No More Learning

They impart
A double force unto their song
Who following Petrarch move along
And ease the tortures of the heart--
Perchance they laurels also cull--
But I, in love, was mute and dull.

LIII

The Muse appeared, when love passed by
And my dark soul to light was brought;
Free, I renewed the idolatry
Of harmony enshrining thought.
I write, and anguish flies away,
Nor doth my absent pen portray
Around my stanzas incomplete
Young ladies' faces and their feet.
Extinguished ashes do not blaze--
I mourn, but tears I cannot shed--
Soon, of the tempest which hath fled
Time will the ravages efface--
When that time comes, a poem I'll strive
To write in cantos twenty-five.

LIV

I've thought well o'er the general plan,
The hero's name too in advance,
Meantime I'll finish whilst I can
Canto the First of this romance.
I've scanned it with a jealous eye,
Discovered much absurdity,
But will not modify a tittle--
I owe the censorship a little.
For journalistic deglutition
I yield the fruit of work severe.
Go, on the Neva's bank appear,
My very latest composition!
Enjoy the meed which Fame bestows--
Misunderstanding, words and blows.


END OF CANTO THE FIRST



CANTO THE SECOND

The Poet

"O Rus! "--Horace

Canto The Second

[Note: Odessa, December 1823. ]

I

The village wherein yawned Eugene
Was a delightful little spot,
There friends of pure delight had been
Grateful to Heaven for their lot.
The lonely mansion-house to screen
From gales a hill behind was seen;
Before it ran a stream. Behold!
Afar, where clothed in green and gold
Meadows and cornfields are displayed,
Villages in the distance show
And herds of oxen wandering low;
Whilst nearer, sunk in deeper shade,
A thick immense neglected grove
Extended--haunt which Dryads love.
II

'Twas built, the venerable pile,
As lordly mansions ought to be,
In solid, unpretentious style,
The style of wise antiquity.
Lofty the chambers one and all,
Silk tapestry upon the wall,
Imperial portraits hang around
And stoves of various shapes abound.
All this I know is out of date,
I cannot tell the reason why,
But Eugene, incontestably,
The matter did not agitate,
Because he yawned at the bare view
Of drawing-rooms or old or new.

III

He took the room wherein the old
Man--forty years long in this wise--
His housekeeper was wont to scold,
Look through the window and kill flies.
'Twas plain--an oaken floor ye scan,
Two cupboards, table, soft divan,
And not a speck of dirt descried.
Oneguine oped the cupboards wide.
In one he doth accounts behold,
Here bottles stand in close array,
There jars of cider block the way,
An almanac but eight years old.
His uncle, busy man indeed,
No other book had time to read.

IV

Alone amid possessions great,
Eugene at first began to dream,
If but to lighten Time's dull rate,
Of many an economic scheme;
This anchorite amid his waste
The ancient _barshtchina_ replaced
By an _obrok's_ indulgent rate:(23)
The peasant blessed his happy fate.
But this a heinous crime appeared
Unto his neighbour, man of thrift,
Who secretly denounced the gift,
And many another slily sneered;
And all with one accord agreed,
He was a dangerous fool indeed.

[Note 23: The _barshtchina_ was the corvee, or forced labour
of three days per week rendered previous to the emancipation
of 1861 by the serfs to their lord.

The _obrok_ was a species of poll-tax paid by a serf, either
in lieu of the forced labour or in consideration of being
permitted to exercise a trade or profession elsewhere. Very
heavy obroks have at times been levied on serfs possessed of
skill or accomplishments, or who had amassed wealth; and
circumstances may be easily imagined which, under such a
system, might lead to great abuses. ]

V

All visited him at first, of course;
But since to the backdoor they led
Most usually a Cossack horse
Upon the Don's broad pastures bred
If they but heard domestic loads
Come rumbling up the neighbouring roads,
Most by this circumstance offended
All overtures of friendship ended.
"Oh! what a fool our neighbour is!