No More Learning

"

Petrarch shortened his excursion that he might return the sooner to
Avignon, where the Bishop of Lombes had promised to await his return,
and take him to Rome.

When he arrived at Lyons, however, he was informed that the Bishop had
departed from Avignon for Rome. In the first paroxysm of his
disappointment he wrote a letter to his friend, which portrays strongly
affectionate feelings, but at the same time an irascible temper. When he
came to Avignon, the Cardinal Colonna relieved him from his irritation
by acquainting him with the real cause of his brother's departure. The
flames of civil dissension had been kindled at Rome between the rival
families of Colonna and Orsini. The latter had made great preparations
to carry on the war with vigour. In this crisis of affairs, James
Colonna had been summoned to Rome to support the interests of his
family, and, by his courage and influence, to procure them the succour
which they so much required.

Petrarch continued to reside at Avignon for several years after
returning from his travels in France and Flanders. It does not appear
from his sonnets, during those years, either that his passion for Laura
had abated, or that she had given him any more encouragement than
heretofore. But in the year 1334, an accident renewed the utmost
tenderness of his affections. A terrible affliction visited the city of
Avignon. The heat and the drought were so excessive that almost the
whole of the common people went about naked to the waist, and, with
frenzy and miserable cries, implored Heaven to put an end to their
calamities. Persons of both sexes and of all ages had their bodies
covered with scales, and changed their skins like serpents.

Laura's constitution was too delicate to resist this infectious malady,
and her illness greatly alarmed Petrarch. One day he asked her
physician how she was, and was told by him that her condition was very
dangerous: on that occasion he composed the following sonnet:[E]--

This lovely spirit, if ordain'd to leave
Its mortal tenement before its time,
Heaven's fairest habitation shall receive
And welcome her to breathe its sweetest clime.
If she establish her abode between
Mars and the planet-star of Beauty's queen,
The sun will be obscured, so dense a cloud
Of spirits from adjacent stars will crowd
To gaze upon her beauty infinite.
Say that she fixes on a lower sphere,
Beneath the glorious sun, her beauty soon
Will dim the splendour of inferior stars--
Of Mars, of Venus, Mercury, and the Moon.
She'll choose not Mars, but higher place than Mars;
She will eclipse all planetary light,
And Jupiter himself will seem less bright.

I trust that I have enough to say in favour of Petrarch to satisfy his
rational admirers; but I quote this sonnet as an example of the worst
style of Petrarch's poetry. I make the English reader welcome to rate my
power of translating it at the very lowest estimation. He cannot go much
further down than myself in the scale of valuation, especially if he has
Italian enough to know that the exquisite mechanical harmony of
Petrarch's style is beyond my reach. It has been alleged that this
sonnet shows how much the mind of Petrarch had been influenced by his
Platonic studies; but if Plato had written poetry he would never have
been so extravagant.

Petrarch, on his return from Germany, had found the old Pope, John
XXII. , intent on two speculations, to both of which he lent his
enthusiastic aid. One of them was a futile attempt to renew the
crusades, from which Europe had reposed for a hundred years. The other
was the transfer of the holy seat to Rome. The execution of this plan,
for which Petrarch sighed as if it were to bring about the millennium,
and which was not accomplished by another Pope without embroiling him
with his Cardinals, was nevertheless more practicable than capturing
Jerusalem. We are told by several Italian writers that the aged Pontiff,
moved by repeated entreaties from the Romans, as well as by the remorse
of his conscience, thought seriously of effecting this restoration; but
the sincerity of his intentions is made questionable by the fact that he
never fixed himself at Rome. He wrote, it is true, to Rome in 1333,
ordering his palaces and gardens to be repaired; but the troubles which
continued to agitate the city were alleged by him as too alarming for
his safety there, and he repaired to Bologna to wait for quieter times.

On both of the above subjects, namely, the insane crusades and the more
feasible restoration of the papal court to Rome, Petrarch wrote with
devoted zeal; they are both alluded to in his twenty-second sonnet.

The death of John XXII.