No More Learning

We have nothing but coarse clothes,
suitable to the season and the place we live in; but in this rustic
dress we will repair to see you, since you command us; we fear not to
present ourselves in this rustic dress; our desire to see you puts down
every other consideration. What matters it to us how we appear before
one who possesses the depth of our hearts? If you wish to see us often
you will treat us without ceremony. "

His visits to Vaucluse were rather infrequent; business, he says,
detained him often at Avignon, in spite of himself; but still at
intervals he passed a day or two to look after his gardens and trees. On
one of these occasions, he wrote a pleasing letter to William of
Pastrengo, dilating on the pleasures of his garden, which displays
liveliness and warmth of heart.

Petrarch had not seen his brother since the latter had taken the cowl in
the Carthusian monastery, some five years before. To that convent he
paid a visit in February, 1347, and he was received like an angel from
heaven. He was delighted to see a brother whom he loved so much, and to
find him contented with the life which he had embraced. The Carthusians,
who had heard of Petrarch, renowned as the finest spirit of the age,
were flattered by his showing a strong interest in their condition; and
though he passed but a day and a night with them, they parted so
mutually well pleased, that he promised, on taking leave, to send them a
treatise on the happiness of the life which they led. And he kept his
word; for, immediately upon his return to Vaucluse, he commenced his
essay "_De Otio Religioso_--On the Leisure of the Religious," and he
finished it in a few weeks. The object of this work is to show the
sweets and advantages of their retired state, compared with the
agitations of life in the world.

From these monkish reveries Petrarch was awakened by an astounding
public event, namely, the elevation of Cola di Rienzo to the tribuneship
of Rome. At the news of this revolution, Petrarch was animated with as
much enthusiasm as if he had been himself engaged in the enterprise.
Under the first impulse of his feelings, he sent an epistolary
congratulation and advice to Rienzo and the Roman people. This letter
breathes a strongly republican spirit.
In later times, we perceive that
Petrarch would have been glad to witness the accomplishment of his
darling object--Rome restored to her ancient power and magnificence,
even under an imperial government. Our poet received from the Tribune an
answer to his epistolary oration, telling him that it had been read to
the Roman people, and received with applause. A considerable number of
letters passed between Petrarch and Cola.

When we look back on the long connection of Petrarch with the Colonna
family, his acknowledged obligations, and the attachment to them which
he expresses, it may seem, at first sight, surprising that he should
have so loudly applauded a revolution which struck at the roots of their
power. But, if we view the matter with a more considerate eye, we shall
hold the poet in nobler and dearer estimation for his public zeal than
if he had cringed to the Colonnas. His personal attachment to _them_,
who were quite as much honoured by _his_ friendship as _he_ was by
_theirs_, was a consideration subservient to that of the honour of his
country and the freedom of his fellow-citizens; "for," as he says in his
own defence, "we owe much to our friends, still more to our parents, but
everything to our country. "

Retiring during this year for some time to Vaucluse, Petrarch composed
an eclogue in honour of the Roman revolution, the fifth in his Bucolics.
It is entitled "La Pieta Pastorale," and has three speakers, who
converse about their venerable mother Rome, but in so dull a manner,
that, if Petrarch had never written better poetry, we should not,
probably, at this moment, have heard of his existence.

In the midst of all this political fervour, the poet's devotion to Laura
continued unabated; Petrarch never composed so many sonnets in one year
as during 1347, but, for the most part, still indicative of sadness and
despair. In his 116th sonnet, he says:--

"Soleo onde, e 'n rena fondo, e serivo in vento. "
I plough in water, build on sand, and write on air.

If anything were wanting to convince us that Laura had treated him,
during his twenty years' courtship, with sufficient rigour, this and
other such expressions would suffice to prove it. A lover, at the end of
so long a period, is not apt to speak thus despondingly of a mistress
who has been kind to him.

It seems, however, that there were exceptions to her extreme reserve. On
one occasion, this year, when they met, and when Petrarch's eyes were
fixed on her in silent reverie, she stretched out her hand to him, and
allowed him to detain it in his for some time. This incident is alluded
to in his 218th sonnet.