Herbert' is written beside the poem, and that in such
cases is meant to indicate the author of the poem.
cases is meant to indicate the author of the poem.
John Donne
41, which were
first published by T. Park in _Heliconia_, ii. 1815, and unless all
of these are to be given to Donne this cannot. It is not in his style,
and Donne more than once denies the Immaculate Conception in the
full Catholic sense of the doctrine. Nothing could more expressly
contradict this sonnet than the lines in the _Second Anniversarie_:
Where thou shalt see the blessed Mother-maid
Joy in not being that, which men have said.
Where she is exalted more for being good,
Then for her interest of Mother-hood.
Of the next three poems (20, 21, 22 on the list), the second, the
_Ode_ beginning 'Vengeance will sit above our faults', seems to me
very doubtful, although on second thoughts I have re-transferred
it from the Appendix to the place among the _Divine Poems_ which
it occupies in _1635_. Against its authenticity are the following
considerations: (1) It is not at all in the style of Donne's other
specifically religious poems. The elevated, stoical tone is more like
Jonson's occasional religious pieces than Donne's personal, tormented,
Scholastic _Divine Poems_. (2) Of the manuscripts in which it appears,
_B_, _Cy_, _H40_, _RP31_, _O'F_, _P_, _S_, the best, _RP31_, assigns
it, not to Donne, but to 'Sir Edward Herbert', i. e. Lord Herbert of
Cherbury. [17] Mr. Chambers, indeed, inadvertently stated that in this
manuscript 'it is said to have been written to George Herbert'. The
name 'Sr Edw.
Herbert' is written beside the poem, and that in such
cases is meant to indicate the author of the poem. It seems to me
quite possible that it was written by Lord Herbert, but until more
evidence be forthcoming I have let it stand, because (1) the letters
'I. D. ' printed after the poem show that the poem must have been
so initialled in the manuscript from which it was printed, and (2)
because, though not in the style of Donne's later religious poems, it
is somewhat in the style of the philosophical, stoical letter which
Donne addressed to Sir Edward Herbert at the siege of Juliers in 1610.
The poem was possibly composed at the same time. (3) The thought of
the last verse, our ignorance of ourselves, recurs in Donne's poems
and prose. Compare _Negative Love_ (p. 66):
If any who deciphers best,
What we know not, our selves,
and the passage quoted in the note to this poem.
The poem _Upon the translation of the Psalmes by Sir Philip Sydney,
and the Countesse of Pembroke his Sister_, if by Donne, was probably
written late in his life and never widely circulated. It occurred
to me that the author might be John Davies of Hereford, who was
a dependent of the Countess and her two sons, and who made a
calligraphic copy of the _Psalms_ of Sidney and his sister, from
which they were printed by Singer in 1823. But Professor Saintsbury
considers, I think justly, that the 'wit' of the opening lines,
Eternall God (for whom who ever dare
Seeke new expressions, doe the Circle square,
And thrust into strait corners of poore wit
Thee who art cornerlesse and infinite),
is above Davies' level, and indeed the whole poem is. The lines _To
Mr. Tilman after he had taken orders_ (22 on the list) were also
probably privately communicated to the person to whom they were
addressed. The best argument for their genuineness is that Walton
seems to quote from them when he describes Donne's preaching.
For they doe
As Angels out of clouds, from Pulpits speake,
must have suggested 'always preaching to himself, like an angel from a
cloud, but in none'. This does not, however, carry us very far.
first published by T. Park in _Heliconia_, ii. 1815, and unless all
of these are to be given to Donne this cannot. It is not in his style,
and Donne more than once denies the Immaculate Conception in the
full Catholic sense of the doctrine. Nothing could more expressly
contradict this sonnet than the lines in the _Second Anniversarie_:
Where thou shalt see the blessed Mother-maid
Joy in not being that, which men have said.
Where she is exalted more for being good,
Then for her interest of Mother-hood.
Of the next three poems (20, 21, 22 on the list), the second, the
_Ode_ beginning 'Vengeance will sit above our faults', seems to me
very doubtful, although on second thoughts I have re-transferred
it from the Appendix to the place among the _Divine Poems_ which
it occupies in _1635_. Against its authenticity are the following
considerations: (1) It is not at all in the style of Donne's other
specifically religious poems. The elevated, stoical tone is more like
Jonson's occasional religious pieces than Donne's personal, tormented,
Scholastic _Divine Poems_. (2) Of the manuscripts in which it appears,
_B_, _Cy_, _H40_, _RP31_, _O'F_, _P_, _S_, the best, _RP31_, assigns
it, not to Donne, but to 'Sir Edward Herbert', i. e. Lord Herbert of
Cherbury. [17] Mr. Chambers, indeed, inadvertently stated that in this
manuscript 'it is said to have been written to George Herbert'. The
name 'Sr Edw.
Herbert' is written beside the poem, and that in such
cases is meant to indicate the author of the poem. It seems to me
quite possible that it was written by Lord Herbert, but until more
evidence be forthcoming I have let it stand, because (1) the letters
'I. D. ' printed after the poem show that the poem must have been
so initialled in the manuscript from which it was printed, and (2)
because, though not in the style of Donne's later religious poems, it
is somewhat in the style of the philosophical, stoical letter which
Donne addressed to Sir Edward Herbert at the siege of Juliers in 1610.
The poem was possibly composed at the same time. (3) The thought of
the last verse, our ignorance of ourselves, recurs in Donne's poems
and prose. Compare _Negative Love_ (p. 66):
If any who deciphers best,
What we know not, our selves,
and the passage quoted in the note to this poem.
The poem _Upon the translation of the Psalmes by Sir Philip Sydney,
and the Countesse of Pembroke his Sister_, if by Donne, was probably
written late in his life and never widely circulated. It occurred
to me that the author might be John Davies of Hereford, who was
a dependent of the Countess and her two sons, and who made a
calligraphic copy of the _Psalms_ of Sidney and his sister, from
which they were printed by Singer in 1823. But Professor Saintsbury
considers, I think justly, that the 'wit' of the opening lines,
Eternall God (for whom who ever dare
Seeke new expressions, doe the Circle square,
And thrust into strait corners of poore wit
Thee who art cornerlesse and infinite),
is above Davies' level, and indeed the whole poem is. The lines _To
Mr. Tilman after he had taken orders_ (22 on the list) were also
probably privately communicated to the person to whom they were
addressed. The best argument for their genuineness is that Walton
seems to quote from them when he describes Donne's preaching.
For they doe
As Angels out of clouds, from Pulpits speake,
must have suggested 'always preaching to himself, like an angel from a
cloud, but in none'. This does not, however, carry us very far.
