, style and tone closely resemble that of the letter to Wotton of
that year. This suits the tenor of the letter, which implies that she
had not yet married Sir John Danvers.
The last in the collection of the letters to Lady Bedford, 'You that
are she and you' (p. 227), seems from its position in _1633_ and
several MSS. to have been sent to her with the elegy called _Death_,
and to have been evoked by the death of Lady Markham or Mrs.
following 1609. There is an allusion to Virginia, in which there was a
quickening of interest in 1609 (see _Elegie XIV_, Note), and the 'two
new starres' sent 'lately to the firmament' may be Lady Markham
(died May 4, 1609) and Mris Boulstred (died Aug. 4, 1609). This is
Chambers's conjecture; but Norton identifies them with Prince Henry
(died Nov. 6, 1612) and the Countess's brother, Lord Harington, who
died early in 1614. Public characters like these are more fittingly
described as stars, so that the poem probably belongs to 1614,
to which year certainly belongs the letter _To the Countesse of
Salisbury_ (p. 224). What New Year called forth the letter to Lady
Bedford, beginning 'This twilight of two years' (p. 198), we do not
know, nor the date of the long letter in triplets, 'Honour is so
sublime perfection' (p. 218). But the latter was most probably written
from France in 1611-12, like the fragmentary letter which follows, and
the letter, similar in verse and in 'metaphysics', _To the Lady Carey
and Mrs Essex Riche_ (p. 221). Donne had a little shocked his noble
lady friends by the extravagance of his adulation of the dead child
Mrs. Elizabeth Drury, in 1611, and these letters are written to make
his peace and to show the pitch he is capable of soaring to in praise
of their maturer virtues.
To Sir Henry Wotton (p.
214), Donne wrote in a somewhat more elevated
and respectful strain than that of his earlier letters, when the
former set out on his embassy to Venice in 1604. The letter to Sir
Henry Goodyere (p. 183) belongs to the Mitcham days, 1605-8. To Sir
Edward Herbert (p. 193) he wrote 'at Julyers', therefore in 1610. The
letter _To the Countesse of Huntingdon_ (p. 201) was probably written
just before Donne took orders, 1614-15. The date of the letter _To
Mris M. H. _ (p. 216), that is, to Mrs. Magdalen Herbert, not yet Lady
Danvers, must have been earlier than her second marriage in 1608--the
exact day of that marriage I do not know--probably in 1604, as the
verse, style and tone closely resemble that of the letter to Wotton of
that year. This suits the tenor of the letter, which implies that she
had not yet married Sir John Danvers.
The last in the collection of the letters to Lady Bedford, 'You that
are she and you' (p. 227), seems from its position in _1633_ and
several MSS. to have been sent to her with the elegy called _Death_,
and to have been evoked by the death of Lady Markham or Mrs.
