Like one beloved the scene had lent
To the dark water's breast
Its every leaf and lineament _95
With that clear truth expressed;
There lay far glades and neighbouring lawn,
And through the dark green crowd
The white sun twinkling like the dawn
Under a speckled cloud.
To the dark water's breast
Its every leaf and lineament _95
With that clear truth expressed;
There lay far glades and neighbouring lawn,
And through the dark green crowd
The white sun twinkling like the dawn
Under a speckled cloud.
Shelley
The eldest of the Hours of Spring,
Into the Winter wandering, _10
Looks upon the leafless wood,
And the banks all bare and rude;
Found, it seems, this halcyon Morn
In February's bosom born,
Bending from Heaven, in azure mirth, _15
Kissed the cold forehead of the Earth,
And smiled upon the silent sea,
And bade the frozen streams be free;
And waked to music all the fountains,
And breathed upon the rigid mountains, _20
And made the wintry world appear
Like one on whom thou smilest, Dear.
Radiant Sister of the Day,
Awake! arise! and come away!
To the wild woods and the plains, _25
To the pools where winter rains
Image all the roof of leaves,
Where the pine its garland weaves
Sapless, gray, and ivy dun
Round stems that never kiss the sun-- _30
To the sandhills of the sea,
Where the earliest violets be.
Now the last day of many days,
All beautiful and bright as thou,
The loveliest and the last, is dead, _35
Rise, Memory, and write its praise!
And do thy wonted work and trace
The epitaph of glory fled;
For now the Earth has changed its face,
A frown is on the Heaven's brow. _40
We wandered to the Pine Forest
That skirts the Ocean's foam,
The lightest wind was in its nest,
The tempest in its home.
The whispering waves were half asleep, _45
The clouds were gone to play,
And on the woods, and on the deep
The smile of Heaven lay.
It seemed as if the day were one
Sent from beyond the skies, _50
Which shed to earth above the sun
A light of Paradise.
We paused amid the pines that stood,
The giants of the waste,
Tortured by storms to shapes as rude _55
With stems like serpents interlaced.
How calm it was--the silence there
By such a chain was bound,
That even the busy woodpecker
Made stiller by her sound _60
The inviolable quietness;
The breath of peace we drew
With its soft motion made not less
The calm that round us grew.
It seemed that from the remotest seat _65
Of the white mountain's waste
To the bright flower beneath our feet,
A magic circle traced;--
A spirit interfused around,
A thinking, silent life; _70
To momentary peace it bound
Our mortal nature's strife;--
And still, it seemed, the centre of
The magic circle there,
Was one whose being filled with love _75
The breathless atmosphere.
Were not the crocuses that grew
Under that ilex-tree
As beautiful in scent and hue
As ever fed the bee? _80
We stood beneath the pools that lie
Under the forest bough,
And each seemed like a sky
Gulfed in a world below;
A purple firmament of light _85
Which in the dark earth lay,
More boundless than the depth of night,
And clearer than the day--
In which the massy forests grew
As in the upper air, _90
More perfect both in shape and hue
Than any waving there.
Like one beloved the scene had lent
To the dark water's breast
Its every leaf and lineament _95
With that clear truth expressed;
There lay far glades and neighbouring lawn,
And through the dark green crowd
The white sun twinkling like the dawn
Under a speckled cloud. _100
Sweet views, which in our world above
Can never well be seen,
Were imaged by the water's love
Of that fair forest green.
And all was interfused beneath _105
With an Elysian air,
An atmosphere without a breath,
A silence sleeping there.
Until a wandering wind crept by,
Like an unwelcome thought, _110
Which from my mind's too faithful eye
Blots thy bright image out.
For thou art good and dear and kind,
The forest ever green,
But less of peace in S--'s mind,
Than calm in waters, seen. _116.
***
WITH A GUITAR, TO JANE.
[Published by Medwin, "The Athenaeum", October 20, 1832; "Frazer's
Magazine", January 1833. There is a copy amongst the Trelawny
manuscripts. ]
Ariel to Miranda:--Take
This slave of Music, for the sake
Of him who is the slave of thee,
And teach it all the harmony
In which thou canst, and only thou, _5
Make the delighted spirit glow,
Till joy denies itself again,
And, too intense, is turned to pain;
For by permission and command
Of thine own Prince Ferdinand, _10
Poor Ariel sends this silent token
Of more than ever can be spoken;
Your guardian spirit, Ariel, who,
From life to life, must still pursue
Your happiness;--for thus alone _15
Can Ariel ever find his own.
From Prospero's enchanted cell,
As the mighty verses tell,
To the throne of Naples, he
Lit you o'er the trackless sea, _20
Flitting on, your prow before,
Like a living meteor.
When you die, the silent Moon,
In her interlunar swoon,
Is not sadder in her cell
Than deserted Ariel.
When you live again on earth,
Like an unseen star of birth,
Ariel guides you o'er the sea
Of life from your nativity. _30
Many changes have been run
Since Ferdinand and you begun
Your course of love, and Ariel still
Has tracked your steps, and served your will;
Now, in humbler, happier lot, _35
This is all remembered not;
And now, alas! the poor sprite is
Imprisoned, for some fault of his,
In a body like a grave;--
From you he only dares to crave, _40
For his service and his sorrow,
A smile today, a song tomorrow.
The artist who this idol wrought,
To echo all harmonious thought,
Felled a tree, while on the steep _45
The woods were in their winter sleep,
Rocked in that repose divine
On the wind-swept Apennine;
And dreaming, some of Autumn past,
And some of Spring approaching fast, _50
And some of April buds and showers,
And some of songs in July bowers,
And all of love; and so this tree,--
O that such our death may be!