No More Learning

Thou wert not nursed by the waterfall
Which ever sounds and shines
A pillar of white light upon the wall
Of purple cliffs, aloof descried:
Come from the woods that belt the grey hill-side,
The seven elms, the poplars [4] four
That stand beside my father's door,
And chiefly from the brook [5] that loves
To purl o'er matted cress and ribbed sand,
Or dimple in the dark of rushy coves,
Drawing into his narrow earthen urn,
In every elbow and turn,
The filter'd tribute of the rough woodland.
O! hither lead thy feet!
Pour round mine ears the livelong bleat
Of the thick-fleeced sheep from wattled folds,
Upon the ridged wolds,
When the first matin-song hath waken'd [6] loud
Over the dark dewy earth forlorn,
What time the amber morn
Forth gushes from beneath a low-hung cloud.


5

Large dowries doth the raptured eye
To the young spirit present
When first she is wed;
And like a bride of old
In triumph led,
With music and sweet showers
Of festal flowers,
Unto the dwelling she must sway.
Well hast thou done, great artist Memory,
In setting round thy first experiment
With royal frame-work of wrought gold;
Needs must thou dearly love thy first essay,
And foremost in thy various gallery
Place it, where sweetest sunlight falls
Upon the storied walls;
For the discovery
And newness of thine art so pleased thee,
That all which thou hast drawn of fairest
Or boldest since, but lightly weighs
With thee unto the love thou bearest
The first-born of thy genius.
Artist-like,
Ever retiring thou dost gaze
On the prime labour of thine early days:
No matter what the sketch might be;
Whether the high field on the bushless Pike,
Or even a sand-built ridge
Of heaped hills that mound the sea,
Overblown with murmurs harsh,
Or even a lowly cottage [7] whence we see
Stretch'd wide and wild the waste enormous marsh,
Where from the frequent bridge,
Like emblems of infinity, [8]
The trenched waters run from sky to sky;
Or a garden bower'd close
With plaited [9] alleys of the trailing rose,
Long alleys falling down to twilight grots,
Or opening upon level plots
Of crowned lilies, standing near
Purple-spiked lavender:
Whither in after life retired
From brawling storms,
From weary wind,
With youthful fancy reinspired,
We may hold converse with all forms
Of the many-sided mind,
And those [10] whom passion hath not blinded,
Subtle-thoughted, myriad-minded.
My friend, with you [11] to live alone,
Were how much [12] better than to own
A crown, a sceptre, and a throne!
O strengthen, enlighten me!
I faint in this obscurity,
Thou dewy dawn of memory.


[Footnote 1: 1830. Cam'st. ]

[Footnote 2: 1830. Kist. ]

[Footnote 3: Transferred from 'Timbuctoo'.
And these with lavish'd sense
Listenist the lordly music flowing from
The illimitable years. ]

[Footnote 4: The poplars have now disappeared but the seven elms are
still to be seen in the garden behind the house. See Napier, 'The
Laureate's County', pp. 22, 40-41. ]

[Footnote 5: This is the Somersby brook which so often reappears in
Tennyson's poetry, cf. 'Millers Daughter, A Farewell', and 'In
Memoriam', 1 xxix. and c. ]

[Footnote 6: 1830. Waked. For the epithet "dew-impearled" 'cf'.
Drayton, Ideas, sonnet liii. , "amongst the dainty 'dew-impearled
flowers'," where the epithet is more appropriate and intelligible. ]

[Footnote 7: 1830. The few. ]

[Footnote 8: 1830 and 1842. Thee.